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Analysis of Moby Dick
Transcendentalism literary
Moby dick as a psychological novel essay
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Melvilles primary focus in his classic novel Moby Dick is the evil of mankind, a point of focus consistent with his anti-Transcendental philosophical alignment. In Moby Dick, Melville shows mans evil toward fellow man and nature through his thoroughly-developed plot and characters, and in the components of the thematic layer underlying almost every characters personal motives. Analysis of Melvilles own motives help to clarify the authors reasoning behind each of the examples of mans evil in his novel. In order to fully understand his anti-Transcendental belief, it is necessary to first comprehend the origin of anti-Transcendentalism. Transcendentalism is the term linked to the Emersonian-Thoreauvian set of beliefs which incorporated the existence of an Oversoul and the benevolent disposition of man as the default one. Such writers as Melville of this time period were opposed to the Transcendental views. The natural opposition to a theory of mans general benevolence is one of his malevolence toward everything around him; the primary idea behind anti-Transcendentalism was that all human people have a capacity for evil and that, given the proper circumstances, the evil in anyone would come forth in their actions. The plot and characters of Moby Dick contribute to its anti-Transcendental philosophy; the entire story revolves around the evil of man, which is demonstrated in practically each person portrayed in the book. The story itself is about man being pitted against nature, as though the two were never meant to coincide peacefully. The men on the ship must fend for themselves against the harsh maritime weather and the believably evil whales which they hunt. Natural forces ravage the population of the whaling vessel; in the end, only the narrator survives. In turn, man is reciprocally evil toward nature; the men destroy the giant sea creatures for their blubber and drop the stripped carcasses back into the water. In addition to this collective evil of the people on the ship, many of the individuals are shining examples of humanitys evil themselves. Captain Ahab, the primary character in the book, makes the sole dedication in his life that of vengeance on the great white whale for which the novel is named. Ahab does, at times, show that he has a less wicked side (signified by the scar that seemingly divides his body into two separate people), but in the end, the evil half of him overcomes his goodness. The deadly accurate main harpooneer, Queequeg, earns his living whaling and selling shrunken heads; these barbaric practices symbolize in him the evil of so-called uncivilized people. The prophet Elijahs prophecies are of the demise of the men onboard the whaling ship; he sees only the evil that comes of mens actions. Even the first mate Starbuck, a Quaker and supposedly pure of spirit, desires a mutiny against Ahab in order to save himself. It would seem that the only pure and innocent character is Ishmael, who is the only member of the doomed crew who lives to give his account. Moby Dick is clearly more than just the story of a formidable sea creature and a crazy peg-legged ships captain; it is an expression of its authors thoughts of the evil which resides in all mens hearts. Melvilles faith in the theories of anti-Transcendentalism is the guiding principle upon which his most famous work is based.
Anti-transcendentalist writing focused on the limitations and the potential destructiveness of the human sprit, rather than on its possibilities. For example, in Moby Dick Melville writes about a man’s obsession to kill a whale. Ahab wants to get his revenge because he had lost his leg to the whale in a previous encounter. Ahab’s obsession makes him not think about the safety of his crews lives and his own. And in the end Ahab ultimately loses his life due to his desire to kill the whale.
He places his readers in situations that force them to identify with right or wrong choices. In Moby Dick, Billy Budd, and "Bartleby the Scrivener," Melville encourages his readers to learn from his explanations of human nature and strive for a better society. Melville's Moby Dick is the saga of a whaling voyage gone awry when the Pequod's Captain Ahab leads his crew, not to hunt for profit, but to hunt the White Whale who took one of his legs. Captain Ahab's idolatrous relationship with the White Whale, Moby Dick, parallels King Ahab's idol worship. Captain Ahab represents all idolaters.
The marriage of the masculine and the feminine into one, at times, indistinct sphere produces what Gene Laskowski calls a “masculine sentimentality” in his dissertation of the same name; curiously called, he adds, as “sentimentality is commonly associated with the tender landscape of feminine” (Laskowski 4). Laskowski calls for a broader understanding of gender in Melville’s works, which need to be “liberated” from their prescribed gender definitions (Laskowski 4). I hope to extend Laskowski’s argument in adding further evidence of “masculine sentimentality”, particularly in Moby-Dick.
The plot and characters of Moby Dick contribute to its anti-Transcendental philosophy; the entire story revolves around the evil of man, which is demonstrated in practically each person portrayed in the book. The story itself is about man being pitted against nature, as though the two were never meant to coincide peacefully. The men on the ship must fend for themselves against the harsh maritime weather and the believably evil whales which they hunt. Natural forces ravage the population of the whaling vessel; in the end, only the narrator survives. In turn, man is reciprocally evil toward nature; the men destroy the giant sea creatures for their blubber and drop the stripped carcasses back into the water.
Once Father Mapple speaks about Jonah and the whale, it becomes clear that Herman Melville's 1851 novel has a connection to the Bible and Christianity. Melville fills Moby Dick with several biblical allusions, and the novel's main characters are linked symbolically to figures in the Bible. Melville alludes to the Bible in Moby Dick to mock Christianity. He uses his primary characters of Ishmael, Ahab, and Moby Dick to make God seem like a judgmental being who has no pity on sinners unless they obey him. He also portrays faithful Christians as outsiders who
Herman Melville was a very creative and intelligent writer for his time. With his usage of figurative language and his many allusions to Shakespeare and the Bible, one cannot fully grasp the depth and perception of Moby Dick. One can never truly understand the full meaning behind the text. The classic novel, Moby Dick, unfortunately, did not become popular until after his death and is arguably one of the most famous works of American Literature. Moby Dick, or The Whale, is often referred to as “The Great American Novel”. In Chapter 64 of Moby Dick entitled, “Stubb’s Supper”, Herman Melville establishes a satirical tone using figurative language and rhetorical devices. Although parts of this particular chapter may seem ironic or hypocritical at times, the overall tone of the chapter is satirical.
Just like any unknown being, Moby Dick creates a good amount of awe and terror. Herman Melville created a masterpiece, many thought he was a lunatic and that after he wrote and published Moby Dick that he had completely gone mental. This is not the case however, the story that was created by Melville was a work of genius, and the beauty of the work itself is in the writing. The greatest aspect of the plot in its entirety was Captain Ahab’s distinct, passionate need for revenge, and how he was willing to sacrifice life and crew in order to finally catch and kill the enigmatic white whale that has plagued him since the loss of his leg.
Ahab is dedicated towards regaining control of his life by conquering the whale. His obsession with Moby Dick is what fuels his desire to spend months and months at sea. Ahab is so involved that he tries to get into the mind of the whale. He becomes obsessed with the whale’s every move. Similarly, the narrator is highly analytical of Bartleby’s behavior. He feels the need to know exactly what it is that makes Bartleby ‘tick’. Eventually the narrator is mentally defeated by Bartleby and is forced to change the location of his offices in order to avoid him. Ahab on the other hand is constantly chasing his antagonist and does whatever he can to get closer to Moby Dick.
Literary critics point to a variety of themes and juxtapositions when analyzing Herman Melville's “Moby Dick”. Some see the land opposed to the sea or Fate opposed to free will. Most mention man versus nature or good versus evil. A perspective that seems overlooked though is the perspective of the self and the other. The self and other is when one discovers the other (something not us) within oneself, when one realizes that one is not a single being alien to anything that is not them. There are many such relationships throughout the book, such as that of Ishmael and Queequeg and Ahab and Starbuck. However, this paper will focus on the essential relationship, which is of Ahab and Moby-Dick.
Herman Melville’s Moby Dick presents a deep inside-look into the minds of psychologically disturbed individuals. A character study is brought forth to light as Melville makes use of dysfunctional characters. There are many examples of mental duress in this story such as Pip’s plunge into insanity after being cast-away from the Pequod. This is a result of an environmental factor. The pivotal mentally disordered individual in question is Captain Ahab, who lacks any brakes over his obsessive actions, leading into the fateful demise of his crew and the Pequod. As with Pip, Ahab is plagued by a traumatic event which leads to extreme manifestations of counterproductive traits. There are multiple signs that there is an underlying problem with the captain. By contemporary medical standards, such as the DSM-V and the Dark Triad of Personality, Captain Ahab’s mental deterioration can be traced to his psychopathic tendencies—his impulsive behavior, lack of self-control, and self-destructive actions.
Ahab is driven mad by his quest of revenge on Moby Dick. However, “...all evil, to crazy Ahab, were visibly personified, and made practically assailable in Moby Dick. He piled upon the whale’s white hump the sum of all the general rage and hate felt by his whole race from Adam down; and then, as if his chest had been a mortar, he burst his hot heart’s shell upon it” (Melville 157). He believes that the whale is a manifestation of all that is malignant in the world and it is his destiny is to destroy this evil by killing the whale. Ahab, therefore, is unable to differentiate reality from his delusions. “The White Whale swam before him as a monomaniac incarnation of all those malicious agencies which some deep men feel eating in them, till they are left living on with half a heart and half a lung” (Melville 156). Losing a body part is a common consequence for a whaler who immerses himself in excessive risks, but Ahab sees Moby Dick causing him to lose his leg as a deliberately evil act that he must avenge. He feels Moby Dick must be punished for taking a piece of him, and Ahab wants to be the one to kill Moby Dick. His madness causes him to believe that the universe and nature are out to kill him, and he must destroy them first. Ahab's obsession with the whale is rooted in the irrational belief that Moby Dick is the physical embodiment of an
At first glance, Herman Melville’s novel Moby Dick, appears to be the story of a man, his captain, and the whale that they quest to destroy. But a closer look reveals the author’s intense look at several metaphysical ideologies. He explores some of the most ponderous quandaries of his time, among these being the existence of evil, knowledge of the self and the existential, and the possibility of a determined fate. All of these were questions which philosophers had dealt with and written about, but Melville took it to a new level: not only writing about these things, but also doing so in a lovely poetic language backed by a tale packed with intrigue. He explores the general existence of evil in his antagonist, the white whale, and through the general malice that nature presents to humans throughout the novel. The narrator, Ishmael, gains a lot of knowledge about himself through his experiences on the whaling voyage, where he also is able to learn much about the phenomenon of existence itself. Also, through Captain Ahab, he sees more about the existence of man and the things that exist within man’s heart. Especially through Ahab and his ongoing quest for the white whale, and also in general conversation amongst the whalers, the issue of fate and whether one’s destiny is predetermined are addressed in great detail, with much thought and insight interpolated from the author’s own viewpoints on the subject.
The main antagonist in this story is the whale Moby Dick. Moby Dick or the White Whale, is always being hunted for his oil. He also has taken so many lives that who ever can kill Dick would be famous. Although, Moby won’t go down without a fight. He is considered the antagonist, because he tries to stop the protagonist. Personally I think that Moby Dick is just trying to stay alive and alone. But no-one leaves him alone.
Good and Evil Moby Dick In Melville’s Moby-Dick, Queegueg and Ahab show distinction between good and evil through the treatment of others, themselves and situations. Although Queequeg is a pagan, he has more Christian attributes than even the most devout Christians on the Pequod. Ahab is not the person that everyone would expect to be the most iniquitous character of them all. Most would say that Moby Dick himself personifies evil; however, he has innocent characteristics about him.
Using complex characters in his story, Herman Melville succeeds in progressing a character from that of simplistic virtue to one of intense contemplation. Melville’s lawyer undergoes a journey in which all that he knows is challenged, and despite his best efforts he has no control. From a distance one may argue that the lawyer has only strengthened his empathy, and while this is true, looking deeper you find a troubled man looking for reason. Melville gives great incite to the changing values, and we experience the narrative in 1st person.