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The role of Antonio in Shakespeare's Tempest
[Note: In this written work Antonio thinks of himself as an innocent person and believes that the world is doing wrong to him .He also believes that his rights have been snatched from him and no one in this world is more miserable and sympathy deserving than him.]
Life is so miserable. Here I sit in a corner of this darkened room all alone thinking about my past and trying to figure out what to do with my futile life .The night is dark and long just like the rest of my life. But it is not too late, as long as I am living I will struggle to get what I deserve. Life has become very upsetting lately and I miss the times when I was the highest authority and the sole Duke on Milan. Now things have changed and I sit here in my room helpless, with nothing in my hand, no charge or position in Milan. What a glory I have experienced, guards on my security at all times, wo castles with several maids at my service, I worked with people I liked and got rid of the useless ones. I was the master and everyone else a slave, my orders were fulfilled in no time and I lived a happy life. If only I had planned more carefully and kept track of my men putting my brother to eternal sleep I would have been living a pleasant life of a duke; I would never have been hopeless to Prospero's powers.
Ugh... I hear Prospero's insulting words in my ears. How could I have possibly heard those insulting words from him at the island when he snatched my dukedom from me? At that time my life was in his hands. Looking at him now sitting at the place where I have ruled for 12 years is an unbearable sight to me. What is my future? ...A slave for Prospero? No! I will not let this happen. Prospero is taking revenge from me, he treats me like I am nothing .He doesn't miss any chance of teasing me. He did the worst to me today.
Why the Major Cities of Britain were Bombed by the Germans in 1940 and 1941
An article from the Evening Standard, published on the 13th January 1941, states that ‘Seventeen women and children who were trapped in the basement of a London house damaged by a bomb....
The Othello of the Fourth Act is Othello in his fall. His fall is never complete, but he is much changed. Towards the close of the Temptation-scene he becomes at times most terrible, but his grandeur remains almost undiminished. Even in the following scene (III iv), where he goes to test Desdemona in the matter of the handkerchief, and receives a fatal confirmation of her guilt, our sympathy with him is hardly touched by any feeling of humiliation. But in the Fourth Act "Chaos has come". A slight interval of time may be admitted here. It is but slight; for it was necessary for Iago to hurry on, and terribly dangerous to leave a chance for a meeting of Cassio with Othello; and his insight into Othello's nature taught him that his plan was to deliver blow on blow, and never to allow his victim to recover from the confusion of the first shock. Still there is a slight interval; and when Othello reappears we see at a glance that he is a changed man. He is physically exhausted, and his mind is dazed. He sees everything blurred through a mist of blood and tears. He has actually forgotten the incident of the handkerchief, and has to be reminded of it. When Iago, perceiving that he can now risk almost any lie, tells him that Cassio has confessed his guilt, Othello, the hero who has seemed to us only second to Coriolanus in physical power, trembles all over; he mutters disjointed words; a blackness suddenly intervenes between his eyes and the world; he takes it for the shuddering testimony of nature to the horror he has just heard, [Endnote 6] and he falls senseless to the ground. When he recovers it is to watch Cassio, as he imagines, laughing over his shame. It is an imposition so gross, and should have been one so perilous, that Iago would never have ventured it before. But he is safe now. The sight only adds to the confusion of intellect the madness of rage; and a ravenous thirst for revenge, contending with motions of infinite longing and regret, conquers them. The delay till night-fall is torture to him. His self-control has wholly deserted him, and he strikes his wife in the presence of the Venetian envoy. He is so lost to all sense of reality that he never asks himself what will follow the deaths of Cassio and his wife.
Othello: The Father/Daughter Conflict Brabantio, father of Desdemona in William Shakespeare's "Othello," is not happy that his daughter is marrying the title character. This father/daughter conflict impacts the work significantly by foreshadowing the climax, giving antagonist Iago material for his evil plot. Brabantio is a Venetian Senator with definite ideas on the subject of his daughter. He wants to choose a husband for her who he feels is of her caliber and who can provide her a good life, as well as raise the family's esteem in Venetian society. At that time, this was his right as Desdemona's father.
The Setting of Venice in Othello Othello is a fundamentally different character to all others in the play [1]. He is an outsider to Venice and therefore an outsider to the customs and society of Venice. In one way this is good for him. He is a renowned strong general who is much in demand from the Venetians.
In the play Othello by William Shakespeare, we see a black man marrying a wealthy young white woman named Desdemona. The black man named Othello serves the Italian government, as a general, this man is a very a loyal and trusting person. Othello is easily persuaded as stated by Iago, his ancient, who wrights this passage about him ““The Moor is of a free and open nature, That thinks men honest that but seem to be so, And will as tenderly be led by the nose As asses are. (Act 1, 3,405.)“ This shows us the kind of man Othello is a trusting man, and thinks that everyone is telling the truth. This opens Othello, to believe on the lies that Iago, is telling him. However, Othello is not a stupid man, he is a general after all, and must be shown proof when people put up arguments especially against his own wife, cheating on him. Now the question is why did Othello not look for his own proof of the acquisition laid up against his wife cheating. He surly is not stupid, considering that he has such a high position. In this essay, I will explain why, Othello does not look for more proof, of his wife’s affairs and merely believes Iago.
Othello, a play by William Shakespeare, takes place in Venice during the invasion of the island of Cyprus by the Turks. The protagonist of the story, Othello, is a newlywed, Moorish general with a very gullible nature. The antagonist of the story is Iago, an officer under Othello who wishes to be promoted to lieutenant, but the position was given to the young and attractive Cassio. Other major characters in the play are Desdemona, Othello's wife who is accused of having an affair with Cassio. In addition, there are Roderigo, a Venetian who is deeply in love with Desdemona; and Emilia (Iago's wife) who could have prevented the death of Desdemona.
During Shakespeare's time social classification was much more rigid than today and some members of society were considered superior to other members. Shakespeare provides an example of this rigid social structure through his play, The Tempest. Shakespeare illustrates how superior men differentiated themselves from lesser beings on the basis of race, financial status, and gender. Through the character of Prospero, Shakespeare provides and example of one, who had reason to feel superior, yet treated others equally and with the respect due to them.
This character is so noble, Othello's feelings and actions follow so inevitably from it and from the forces brought to bear on it, and his sufferings are so heart-rending, that he stirs a passion of mingled love and pity which readers feel for no other hero in Shakespeare, and to which not even Mr Swinburne can do more than justice. Yet there are some critics and not a few readers who cherish a grudge against him. They do not merely think that in the later stages of his temptation he showed a certain obtuseness, and that, to speak pedantically, he acted with unjustifiable precipitance and violence; no one, I suppose, denies that. But, even when they admit that he was not of a jealous temper, they consider that he was "easily jealous"; they seem to think that it was inexcusable in him to feel any suspicion of his wife at all; and they blame him for never suspecting Iago or asking him for evidence. I refer to this attitude of mind chiefly in order to draw attention to certain points in the story. It comes partly from inattention (for Othello did suspect Iago and did ask him for evidence); partly from a misconstruction of the text which makes Othello appear jealous long before he really is so; [Endnote 2] and partly from failure to realise certain essential facts. I will begin with these.
In the play Othello by William Shakespeare, Iago is one of the worst villains of all time because his jealousy causes him to ruin many people’s lives. Roderigo, a character in Othello, is used as a part of Iago’s plan. Iago convinces Othello that Cassio cheated with Desdemona. Iago’s plan ultimately causes Cassio to lose his job and Othello’s trust.
In response to Sebastian’s question about whether his conscience would bother him after committing fratricide, Antonio replies, “Ay, sir, where lies that? If `twere a kibe / `Twould put me to my slipper…” meaning that if his conscience was a small sore on the heel of his foot (a kibe), it would drive him to wear comfortable shoes but it would certainly not disrupt his life or stop him from doing what he’s doing. This shows Antonio to be a cold-hearted man, one who is able to quiet that little voice inside his head and push it to the back of his brain and continue with his terrible acts. In the next thought, he says, “…but I feel not this deity in my bosom,” admitting he doesn’t feel the tug of a conscience in his heart.
The book “Othello” and movie “Othello” are both surrounded with race and jealousy. Othello is the only black guy in this play. Because of his capability make him more stronger in the play. All the people around Othello are white, and you can clearly notice that in the movie. Desdemona is also a important role in this play. She is white, which makes she and Othello not that great to be together. That’s why even though Othello knows she loves him, he still can’t believe what she says. Finally he kills Desdemona. Othello has no self-confidence, because he was different than other. That’s why after Iago tells him that Desdemona is cheating on him, he easily believes. Iago hate Othello and envies him. Because of the power Othello has, makes him feel his position is really low. The jealousy urges him to make a plan to revenge Othello, so he asks help from Cassio. Cassio is a character who is also jealous Othello, because he loves Desdemona too. He is the white guy, so thinks he is more suited to be with Desdemona.Jealous is a big factor in this play, also it’s how this play starts and end.
Thomas Hardy was a famous author and poet he lived from 1840 to 1928. During his long life of 88 years he wrote fifteen novels and one thousand poems. He lived for the majority of his life near Dorchester. Hardy got many ideas for his stories while he was growing up. An example of this was that he knew of a lady who had had her blood turned by a convict’s corpse and he used this in the story ‘The Withered Arm’. The existence of witches and witchcraft was accepted in his lifetime and it was not unusual for several people to be killed for crimes of witchcraft every year.
In the play Othello Shakespeare presents Othello and Desdemona who can be admired as long as they are honorable and noble, but when faced with baser human qualities they crumble.
Prospero presents himself as a victim of injustice, however his belief of justice and injustice is somewhat contradicting. He takes advantage of this authority over other people and situations he encounters while using his integrity and compassion to mask his dangerous plans and to retain love and respect. The Tempest in the end suggests that love and compassion are more effective political tools than violence, hatred or even abusive magic.