Artistic Design and Cultural Integration in Jung-ung Yang’s Hamlet Hamlet, performed by the Yohangza Theatre Company of Korea and directed by Jung-ung Yang, is an adaptation of Shakespeare’s Hamlet that integrates Korean Shamanist rituals with the original storyline and text. Performed in Korean and featuring an all Korean cast, the play made its debut in 2009 at the Myeongdong Theater in Seoul. The play was later also performed at the at the 2010 Oz Asia Festival in Adelaide, the 2011 Shakespeare-Festival Neuss in Germany, and at the Peacock Theatre in London in 2014 (Yung). It is clear that many liberties are taken in this adaptation of Hamlet; therefore, evaluating the effectiveness of the overall production based on the accuracy of the …show more content…
Although Yang believes that he is “faithful word to word as to the original play” (Allan), it is clear to the audience that the play retains only the barebones of Shakespeare’s text. For example, the stage time of supporting characters (such as Laertes and Horatio) are minimized, Hamlet’s soliloquies are significantly shortened, and the Fortinbras subplot was completely removed. Stage time is instead devoted to the Shamanist rituals that features slow paced and deliberate movement in which characters communicate with the dead; specifically, between Hamlet and his father, between Laertes and Ophelia, and within Hamlet, as he slowly loses consciousness and inches towards death. In an interview with Hongik University in 2010, Yang describes his conception of Hamlet as a distinctively Korean story and underscores the importance of the rituals to his production: that the play itself is a “ritual” that enables the “resentful Korean [characters]” to achieve “harmony and spiritual relief” through Shamanist rituals that “reunites the deceased with those who are alive” (Choe). While these “reunions” bring emotional anguish to the characters in the play, they also prompt the characters to act and move the plot forward. In this way, Yang removes the political aspects of the story and effectively replaces the dialogue and the actions of minor characters, creating an uncluttered and more impactful storyline that focuses on emotional and psychological
The motif of acting is a central literary device of Hamlet – the audience witnesses Hamlet, as well as the other characters of the play, adopt ‘roles’ as no one is truly who they ‘seem’. This is first addressed by Hamlet in the beginning of the play when he responds to his mothers’ request to “cast thy nightly colour off”, and not to forever mourn his father as “all that lives must die,/Passing through nature to eternity”. He expresses that his “shows of grief” can ‘seem’ as “they are actions a man might play”. This is the first instance the play directly addresses the motif of theatrical performance, as it insinuates that Hamlet is the only one who truly mourned his fathers loss – this is especially stressed during his first monologue, in which he expresses moral struggle with his mothers marriage to Claudius, and his suggestion she never mourned her husband: “Within a month?/Ere yet the sa...
In life, one goes through different experiences which makes and shapes us into the person who we become. Whether something as little as a "hello" by a crush or a death in a family, they contribute to the difference, as they are all equal in importance. In the play Hamlet by William Shakespeare, the protagonist Hamlet struggles throughout his life as he is in search of his true identity. The Webster's dictionary, under the second definition, defines identity as "The set of behavioral or personal characteristics by which an individual is recognizable as a member of a group." As life only moves forward for Hamlet, he struggles to find his place in life, nonetheless to revenge the murder of his father.
Hence, Hamlet, as with all plays, can be interpreted in various ways. The Cambridge University Press audio version fits into a Aristotelian Tragedy or Revenge Tragedy, and provides a classic interpretation of the play. The movie Hamlet directed by Kenneth Baranagh also fits into these two interpretations however the omission of Fortinbras, results in the Denouement and the restoration of order is not addressed. This affects the meaning of the play as it portrays the sense that the play hasn’t quite finished as not everything has been resolved. A Freudian interpretation will dramatically alter several relationships affecting the meaning of the play as other changes are needed to be made to compensate these relationship changes.
Always in Shakespeare reading we learn many different themes. The play “Hamlet” by William Shakespeare is a classic published in 1603. The story goes through Hamlet’s everyday thoughts of life, love, people and other ideologies. Hamlet story teaches us throughout the story that he hates King Claudius with a ceaseless passion because he poisoned his brother in order to marry the queen and take the crown. Hamlet is the prince and his mother’s marriage to Claudius causes him to have a deep rooted hatred towards women which pushes him to hate sex. As a result, we see how deeply Hamlet values inner truth and his hatred for deceit. After learning Hamlet’s philosophy of life we see that he would not fit in modern American society. Therefore, Hamlet
Everyone knows the story of Hamlet: Hamlet’s father is killed, Hamlet’s mother marries the evil Uncle, everyone thinks Hamlet has gone mad, and almost everyone dies at the end. In David Tennant’s version of Hamlet, the use of the characters’ physical antics, interactions with each other, the stark similarities between the characters, and the way they dress, changes how the audience interprets each character’s actions and contribution to the play as a whole, which then determines how successful this version of Hamlet is.
Hamlet, performed by the Yohangza Theatre Company of Korea and directed by Jung-ung Yang, is an adaptation of Shakespeare’s Hamlet that integrates the Korean Shamanist rituals with the original storyline and text. Performed in Korean and featuring an all Korean cast, the play made its debut in 2009 at the Myeongdong Theater in Seoul. The play was layer also performed at the at the 2010 Oz Asia Festival in Adelaide, the 2011 Shakespeare-Festival Neuss in Germany, and at the Peacock Theatre in London in 2014 (Yung). It is clear that many liberties are taken in this adaptation of Hamlet; therefore, evaluating the effectiveness of the overall production based on the accuracy of the play in relation to the original text will be unfruitful. Instead,
The play, Hamlet, by William Shakespeare, shows human nature to be greedy, self-involved and vengeful. Claudius is driven by his greed to commit murder. Polonius is always looking out for himself, currying favor at the expense of anyone in his way. Hamlet thinks only of vengeance from the moment he finds out about Claudius murdering his father. Human nature has been all of these things, but it has also evolved through the ages. We can be base and cruel, but we can also show great compassion and kindness.
Stuck in her own interpretation of Shakespeare’s Hamlet and the idea that “human nature is (nearly) the same” worldwide, an American Anthropologist, Laura Bohannan, set off for the Tiv in West Africa (Bohannan 1). Bohannan’s original intent was to learn about the African tribe’s culture and ceremonies, but one morning, when she was sitting with the elders of the tribe, they asked Bohannan to tell them the story of Hamlet, for they have told her many of their stories and found it only fair. In an attempt to translate the play into the Tiv’s language and finding the lack of appropriate words, as well as cultural differences between ideas many Europeans and Americans both agree upon, Bohannan quickly realized her original theory was incorrect.
In Shakespeare’s Hamlet, the influence of Hamlet’s psychological and social states display his dread of death as well as his need to avenge his father’s death. In turn, these influences illuminate the meaning of the play by revealing Hamlet’s innermost thoughts on life, death and the effect of religion. Despite the fact that Hamlet’s first instincts were reluctance and hesitation, he knows that he must avenge his father’s death. While Hamlet is conscious of avenging his father’s death, he is contemplating all the aspects of death itself. Hamlet’s decision to avenge his father is affected by social, psychological and religious influences.
How are the perceptions of human nature conveyed by individuals subject to the influence of
Shakespeare's utilization of acting and actors in Hamlet acts as the entire framework of the play, down to the very structure of the tragedy itself. The characters are given different façades in different situation and whilst interacting to different people. The language of Hamlet is manipulated in order to achieve the profile of the most complex actor of all. However, as the curtain falls, fate has got the better of all of the actors on the stage of Elsinore - bringing an end to the puppet-show.
The Tragedy of Hamlet, Prince of Denmark, is one of the most famous tragedies William Shakespeare has ever written. Found throughout Shakespeare’s tragedy are many religious references. According to Peter Milward, the author of Shakespeare's Christianity: The Protestant and Catholic Poetics of Julius Caesar, Macbeth, and Hamlet, “From a purely religious point of view, which is more than just biblical, Hamlet is rich in homiletic material of all kinds, reflecting almost every aspect of the religious situation in a deeply religious age” (Milward 9). These pieces of religious literature are crucial to the plot of Hamlet. The religious elements found in this tragedy provide the plot, allusions, and foreshadowing.
Shakespeare’s play Hamlet is a complex and ambiguous public exploration of key human experiences surrounding the aspects of revenge, betrayal and corruption. The Elizabethan play is focused centrally on the ghost’s reoccurring appearance as a symbol of death and disruption to the chain of being in the state of Denmark. The imagery of death and uncertainty has a direct impact on Hamlet’s state of mind as he struggles to search for the truth on his quest for revenge as he switches between his two incompatible values of his Christian codes of honour and humanist beliefs which come into direct conflict. The deterioration of the diseased state is aligned with his detached relationship with all women as a result of Gertrude’s betrayal to King Hamlet which makes Hamlet question his very existence and the need to restore the natural order of kings. Hamlet has endured the test of time as it still identifies with a modern audience through the dramatized issues concerning every human’s critical self and is a representation of their own experience of the bewildering human condition, as Hamlet struggles to pursuit justice as a result of an unwise desire for revenge.
In William Shakespeare's play Hamlet, the concept of cultural identity is explored through Hamlet's isolation which is created by the conflict between his duty to his father, and his duties to the monarchy and society. Hamlet is isolated from his society due to his turbulent emotions which result from his indecision on how to respond to his father's murder. Hamlet's duty as a son is to avenge his father's death and he would be supported in his actions by society if the murderer was believed to be guilty. Hamlet's duty as a citizen and a Prince is to protect the King and to ensure stability in the monarchy. In order for Hamlet to revenge his father he would have to kill the King which creates a conflict between his two primary duties. Because of this, Hamlet finds it difficult to decide how to proceed and which duty takes precedence, and Hamlet decides to gather evidence as proof of Claudius' guilt so that his revenge is justified to society and to himself. The 'unholiness' of murdering a king who is also a close relative is highlighted by Claudius and this allows the audience to better understand the conflict and the indecision facing Hamlet.
1. The Ghost – The Ghost is the ghost of the late king Hamlet, the