“The Native Son” by Paul Dunbar uses Gothic scenery to demonstrate the realistic horrors of life in the north. Through the use of architectural imagery infused with characterization and diction Wright incorporates themes such as paranoia, barbarism and impressibility. From the beginning the darkness and mood of the novel is omniscient and bleak. There is a distinct link between the environment and “monsters”. In the novel it seems as though the setting has a metaphorical relation to the characterization of the individuals in the novel. In the novel the vampire motif is exerted through the use of central scenes and locations. Bigger like a vampire cannot come into the home uninvited. Bigger by crossing or “trespassing” this space ideologically condemned to African –Americans ( i.e. the physical space between Bigger Thomas and Mary Dalton ) has disrupted the social regulations.
These thresholds are sacrosanct; the monstrous "other" cannot enter unwelcome. What is impermissible metaphorically in the novel is the ideological "norms" concerning race and sexuality. To violate or transgress them as Bigger Thomas does uninvited by white authority then, makes it a...
... middle of paper ...
...mericans find themselves trapped by financial and racial burdens, marginalized in a world where plenty is promised for all.
One particular similarity is the depictions of urban ghettos in all the writings. As readers we are exposed to the true slum living and working conditions that African Americans had come to endure, whether it was in Southside Chicago or Brooklyn, New York. Using the simplest level of architecture and construction, the imagery served as large metaphor for the continuous decay of the protagonists suffering in the environment that paralleled much of their lives. Thus showing to the reader that the pursuit for the ideal of finding a safe haven for an African American [particularly in the Great Migration period ] is one constructed in falsehood, and it is but a dream that will decay and be destroyed in the same sense as the houses they pursue.
Need Writing Help?
Get feedback on grammar, clarity, concision and logic instantly.Check your paper »
- Religious Conflict in 20th Century Non-western Literature Religion is essential to every human being. Not only does it serve as a foundation for one to form his/her own set of values and integrity, but it also acts as a source of conflict for many people. Internal religious conflict can be seen in the form of one’s personal struggle with his/her belief. However, personal struggles are mostly influenced by external factors, which cause disturbances to one’s faith and loyalty to their beliefs. On the other hand, external conflict is the concept of which chaos and upheavals occur in society from clash of beliefs.... [tags: Religion]
2153 words (6.2 pages)
- Zora Neale Hurston and Maya Angelou are arguably the most influential writers of the mid 20th century . Their work has inspired young African Americans to have more confidence in their own abilities. Their work has also been studied and taught countless times in many schools across the U.S. But the main reason why their work is considered classics in American literature; is because their work stands as testament to the treatment, and struggles of African Americans in the mid 20th century America.... [tags: African-American, Authors]
616 words (1.8 pages)
- The Harlem Renaissance influenced black African American writers tremendously. Not only did it show that they were capable of achieving great things, the Harlem Renaissance has shaped and created many pathways for people to be able to achieve something that may not have been achieved at the time. The Harlem Renaissance was a great literature movement for African American people. Around the late 19th century and early 20th century is when the movement started. African American people were able to evolve in the literary world.... [tags: W. E. B. Du Bois, African American]
1795 words (5.1 pages)
- When it comes to writing styles, African American literature is a very complex category of writing. It is made up of three main categories. These styles are romantic embrace, realistic appraisal, and shame-faced rejection. Each style illustrates the author’s view of his or her history. European colonialism played a major role in how the writers viewed their past. The extremist categories are shame-faced rejection and romantic embrace. The first class I will discuss is romantic embracement. The authors who fall into this category generally feel that there is a need for people to recapture and revitalize our past whether the past was positive or negative.... [tags: essays research papers]
698 words (2 pages)
- The Purpose of Harlem Renaissance Literature and its Affect on Others For several years after the Civil War, African Americans struggled to receive equality, especially those of the lower class. Many writers saw the art of literature as a way to voice their opinion in society and be heard through their stories and poems. Harlem Renaissance writers of the early 20th century utilized their art as a poetic voice to instill racial pride in others and help strive for equality. They knew equality would take time so they used their writing to go beyond art and create infancy for social change.... [tags: Harlem Renaissance, African American]
1709 words (4.9 pages)
- Class played a major role in the development of African history in the twentieth century. Specifically, class differentiation contributed to the political movements and social disparities that characterized the continent during the time period. An example of the importance of land in social class is the growth of Mau Mau. After Governor Eliot encouraged the settlement of whites in Kenya in 1902, many of these white settlers set up a system of agriculture through land grants given to them by Eliot.... [tags: Sociology, Social stratification, Social class]
966 words (2.8 pages)
The Legacy of Perceptions of Interracial Relationships as Demonstrated in Late 19th and Early 20th Century Black Literature and Events
- The Legacy of Perceptions of Interracial Relationships as Demonstrated in Late 19th and Early 20th Century Black Literature and Events The history of interracial relationships in America is a painfully loaded issue which is still evolving in the consciousness of the 20th century. Because the first instances of sexual integration occurred under the institution of slavery, our understanding of them is necessarily beset with dominance, violence, and rape. Interracial relationships and the children they produced became another manifestation of power relationships between whites and blacks in our contorted social atmosphere.... [tags: Essays Papers]
2083 words (6 pages)
- BLACK LEADERS OF THE TWENTIETH CENTURY In the time after the fall of radical black reconstruction of the nineteenth century, African Americans were being oppressed by rural farming, civil rights, economical advancement and sharecropping. Booker T. Washington charged the fight for economical and political accommodation with his dream of equal civil rights. Timothy Thomas Fortune was an influential black journalist that fought for the rights of African Americans through literal resistance.... [tags: essays research papers]
1270 words (3.6 pages)
- Description The following articles pertaining to the life of Zora Neale Hurston and her accomplished works illustrates as well as analyze her position as an African American female artist and anthropologist. Articles include: Zora Neale Hurston's Construction of Authenticity through Ethnographic Innovation by Jennifer Staple; Creating Ethnography: Zora Neale Hurston and Lydia Cabrera by Lynda Hoffman-Jeep; and Ethnics and Ethnographers: Zora Neale Hurston and Anzia Yezierska1 by Lori Jirousek.... [tags: African American female artist and anthropologist]
1336 words (3.8 pages)
- African art is very unique in many aspects. African art is traditionally abstract, and beautiful in its own way. Many people believe that African art is so different that judging it based on the scale of the rest of the world is useless, due to the fact that African art is not like anything else in the world. African art seems to have never gotten the proper discovery it deserved, and here’s why. The process of the discovery of these artifacts were poor. The archeologists who found the arts were educated and wealthy white European men who just wanted to “try it”.... [tags: Art, Modernism, Arts, Leonardo da Vinci]
938 words (2.7 pages)