The Renaissance art that I've included contains a piece by Robert Campin entitled “Annunciation Triptych,” and another work by Fra Filippo Lippi, called “Madonna and Child Enthroned with Two Angels.” In both of these paintings we see some of the typical themes of Renaissance art. For example, Lippi included in his scene a background which wouldn't have necessarily been needed. Really he could have chosen just about anything, like the woods or the sea, that might have been easier to paint. He chose though what appears to be the inside of a building, likely a church. Not only that but he went to great lengths to ensure everything was in perspective, and the lines and angles are straight and sharp. Similarly Campin has also chosen an interior scenes with strong perspective and exacting details. In both of these the artists seem to be capturing an event, much like with a photography in modern times. While both images portray fictional scenes, the artists wanted to capture the moment to tell a precise historical story. They both go to some lengths to include background details which also capture architectural details. To me it seems that they both approached their work meticulously and with reason and mathem...
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...d to bring us into World War I, not by showing what it actually looked like, but rather how it felt to be there.
Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment. “Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness...” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
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