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What is the function of feste on twelfth night
What is the function of feste on twelfth night
What is the function of feste on twelfth night
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Importance of Feste in Twelfth Night
Feste, the amusing clown, plays a most important part in the play. He is able to take on several roles, and is indeed "for all waters"; from serious to comic, learned to nonsensical, the wit or the practical joker; just as the occasion seems to suggest. Because he is a part of both the main and sub plot, Feste is the character, who links both parts of the play together, making Twelfth Night a whole.
The clown contributes towards the humourous entertainment of this play through his numerous puns and jokes. He is a source of laughter, not because we are humoured by his "foolery"; for he proves to be no fool at all; but rather because he amuses us with his brilliant wit. Having mastered the art of jesting, Feste is sensitive of his profession, always aware of the circumstances he is in and the appropriateness of this folly.
Feste is able to prevent any delusions of grandeur by a reminder that foolishness is a condition common to all mankind whether one is king or servant. It is Malvolio's vanity that convinces Feste to take part in the joke played on the steward. As "Sir Topas", and Malvolio's `prosecutor` Feste attempted to help Malvolio realize that there was "no darkness but ignorance".
With Feste's help, we are able to attain a better understanding of the other characters in the play- revealing their true personalities, which are sometimes unseen, not only by us, the audience, but also by the characters themselves. He shows Olivia how unrealistic and excessive her mourning for her brother's death has been, he tells Orsino how foolish he is for languishing in a mood of love-sick melancholy for Olivia and points out how mercurial his personality is, and he makes a fool out of the pompous Malvolio. "Foolery, sir, does walk about the orb like the sun- it shines everywhere" says Feste.
Feste, however, never takes sides with any of the characters, and in this way, he becomes a kind of commentator for the play. He is able to examine the characters, revealing the bare truth about them and he unites the main and sub-plot in a similar way.
Witchcraft had always fascinated many people and been a very controversial topic in North America during (seventeenth) 17th century. Many People believe that witchcraft implies the ability to injure or using supernatural power to harm others. People believed that a witch represents dark side of female present and were more likely to embrace witchcraft than men. There are still real witches among us in the Utah whom believe that witchcraft is the oldest religion dealing with the occult. However the popular conception of a witch has not changed at least since the seventeenth century; they still caused panic, fear and variety of other emotions in people…………………….
Throughout the late 17th century and into the early 18th century witchcraft prosecutions had been declining. This trend was the result of a multitude of social developments which altered the mentality of society. One of the predominant factors in this decline was the Scientific Revolution, the most important effect of these advances was making society question concepts of witchcraft. Along with this new mental outlook, we see that the Reformation had a similar effect on social opinion concerning witchcraft and magic. These two developments changed societies view on the occult and this led to a wider scepticism concerning witchcraft, this favoured those who had been accused and therefore caused a decline in prosecutions. Beyond the two trends mentioned however, it is important to consider judicial reforms and an improved socio-economic situation which reduced tensions within society. These two changes were certainly not as influential as the Scientific Revolution and the Reformation but heavily altered the circumstances in which accusations were normally made. With the altered social attitudes and mental outlook these changes in living situations all contributed to bring about the decline in witchcraft prosecutions.
Shakespeare’s Twelfth Night is a comedy that has been interpreted in different ways, enabling one to receive multiple experiences of the same story. Due to the content and themes of the play, it can be creatively challenging to producers and their casting strategies. Instead of being a hindrance, I find the ability for one to experiment exciting as people try to discover strategies that best represent entertainment for the audience, as well as the best ways to interpret Shakespeare’s work.
...en accused on the premise of being heretics or using healing magic (cite, cite). Furthermore, women who were brought to court on allegations of witchcraft in Europe in the early modern times are often of low social-economic status, in contrast to men who are oftentimes of superior social-economic status. This is because men are often victimized in order to bring about financial gain through the confiscation of their property. Witchcraft in early modern Europe can definitely be regarded as sex-related, but was by no means sex-specific (Larner, 2002).
Witches were no longer simply people who used magical power to get what they wanted, but people used by the devil to do what he wanted. Witchcraft was thus not a question of what one did, but of what on was, and proving that a witch had committed maleficia was no longer necessary for conviction. (Wiesner 265)
To me, the other two major theories applied to the problems of witchcraft seem much to politicized to be considered as historical. As Sharpe states, addressing the gender issue first, “The crucial development here was the rise of the Women’s Movement in the United States and Europe”(9). He continues to say that these women “sought to construct a history of oppression which would help inform their consciousness in their ongoing struggle”(10). This theory absolutely reeks of ulterior motives. Though it cannot be denied that approximately eighty percent of the witches executed during these times were women, it seems odd that no scholars felt inclined to point this out as relevant until the 1970s when it fit into the “construction of a history.” History should not be constructed in order to suit the needs of the present, nor the future. Ac...
Rosalyn who is going to become a nun. Romeo is upset by this and his
There have been various explanations by different historians for why the majority of Witches accused were woman. One of the first models concerning Witchcraft and gender to be produced was the ‘Witch-cult‘ idea. This theory was devised by Margaret Murray in the early 20th century and revolved around the idea of Witchcraft being an actual pre-Christian religion. This pagan woman-based religion centred around ‘The Horned God’ who from the Christian point of view was Satan. Murray writes that the ‘God of the old religion becomes the Devil of the new.’ This religion concerned woman in that it was being supressed by the Christian Church which was a male dominated organisation with an exclusively male hierarchy. In effect the whole Witch-hunt affair was a persecution of woman by men, both being polar opposites even in religion. Murray’s thesis proved very popular with radical feminists from the 1960s onwards, providing the feminist movement with a sort of rallying point, further exaggerating the sex specific elements in the Murray model. Murray’s thesis however, was attacked from day one and continues to be discredited to this day due to the lack of evidence in support of it and th...
community is in a decline in the U.S. To do this I must first provide
The people who were often thought to be the accusers of witches were commonly believed to be men wishing to suppress unruly women. This may be true, but is far more indirect and subtle than popularly believed.
“If anyone, deceived by the Devil, shall believe, as is customary among pagans, that any man or woman is a night-witch, and eats men, and on that account burn that person to death... he shall be executed” (Charlemagne) When the words witchcraft or magic are spoken, most people think of the Salem Witch trials or the popular television characters that we have today. But do we really know what happened centuries ago that caused the creation of these ideals and these characters we have grown to adore? Witchcraft still has a tight hold on the mind of many and continues to influence the gap between the popular and elite cultures of today.
The perfect lives that make up the routine of the Illyrian citizens portrays a society in which enjoyment, and personal gain are held in utmost priority. Shakespeares mocks the passivity of the Illyrian lifestyle to explain to the audience that excess of such festivity has negative side effects such as ego and lack of true love. He expresses that the pursuit of expression and truth in itself invokes enjoyment. Sir Aguecheek mirrors the uncertainty of a person through lack of self-confidence and the desire to openly reveal his true self when lamenting “Is it a world to hide virtues in?” (1.3.131). While uncovering aesthetic and emotional mysteries, the Illyrians find that disport restrains them from actual enjoyment and love. The play follows the audience to motivate them towards dissemination of feelings and expression of passion as a “locus of growth and self discovery” (Logan 223) and to obtain true happiness by ridding themselves of excessive, meaningless fun.
...one of the antics at the start play to woo Olivia succeed for Orsino and Viola’s initial plan in the beginning does not blossom. This line concludes the part of Feste’s song in which he is giving a synopsis of the play. The last two stanzas are addressed to the audience and Feste thanks them.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
...disguise to add comic effect by encouraging humour of an audience via the ‘theories of laughter’. Comic effect is accurately demonstrated by Shakespeare’s incorporation of confusion, disorder and farce. However, it can be concluded that Shakespeare’s use of mistaken identity and disguise was for the purpose of more than just for comic effect, but to highlight the audience more serious topics and challenge social norms and values of the period. Ironically, it can be inferred that Shakespeare has masked his underlying purpose of mistaken identity and disguise with comedy.