The Ascension

The Ascension

Length: 966 words (2.8 double-spaced pages)

Rating: Excellent

Open Document

Essay Preview

More ↓
The Ascension, a Renaissance painting at the Art Institute of Chicago, dates from the late fifteen century, from about 1490 to 1500 A.C. The name of the author is still a mystery; however, the provenance of the painting is known to be from Picardy, a city on the northern region of France.
During the Renaissance period, many ideas and ideals changed most of the artistic taste of writers, sculptors, painters, and philosophers. The Ascension is not the exception. As most of the artistic expression of the Renaissance, this painting suggests a religious theme. The Ascension is the depiction of the biblical passages on the Gospels of Mark and Luke, and the Acts of the Apostles which tells how Jesus was taken up to heaven in the presence of his eleven remaining disciples—Judas Iscariot was no longer a disciple of Jesus--and others who followed him closely. In the painting, one can appreciate the amount of detail put by the author to sort of explain what happened, how it happened and who were there. First, the painter painted the scene with Jesus and his disciples outside in the field—which is mostly referred to be the Mount of Olives. Also, the author carefully portrayed faces of men and women, letting people know of the presence of Mary Magdalene and other women that played important roles in the message of Jesus while on earth. It is imperative to denote the relationship between time and space the author makes by painting on the horizon what seem to be buildings of the Gothic period, intending to create an atmosphere similar to that of France. Furthermore, the author painted the glory of Jesus accompanied with stylized, golden corners, which is a feature a bit unusual in Renaissance paintings.
Looking at The Ascension from its contextual perspective and from its artistic elements, the painting is full of moods and techniques. First, the event itself has an outstanding message of hope. The painter did a good job depicting the majesty of Jesus as he rose physically to heaven by painting a golden halo and purple clothing, which are symbols of holiness and wisdom. On the other hand, the elements used in this painting are the crucial features that vivify the message represented. As characteristic of Renaissance paintings, The Ascension contents triangular placement of figures; its lines follow a triangular pattern to the main figure—Jesus elevating over his disciples. Regarding the lines that outline the objects, they can be distinguished or seen—pigmentation are used instead—except for the traces of the glory that emanates from Jesus' halo.

How to Cite this Page

MLA Citation:
"The Ascension." 16 Dec 2018

Need Writing Help?

Get feedback on grammar, clarity, concision and logic instantly.

Check your paper »

Nazi Party's Use of Artistic Propaganda Led To The Ascension and Dominance of German Culture

- Throughout history, government and culture have proven to be inextricably linked . During the early twentieth century, the Nazi Party's use of artistic propaganda through multiple forms of media directly led to its ascension and dominance of German culture. The Nazis' success can be directly attributed to its careful planning, ruthless implementation, and clear results. The Nazi's use of propaganda was meticulously planned by party leaders. In Mein Kampf, Adolf Hitler very clearly outlined his intended use of propaganda to manipulate public opinion....   [tags: Propaganda]

Research Papers
760 words (2.2 pages)

Essay God's Sovereign Rule Comes on Earth in Tom Wright's Surprised by Hope

- Surprised by Hope is broken down into three parts. In Part One, “Setting the Scene,” Wright addresses the confusion of heaven and God’s Kingdom. Many Christians, according to Wright, view heaven as the place you go when you die (p. 18). If this is what has been taught for many years, what could be the alternative. Wright argues that “the language of heaven in the New Testament doesn’t work that way. ‘God’s kingdom’ in the preaching of Jesus refers not to postmortem destiny, not to our escape from this world into another one, but to God’s sovereign rule coming ‘on earth as it is in heaven’” (p....   [tags: Christian, heaven, ascension]

Research Papers
755 words (2.2 pages)

What does the prophecy of the 2012 Ascension mean to you? An enquiry into contemporary instances of Apocalyptic Beliefs.

- The purpose of your research project and in what way will it contribute to the academic understanding of your subject matter. The aim of the project is to consider the phenomenon of apocalyptic beliefs within contemporary metropolitan societies. The term ‘apocalyptic beliefs’ will be defined in line with Norman Cohn's use of the term as a particular type of salvationism.1 This definition is in line with Nick Campion’s explanation of the word 'apocalypse'. Campion suggests “the Greek for revelation, is derived from the word apocalyptic, to describe the vision of the end of the world"....   [tags: Theology ]

Research Papers
897 words (2.6 pages)

Spiritual Gifts: Cessationalists and Charismatics Essays

- When the church was first formed, after Christ’s ascension, spiritual gifts were alive and active in the church. In the New Testament (primarily in the Pauline Epistles), many gifts are listed; however, it should be noted that not all gifts are listed in Scripture. Paul does not mention all of the gifts that a believer can have, but of the ones he does give, many have caused division and separations between denominations and groups of believers. From these various splits arise three primary groups of believers: Cessationalists, Charismatics, and those in between the two....   [tags: New Testament, Church, Christ's ascension]

Research Papers
2026 words (5.8 pages)

The Sermon Of The Gospel Of Luke Essay

- The book of Acts presents a religious study of the manner in which the apostles would carry out the divine commission of God. They witness through their steadfast loyalty to Christ. It is evidently a continuation of the Gospel of Luke. Acts begins where the Gospel of Luke leaves off with an account of the events surrounding the ascension of Jesus into heaven. The content pertains to the deeds and the doctrines of Christ, ending with His ascension. Thus, the purpose then of Acts 1:9-14, is to provide an account of that which Christ began to do and to teach, and as a result of his ascension, he would ultimately instruct the apostles to continue to teach in his bodily absence, through the churc...   [tags: Jesus, Resurrection of Jesus, New Testament]

Research Papers
1047 words (3 pages)

Charles Dicken's Great Expectations Essay

- Mark Edmonson asks, in, "Why Read?", how one might, "imagine the good life" (Edmonson 26-27). He says that revealing one's nature and becoming vulnerable through this revelation offers the opportunity for change. In Charles Dickens', "Great Expectations", Pip, the main character, experiences an internal change - or ascension - through experience with his similar exterial advancement - or advancement in social class. He realizes that although the good life appears to be at the climax of exterior - or material - advancement, it is actually an internal ascension, or growth, that fills the void of an unsatisfying life....   [tags: Character Analysis]

Research Papers
1142 words (3.3 pages)

Mark and John’s Conflicting Plot’s and Differences in Climactic Action Essays

- Mark begins and ends his gospel with schism. The division of the heavens when Jesus is baptized by John (Mark 1:10) and the final one, the tearing of the veil in the temple (Mark 15:38). These two schisms form the fundamentals of the Book of Mark. God splits the heavens, in order to establish His Son, and then He splits the veil of the temple, in atonement for His Son’s death. In between these boards of the book of Mark, in between the schisms, lies the vigorous, dynamic gospel of Jesus Christ, the Son of God....   [tags: Bible, Literary Analysis, Historical Religion]

Research Papers
857 words (2.4 pages)

Bultmann's Christology according to Karkkainen Essay

- The Bultmannian demythologization is a subject widely misunderstood by many prominent theologians and biblical scholars. The fault lies in the fact that Bultmann uses various philosophical concepts and the label attached as myth to the theory of demythologization itself is difficult to understand. Karkkainen’s understanding of the Bultmannian view shall dominate this paper to reveal how prominent scholars such as Karkkainen and Norman Geisler and various others misunderstood Bultmann’s true intentions....   [tags: Bultmannian demythologization, theology]

Research Papers
1357 words (3.9 pages)

The Meaning Of The Cross Essay

- Historically, the cross served as being a symbol of death, suffering, and execution. In today's world however, it means much more than that. For Christians, the cross is of an immense importance because of the fact that it provides simplicity, direction and motivation in people's chaotic lives. Most importantly, it is a representation of the affirmation of faith. Jesus was sent to earth to spread the word of God and to die for the sins of the Christian people. Therefore, the symbol of his heroic death, the cross, is something that Christians will continuously praise and hold in high authority....   [tags: Religion Christian]

Research Papers
771 words (2.2 pages)

Historia Augusta Essay example

- The chosen gobbet is an extract from Historia Augusta or 'The Augustan history' and is a collection of the biographies of the roman Emperors during the period from 117 to 284. It was originally thought that the collection was written by a collection of several different writers which were known as the Scriptores Historia Augustae consisting of "Aelius Spartianus", "Iulius Capitolinus", "Vulcacius Gallicanus", "Aelius Lampridius", "Trebellius Pollio", and "Flavius Vopiscus" There is and was much debate as to who, when, why and legitimacy of the Historia Augusta....   [tags: Roman History]

Research Papers
722 words (2.1 pages)

Colors in The Ascension are vivid. The play of shades and shadows add detail to the painting and they enhance the beauty of the content. For instance, the changes in skin tone in the figure of Jesus may try to portray an illusion of glare while his glory is manifested. Also, different pigmentation is used to depict the footprints of Jesus on the ground as he was rising to the air. The brush strokes in the painting are refined, narrow and precise.
Regarding organization, The Ascension is purely Renaissance. Figures are centered in the picture so that viewers look at the painting as if they were watching straight onto the scene. The arrangement of the figures throughout the scene follow a the geometrical trend of triangles, which all merge onto the central figure of Jesus, that achieve unity and balance among the objects. All of the disciples and followers of Jesus are placed at the bottom of the painting in an irregular but balance form. Nevertheless, the figures form a big isosceles triangle from the bottom of the painting to the center top. Finally, into the horizon there can be seen buildings of a city which may add value to the exclusivity of the place—they represent the quietness and idoneousness of the Mount of Olives.
Based on the aesthetic terms, The Ascension is an authentic sample of the Renaissance. As most Renaissance works, the people, trees, land and other figures all fall into naturalistic parameters: the bodies portray common the common appearance of humans; the trees may seem a bit tall but still show the spontaneous shapes of the branches and leaves; the clothes are naturally falling over the bodies, etc.. However, there are some decorative features in the top corners of the painting that add style to it. Since the actual appearance of the characters in the painting is unknown one could say that this painting is idealized. For instance, the long hair of Jesus, the clothing of the characters and the look of the place may depicted for instruction rather than observation. A three-dimensional sensation is felt by the merging of the lines and the difference in size of the objects. Also, as proper of the Renaissance, a concrete message is illustrated—the ascension of Jesus to heaven. Similarly, a didactic intention for teaching the uneducated and illiterate people about the message in the Bible is hold in this painting. Dynamism and individualism are features of The Ascension, since the motion of the people is intended and the look of their faces is different from one another. For example, there is depicted the motion of Jesus as he rises up and as his disciples look up and try to reach their master. Undoubtedly, this painting leans onto serious due to its important content. The scene could be both crowded and uncrowded. It is crowded for many people are involved in a semi-orderly way, but it is uncrowded since there can be since more field than human figures. Finally, The Ascension stimulates both the reason and the emotions; this is a characteristic of the Renaissance period. The reason for this is that the purpose of the painting may be to instruct, but the content depicted goes beyond the understanding and more to the faith.
Return to