Robert Poole, in his article, “2001: A Space Odyssey,” explores how the film was put together, edited for better responses from viewers and critics, and how our culture and politics of the 1960s influenced its making. Poole describes how Kubrick’s ahead-of-their-time special affects set the stage for future science fiction films and inspired many. Poole gives his readers a summary of the film, describing how man evolved from ape and into man who took to spaceflight.
Kubrick’s film didn’t have great success at its initial premiere. In a celebrity premiere, Kubrick remembers the shock of its initial release, he says, “I have never seen an audience so restless…By the end of the film some were already leaving, and I will never forget my irritation at watching the sight of the Star Child’s enormous eyes gazing at their backs as they headed up the aisles towards the exit” (CP 174). This didn’t stop Kubrick, who then took to editing more of the film and removing large pieces of dialogue. What he did had worked. And Poole writes, “2001 succeeded because it was (as Kubrick put it) ‘a non-verbal experience’, or (in Clarke’s words) ‘a realistic myth’” (CP 174). The main demographic that the movie largely spoke to were the young. Poole writes, “…The children loving the film while their parents grumbled about its obscurity,” and, “’You’re not supposed to understand it, you’re supposed to watch it!’ chided one youngster” (CP 172). And for hippies and Vietnam veterans it had acquired a cult status. They filled the cinemas with marijuana smoke and according to Poole, had the “…Psychedelic ‘ultimate trip’ sequence” (CP 172). Regardless of how...
... middle of paper ...
..., according to Fry, “…Tells the story of humanity’s genesis, quite appropriately through the ironically presented visual suggestion of a post-Darwinian Garden, an anti-Eden…” (CP 178). Fry also compares the opening scene with that of the biblical Cain and Able story. He says, “…”Cain rose up against Abel his brother, and slew him,” and, “The shots that follow, however, show the Cain figure triumphant, not outcast, like the biblical Cain” (CP 181). This is an “anti” bible example as well. Whereas Cain was outcast and punished by God, the ape-man was triumphant and his violence helped further his evolution.
In conclusion, Fry and Poole made great arguments for Kubrick’s movie. While I have seen this movie several times as a child in the 1970s and early 1980s, the articles have me looking forward to seeing 2001 again. I look forward to this ‘visual’ story.
Need Writing Help?
Get feedback on grammar, clarity, concision and logic instantly.Check your paper »
- In the science fiction film, 2001: A Space Odyssey. The director, Stanley Kubrick, portray his masterpiece in an ambiguous understanding where he examines topics such as extraterrestrial life, the dealings with technology and the human evolution. Throughout the movie, Kubrick depicts the facade, monolith as an instrument in awakening intelligence. Moreover, the protagonists go through a drastic change of struggle to explore on the idea of technology and extraterrestrial life. In the opening scene, a mysterious black monolith is bestowed upon the prehistoric apes.... [tags: 2001: A Space Odyssey, films]
461 words (1.3 pages)
- A Response to 2001: A Space Odyssey I love having the Blue Danube waltz in 2001; it's my favorite part of the movie. What I find most amusing about it is that it ties in so well with the smoothness of a space orbit. In the first space scene, anything that is free floating, like the pen or the ships themselves, is perfectly in balance with the music. Nothing in orbit is ever rushed, and at no time does it ever falter from its halcyon state of existence. The Blue Danube matches this perfectly, and it contrasts sharply with the forced human stellar endeavors that are also present.... [tags: 2001 Space Odyssey Essays]
1240 words (3.5 pages)
- The aim of this seminar paper is to describe one of the science-fiction classics – 2001: Space Odyssey and its creator. The introduction talks mainly about the director and the co-author Stanley Kubrick, who is regarded as one of the best filmmakers of the 20th century. The paper includes and summarizes his philosophy of film-making and his general stances to work with actors, scene and other aspects of the film. The introductory part tries to answer two questions: Why can be Stanley Kubrick called the pioneer of film art, and why his name and personality became immortal.... [tags: Film, Movie, Science]
1938 words (5.5 pages)
- 2001: A Space Odyssey Three million B.C. The gunpowder for a smashing evolutionary hit was amassing for a long time, but the necessary spark came from an outside help, which soon set the whole world ablaze. From this heated inferno, came the most proficient species ever to grace the planet. And now man has to be prepared for what comes next. Arthur C. Clarke skillfully proves the point that 'truth is stranger than fiction' in his remarkable book - 2001: A Space Odyssey. He also carefully examines the point that in spite of their intelligence and curious mind, humans lack the capacity to be a complete species on their own.... [tags: 2001]
881 words (2.5 pages)
- The genius in not the music used in "2001: A Space Odyssey", but what Kubrick does with that music. He reduces each musical score to its essence, and leaves it playing long enough for us to contemplate it, to listen and watch as the movie progresses, which is mostly silent; this technique helps it inhabit it in our imaginations. Among science-fiction movies, perhaps “2001" is the only movie in which the director, in this case Kubrick, is not concerned with thrilling us with his music choice, but with inspiring our awe when listening to and watching the movie.... [tags: music choice, kubrik, classical music]
970 words (2.8 pages)
- 2001 - A Metaphorical Odyssey Myths are created for the purpose of conveying a message with an interesting medium with which to do so. Many cultures use myths to teach their young about the past. Through time, however, these myths become impractical due to discovery. This is when a new myth must be introduced to take the place of the obsolete one. Stanley Kubrick shaped 2001: A Space Odyssey as a new myth to crack the archaic view of space, by using a hero, a dilemma, and a new revelation to fuel his cause.... [tags: 2001 Space Odyssey Essays]
888 words (2.5 pages)
- Stanley Kubrick's The Shining (1980) initially received quite a bit of negative criticism. The film irritated many Stephen King fans (and King himself) because it differed so greatly from the novel. The Shining also disappointed many filmgoers who expected a conventional slasher film. After all, Kubrick said it would be "the scariest horror movie of all time."1 Kubrick's films, however, never fully conform to their respective genres; they transcend generic expectations. In the same way that 2001: A Space Odyssey (1968) is not just another outer-space sci-fi flick, The Shining is not a typical horror movie.... [tags: Kubrick Shining Horror Essays]
2480 words (7.1 pages)
- 2001: A Space Odyssey is just that: a long wandering voyage of the body and mind. Stanley Kubrick and Arthur C. Clark collaborated brilliantly. In examining both works, the film and the novel, there are certainly differences, yet the theme and overall idea coincide thoroughly. That this was made in the 1960's augments both accomplishments. The visuals, seen in 2004, are still captivating. What they must've seemed like in 1968. I flout those who received this movie poorly in those days. Would I have received it as well without having a preconceived idea of its greatness.... [tags: Film]
511 words (1.5 pages)
- 2001: A Space Odyssey The following paper will analyze the movie, “2001: A Space Odyssey” by Stanley Kubrick” and “The Centinel” by Arthur C. Clarke. Although there are many themes present between the story and the film, the following are the most dominant. I will be discussing Scientific themes, Religious and Moral Themes, and Clarke’s development of the short story into a full-length film. The first issue, I will be discussing the scientific themes of the movie. The movie, “2001: A Space Odyssey,” has a one of a kind vision of science and technology.... [tags: essays research papers]
919 words (2.6 pages)
- 2001: Space Odyssey Essay In the first 20 minutes of 2001: A Space Odyssey you see a group of monkeys going through evolution. The first change you see is that of a leader. In the beginning, each monkey did their own thing, and was not bound to any organization whatsoever. The monkeys did what they want when they wanted. Then the change begins. A single monkey, by himself, rises to the top of a cliff. He stands and screams. The other monkeys notice him screaming and began dancing and rejoicing.... [tags: Free Essays]
395 words (1.1 pages)