Medieval Art in a Modern World

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Medieval Art in a Modern World

When I was looking at different works of art from the Middle Ages in the Metropolitan Museum of Art (medieval wing), one in particular caught my attention. Entitled “Plaque with the Crucifixion and the Stabbing of Hades,” this piece embodies life and death, triumph and defeat, divinity and humanity. Carved in ivory, this plaque, depicting the Passion of Christ with an allusion to Hades (god of the underworld), is from the mid-tenth century, or Middle Byzantine era, and was made in Constantinople. The plaque depicts the death of Christ as a triumph over Hades and thus presents a victory for man’s salvation. Centered in the plaque is Christ’s limp body, his head hanging low to the right, arms outstretched, and knees slightly bent. On the left side of the plaque is Mary, Jesus’ mother, mourning the death of her son, the Messiah. On the other side is John the Baptist, also in mourning. Beneath Christ’s feet are three Roman soldiers, shown dividing his garment. Mary, John, and the soldiers are many times portrayed as the main witnesses of Jesus’ suffering for his mercy on humanity. To the immediate left and right of Christ are two angels waiting to escort their Lord back to heaven.

Its title is self-descriptive. The plaque itself is intense in representation and represents more generally the religious devotion present in the medieval period. Since Christianity was a very large part of medieval society, the Crucifixion was a central theme in Go...

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