Essay on Aspects Of Dracula In Dracula And Dracula

Essay on Aspects Of Dracula In Dracula And Dracula

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“A collection of fictional stories … of cultural myths and songs” this is the definition of folklore, and from these stories we get a multitude of myths and speculation of what happens to us when we die. They range from just disappearing into nothingness to becoming a higher being or going into a higher plain of existence. There are ideas however, of a life on this earth after we die for those who have committed crimes or have not been buried properly, we become the other, the supernatural or ultimately the undead. The most common of the undead is the vampire. One of the most known vampires from literature is Bram Stoker’s Dracula (1897) who is portrayed as a blood thirty, emotionless monster, which is the idea most often portrayed in folklore. This is a stark contrast from Anne Rice’s (1976) portal of a “Biblical angle” . This shows the traditional ideas of a monster creature of the night as an old idea and people’s views of the undead are changing to a more humane, beautiful creature, not of a demon. This change from traditional folklore is due to “ongoing transformations in the broader cultural and political mise-en-scene” the way we perceive things are changing due to the influence of different cultures and ideas. Most of our ideas of vampires has now changed from the traditional views to a beautiful human creature, seen in Twilight, Vampire Knight, Vampire Academy and Anita Blake. These novels do have some elements of the monster portrayed in Dracula and folklore but the main characters are the new idea of vampire from Interview with the Vampire.

Different cultures have different ideas of the supernatural The vampire known today comes from 18th Century southern eastern Europe but the legends of demons and spirits go bac...

... middle of paper ...

...d not something expressed in public, however it was becoming more accepted by the late 70’s.

To conclude the modern vampire, we seen now is unlike the traditional monster portrayed in folklore and Dracula, however it has elements of them. They have been created to seem more human and less of a monster under the bed, they are there to represent evil but also that evil can become good, like Angle in Josh Whedon’s ‘Buffy the Vampire Slayer’. Since Dracula, novels about vampires have become numerus in number and all have similar themes and motifs. Parts of them remain true to the traditional folklore whilst other parts have become more modern in their style of writing. It is clear that in Dracula, the elements of traditional folklore are still strong, while in Interview with the Vampire, the traditional vampire has become lost to the modern age of supernatural writing.

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