While in The United Sates she resided in San Francisco, California. There she decided rather than continuing on to Spain she would extend her stay. She enrolled at the University of San Francisco for her masters in Asian History. However, becoming rapidly involved in the local art community she started painting and instead received her Masters Degree in Fine Arts. Her works were heavily rooted in politics and humanitarianism. In 1975 she left California and obtained further painting instruction at the Corcoran School of Art in Washington, D.C. and in 1977 the Arts Students League in New York City.
After finishing her formal training Abad continued to travel abroad. “Immersing herself in each new culture, all of the countries she visited, including Guatemala, Mexico, India, Afghanistan, Yemen, Sudan, Mali, Papua New Guinea, Cambodia, and Indonesia, influenced her work in some way, from cultural artistic styles and materials to techniques.” Her use of Trapunto, a technique she developed, similar to tha...
... middle of paper ...
...ay, Trupunto Murals by Pacita Abad (2001):
Alba, Victoria. "The trapunto paintings of Pacita Abad." Fiberarts 26, no.
September/October 1999): 49-53. Art Full Text, WilsonWeb (accessed 7 May 2011).
Ellipse Arts Center. 1991. Eight paths to a journey: cultural identity and the immigration experience : Pacita Abad, Kristine Yuki Aono, M.E. Fuentes, with Dr. Mia Bluementritt, Christiane Graham, Mansoora Hassan, Maria Karametou, John Lee, Rosella Matamoros. Arlington, Va: Ellipse Arts Center.
Hallmark, Kara Kelley. Encyclopedia of Asian American Artists .Artists of the American Mosaic. 1, Lea Kelley Lowrance. Greenwood: ABC-CLIO, 2007.
Kim, Elaine H., Margo Machida, and Sharon Mizota. 2003. Fresh talk, daring gazes: conversations on Asian American art. Berkeley: University of California Press.
"Pacita Abad." http://www.pacitaabad.com (accessed May 7, 2011).
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