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Comparative analysis of two paintings essay examples
Comparing and contrasting two works of art
Comparison of two paintings
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American artists Frederic Remington and Georgia O’Keeffe are both contributors of appreciated are. O’Keeffe’s “Fishhook from Hawaii-No. 1” was done in 1939. Remington’s “The Rattlesnake” was sculpted in 1908. Although a viewer could conclude that there are no comparisons at first glance, there are. The two pieces of art do contrast drastically, however. As the two works of art are compared and contrasted, the following areas of evaluation will demonstrate how similar and different they are.
To begin, lets explain the comparisons. American artists composed both art pieces in the 1900’s, thirty-one years apart. Also, consider the element of motion. A viewer can imply that both artists wanted to emphasize movement in their works of art. “Rattlesnake” has strong diagonal lines, with the left arm and leg of the cowboy running parallel to the horse’s hind leg. The horse has both front legs raised and the cowboy is leaned forward trying to hold on, with his slanted back running continuous with the backside of the horse. The cowboy is also holding on to his hat, creating the feeling that it was about to fly off with the quick motion of the horse. One could conclude that the horse has been startled by the rattlesnake and is beginning to run away from it, in a hurry. O’Keeffe’s piece also implies movement. The wire from the fishing lure is circled multiple times, almost giving the illusion of making a binocular lens, drawing you close to the sky and sea. You can also see the windblown effect of the lure and there is use of diagonal lines within the lure. In addition, a viewer must move close to each work of art in order to see all aspects. For example, the rattlesnake of Remington’s sculptor is very small in proportion to the horse and cow...
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...ement. A viewer could conclude by observing “Rattlesnake” that the texture is rough. The ground texture matches the texture of the cowboy’s chaps. There are few smooth areas on the sculptor. When the viewer looks at “Fishhook from Hawaii-No. 1,” they could imply a sense of smoothness and continuity with the water.
To recapitulate, Georgia O’Keeffe’s “Fishhook from Hawaii-No. 1” and Frederic Remington’s “Rattlesnake” are both interpretational art pieces. Similarities, such as the implication of movement and American artists composing both, do exist. The fact that one is two-dimensional while the other is three-dimensional, the medium and the materials used, the color, and the subject matter demonstrates that there are also differences between the two pieces of work.
Works Cited
O’Keeffe, Georgia. Fishhook from Hawaii – No. 1. Oil on Canvas. Reynolda House, NC.
New York City is known for its extensive collection of art museums ranging from the Metropolitan Museum of Art which is usually the most renowned to others such as the the Solomon R. Guggenheim or the Whitney Museum of American Art which are popular in their own rights. This abundance of art museums makes the city very attractive for foreign visitors. However, this abundance of choice can overwhelm even the most informed visitors who have a finite amount of time to explore what the city has to offer. Although all of the above mentioned museums have great collections of their own, the often unheralded Frick Collections might trump them all in terms of exceptional works which include some of the world's most celebrated Western artists, such as Goya, Manet, Monet, Rembrandt, and Renoir.
There are many writers that write poems and books with the same styles. This essay will compare the styles of Greasy Lake by T. Coraghessan Boyle and the fictional Pet Fly by Walter Mosley.
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The effect the reader perceives in the passage of Rattler is attained from the usage of the author¡¯s imagery. The author describes the pre-action of the battle between the man and the snake as a ¡°furious signal, quite sportingly warning [the man] that [he] had made an unprovoked attack, attempted to take [the snake¡¯s] life... ¡± The warning signal is portrayed in order to reveal the significance of both the man¡¯s and the snake¡¯s value of life. The author sets an image of how one of their lives must end in order to keep the world in peace. In addition, the author describes how ¡°there was blood in [snake¡¯s] mouth and poison dripping from his fangs; it was all a nasty sight, pitiful now that it was done.¡± This bloody image of snake¡¯s impending death shows the significance of the man¡¯s acceptance toward the snake. In a sense, the reader can interpret the man¡¯s sympathy toward the snake because of the possibility that he should have let him go instead of killing him.
The texture of the canvas works very well with the subject matter portrayed in the painting. The grassy hill side and the leaves of the trees are especially complimented by the canvas. It makes the leaves feel like they are slightly moving, this combined with the lack of detail itself the leaves. This is contrasted nicely with the very detailed renderings of the trunks and branches of the trees, the conscious decision to put so much effort into the tree itself and then to use obvious brushwork in the leaves makes the trees much more firm and immovable in the landscape. The brushstrokes are very clean and precise on the trees in the background.
The have two completely different textures. To me, Trail Riders has a very smooth and silky looking texture, like if were to touch it, it’d feel as though I were touching a smooth, unbroken piece of glass. While the texture of The Rocky Mountains, Lander’s Peak appears to be rough and real. The trees and grass look smooth and soft while the mountains look rough and sharp as if I was sliding my hand down a gravel road. Their shape is also different. It’s apparent that Trail Riders has a bubblier look to it than Landers Peak does. The Rocky Mountains, Lander’s Peak just has a more lifelike shape and characteristic to it than Trail Riders. Same goes for value, Trail Riders colors are deeper than the other painting and the colors are just less life like. The Rocky Mountains, Lander’s Peak’s color is accurate to life. The way it fades in the back when it gets further away is what would happen in real
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At first glance, John Taylor and Howling Wolf’s visual representations of the treaty signing at Medicine Creek Lodge appear very different from one another. It is more than apparent that the two artists have very different interpretations of the same event. This paper will visually analyze both works of art by comparing and contrasting the compositional balance, medium, and use of color, as well as how the artists narrated their views using different visual elements.
Gardner, Helen, and Fred S. Kleiner. Gardner's Art Through the Ages: The Western Perspective. N.p., 2014. Print.
In his painting/collage, line is emphasized in the floor and moves up into the line of his pants which forces you to focus in on the texture of his pants because they are real jeans. It makes you want to reach out and touch it and feel it for yourself. The line continues up to the rest of his body only to notice that his collar too is a piece of fabric which sticks out a few inches from the painting. The line also forces you to look over to the paining that he is creating and notice once again his use of fabric in the collage he is creating and then down to the box of rags at his feet. His use of fabrics throughout the paintin...
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
Lewis, R., & Lewis, S. (2008). The Power of Art. Connecticut, United States: Cengage Learning.
The Spiritual in Art : Abstract Painting 1895 – 1985 (New York: Los Angeles County Museum of Art/Abbeville Press, 1985)
This poem is full of visual imagery; one can imagine being the speaker, staring at the fish on the hook. The fish’s brown skin, shapes on his scales, the tiny white sea-lice, the green weed, the blood flowing from his gills, his entrails, and his pink bladder all describing the fish’s body. This allows the reader to imagine as if the fish was in their hands. She not only illustrates the fish as a whole but also ge...