The Canvas as a Mirror of Modern Paris
Noting the changes in Parisian society, the art world was changing as well. For the eighteenth and much of the nineteenth centuries, the Academie des Beaux-Arts and The Salon, both state sponsored institutions, governed the art society. From brushstrokes to subject matter, the only way an artist could create a name for themselves, bring in steady commissions, and live comfortably was by receiving recognition from The Salon and The Academy. The Realists, an art movement that came directly before the Impressionists, had already weakened The Salon’s hold on the art market at the time. Many of the Realists received rejections from these institutions. They wanted to portray a truthful, objective vision of life at the time. They broke away from the traditional landscapes, historical and religious paintings that The Salon so highly rated. Painters like Gustave Courbet brought grit and reality into his paintings of the lower, poorer class of society. Once this movement began to decline, the Impressionists would inherit the Realists’ legacy of representing a contemporary life. Art became more about documenting life as it was, not of telling stories from long ago.
Along with Realism, another shift that kindled the Impressionist movement was the charged atmosphere of Parisian cafes. Cafés had long been grounds for intellectual conversation since as early as the 1680s. Haussmann’s redesign, however, enhanced their power by placing them in open spaces where citizens could aimlessly wander streets in the latest fashion....
... middle of paper ...
...n created a world where the Impressionists could thrive. The Impressionists followed the Realists in breaking from the tradition of The Academy and The Salon, much at the same time as the city was breaking from its Medieval roots.
Even today, over a two centuries later, the ‘modernity’ captured by the Impressionists still speaks to people around the world. Largely by design, the paintings of the Impressionist feel like a step back in time within one of the world’s most loved cities. Today we can still ride down the river, imagining Monet’s boat-studio, and witness the same rays of sunlight that Monet tried to freeze. We can walk down the boulevards with Caillebotte and experience a rainy day. The paintings of the impressionists, while at the time controversial, set the mood for the development of modern art and captured a key moment in history—the rebirth of Paris.
Need Writing Help?
Get feedback on grammar, clarity, concision and logic instantly.Check your paper »
- Impressionist Paintings as Documents of Paris Capital of Modernity Impressionist paintings can be considered documents of Paris capital of modernity to a great extent. This can be seen in their subjects, style of painting, and juxtaposition of the transitive and the eternal. The phrase Paris capital of modernity refers to the time in the second half of the nineteenth century when Paris was considered one of the most innovative cities in the world. This was largely a result of Haussmann’s renovation of the city between 1851 and 1869.... [tags: Art History Religion]
1962 words (5.6 pages)
- Missing image Paris 1937 - Belgian Pavilion The International Exposition of 1937 marked a competitive showing of national pavilions. The large representation of foreign nations was quite remarkable given that the Exposition was held during the Great Depression. The Belgian Pavilion had pride of place among these national pavilions. Its chief architect was Henry Van de Velde (1863-1957). A major pioneer who at the very beginning of the twentieth century helped Belgium establish a leading role in the Art Nouveau movement, Van de Velde was intrigued by the theme of the fair, the connection between the arts and techniques of modern life.... [tags: Architecture History]
766 words (2.2 pages)
- Paris today is known as a center of arts and rich culture both acclaimed and original. Famous moments pop up through the history of France’s art, such as the impressionistic artworks by Monet, the École des Beaux-Arts teachings of classicism, and the iconic Eiffel Tower by Stephen Sauvestre. Paris augments itself with numerous museums to catalog countless masterpieces and sculptures throughout France’s enduring, yet sometimes gritty, history. As a whole, Paris comprises of a mixture between historic architectural themes like rusticated brick clad, mansard roofs, striated columns, and a modern day architectural themes like engineered metalwork, and external program support machinery.... [tags: Center of Art, Culture, Paris, France]
1812 words (5.2 pages)
- In history, the Modern Era is a time that is identify because profound changes marked the development of many cities. In the early modern era, cities grew through general economic grow throughout all Europe. The agriculture production increased as well as the production of rural commodities, which were used for trading. A new phenomenon called global trading was starting to emerge. The different European manufactures were exported to different destinations, and since “Urban economy relies in trade and manufacture the grow of these two activities favored urban growth.” Cities throughout all Europe were evolving, expanding and changing.... [tags: romanticism, progressive era, modernist art]
1633 words (4.7 pages)
- In the summer of 1881 Vincent Van Gogh asked for his cousin’s hand in marriage and was turned down. He was very insistent on seeing her and took action on this by holding his hand in a flame and holding up the words “Let me see her for as long as I can keep my hand in the flame” (Wikipedia, Letter 193 from Vincent to Theo, The Hague, May 14, 1882). In 1885 Vincent’s father died (ArtBook: Van Gogh; A profound and tormented genius—his life in paintings, 1998). In December of 1888, Vincent Van Gogh had been living with a fellow artist and friend, Paul Gauguin.... [tags: Art, Painting, Yelow House]
1118 words (3.2 pages)
- Art is like a fractured mirror that reflects the society in which it was created. This reflection is a mosaic of images constructed by the artist’s own perceptions which in turn are determined by the values and attitudes, especially the fears and insecurities in his or her own contemporary society. The responder also has to acknowledge his or her own door of perception, as this would affect their interpretation of the art. This is especially evident in texts like Brave New World which are designed specifically as probes into the aspects of society that the writer desires to explore.... [tags: essays research papers]
1154 words (3.3 pages)
- Introduction Throughout history, women around the world have struggled to obtain equal political, social, and economic standing with men. Consequently, this struggle has carried over into the art world and fields of aesthetics. Fifty-one percent of today’s visual artists are women, yet only 28% of museum solo exhibitions in eight selected museums featured female artists. The art community has a diversity problem, and it is highly important that feminist aesthetics are acknowledged and implemented under the general umbrella of aesthetics.... [tags: Art, Aesthetics, Fine art, Gender]
2307 words (6.6 pages)
- Manet Much of the art of Manet reflects the developments going on in Paris in the 1860s and 1870s. The rebuilding of Paris was being supervised by Baron Haussman, as much of the old medieval centre of the city was being destroyed so that the new city could be rebuilt. In his book "The painting of modern life" TJ Clark argues that modern art of the 20th century evolves from the art produced by Manet during this period of great change in Paris. Manet's scenes of Parisian cafes, bars and streets reflected the new Paris.... [tags: Art]
3420 words (9.8 pages)
- In the nineteenth century, the innovation and invention of new technology took off. More inventions and innovation came out of the nineteenth century up until World War I than any other time period in history. From the concept of time, the improvement of transportation, and even the telephone; the camera has definitely made its mark in history. In 1839, the camera had gradually become the new major medium used in the nineteenth century. It was the invention that changed artwork and gave everyone a new way to represent itself to the world.... [tags: Technology, Artists, Paris, Tourism]
1987 words (5.7 pages)
- The Infinity Mirror "Tularecito" is a myth about truth. Tularicito, just a character of that myth, is the focus for this glossed over fable. Steinbeck draws on this form of genre to present the idea that we are all a part of what happens to others, based upon our nature. The image presented of Tularecito is that of a demon, an idiot savant, a boy with a gift from God, and that gift's cost. He is a freak, a dangerous misfit, an innocent who does not need the constraints of reality.... [tags: The Infinity Mirror]
715 words (2 pages)
- Obesity Is A Genetic Trend And A Family Trend For Numerous Reasons
- War Without Mercy, By John W. Dower Approaches World War II
- Migration Is Negative Or Positive Towards The Host Economy
- My Experience At Tarrant County College
- Parkinson 's Disease And Hypertension
- A Book By The Cover Or Made A Bad First Impression Without