The idea of intertextuality can be seen heavily in Apocalypse Now as it based on the story and ideals within Heart of Darkness. The characters of Apocalypse Now are direct references to characters in the novella, and through their actions and ideals, serve nearly the same role.
The first parallel we see between characters is that of Willard and Marlow. In the opening scene of the movie, Willard is complaining about wanting a mission and getting back into the war, stating “Every time I think I'm gonna wake up back in the jungle. When I was home after my first tour, it was worse. I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now, waiting for a mission, getting softer; every minute I stay in this room, I get weaker, and every minute Charlie squats in the bush, he gets stronger. Each time I looked around, the walls moved in a little tighter.” (Apocalypse Now) Willard is being driven mad by his need to be involved in the war, to the point where it is affecting his home life. Simply being in his room waiting for a mission is making him become paranoid to an unhealthy extent in which he feels the need to become intoxicated and self destructive to cope. This obsession correlates with Marlow’s own obsession with work in Heart of Darkness. Like Willard, Marlow’s sanity also relies on his work. The first major break in his mental state we see is when he is unable to do work due to his steamer being damaged and not having the parts to repair it. Upon hearing the news that rivets necessary to repairing the steamer are on the way, the normal stoic Marlow bursts ...
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...e you. And suddenly he'll grab you, and he'll throw you in a corner, and he'll say "Do you know that 'if' is the middle word in life?’If you can keep your head when all about you are losing theirs and blaming it on you, if you can trust yourself when all men doubt you'..." – I mean, I'm no, I can't – I'm a little man, I'm a little man, he's, he's a great man” This speech is extremely similar to that of the one Marlow is greeted with, which shows how Apocalypse Now uses nearly the exact same device as Heart of Darkness to show Kurtz’s effect on people.
Works Cited
Apocalypse Now. Dir. Francis Ford Coppola. Pro. Francis Ford Coppola. American Zoetrope, August 15, 1979.
Conrad, Joseph. Heart of Darkness. New York: Bantem Dell 2004
Comparing Heart of Darkness and Apocalypse Now." 123HelpMe.com. 16 Dec 2010
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While there are differences between Francis Ford Coppola’s film, Apocalypse Now!, and Joseph Conrad novel, The Heart of Darkness, Kurtz and his influence on the main character remain very similar. Both the movie and novel depict a protagonist’s struggle to travel upstream in a ship in search of a man named Kurtz. While doing so, Marlow (The Heart of Darkness)/Willard (Apocalypse Now!) become progressively fascinated with Kurtz. Kurtz is claimed to have a profound influence on his followers and is becoming a huge influence on Marlow/Willard as well.
In both Heart of Darkness and Apocalypse Now, both authors develop the scene in order to highlight the evolution of Kurtz’s character. Each scene reflects similar themes of the animalistic nature brought out of man. Kurtz manifestation reflects the effects that temptations have upon us. In Heart of Darkness, the hunger for material wealth and the sacrifice of blood displays society’s imperial ideology. Conrad uses this scene to show the hidden evil within man, and creates a physical representation of the mental distortion caused by malicious acts. While Conrad indirectly voices the absurdity of war, Coppola uses Kurtz as an example of a soldier driven into insanity by war. Though Coppola fails to show the physical effect of insanity, the scene of darkness that engulfs him displays a similar effect.
Apocalypse Now is a very vivid and sometimes disturbing film centered on the Vietnam War. Because it was based on Joseph Conrad's novella Heart of Darkness, it is possible to draw some parallels between the two. Both can be interpreted as metaphors for a journey through the inner self, and each has its own singular message to convey. Apocalypse Now very perspicuously depicts the fact that men have hearts of darkness, and it explores the evils of war. At the same time, however, it seemingly glorifies some aspects. The anti-war sequences were often brutal and portrayed destruction as a result of the human condition. The film Apocalypse Now, directed by Francis Ford Coppola, can be interpreted both as pro-war and anti-war in its intent, although the latter is a more valid interpretation.
Apocalypse Now. Dir. Francis F. Coppola. Perf. Martin Sheen and Marlon Brando. Paramount Pictures, 1979. DVD.
The movie “Apocalypse Now”, directed by Francis Coppola, is based on Conrad’s novel The Heart of Darkness. The movie has to do with survival, obsession, and finding ones self. The inclination of this paper is to let the reader get a better understanding of how Captain Willard (the main character) goes through survival, obsession, and courage while trying to hunt down Kurtz.
Comparing Heart of Darkness and Apocalypse Now Heart of Darkness, written by Joseph Conrad, and "Apocalypse Now," a movie directed by Francis Coppola, are two works that parallel one another but at the same time reflect their own era in time and their creator's own personal feelings and prejudices. "Apocalypse Now" was released in 1979 after two years in the making, as Coppola's modern interpretation to Joseph Conrad's novel, Heart of Darkness (Harris). Conrad's book is an excellent example of the advances writers and philosophers made in the nineteenth and early twentieth centuries. This advance deals with civilized humanity's ability to be prepared for and know the unknown. (Johnson) Comparatively, Copolla's movie did the same in the late 1970's.
Although one is a book and the other is a movie, both Apocalypse Now which is directed by Francis Ford Coppola and Heart of Darkness by Joseph Conrad portray very detailed scenes by using various elements in their respective works. A scene is particular that stands out is the death of the helmsman which contains many similarities but also many differences between the two works. Similarities like the iconic fog that appears serve to convey a message of the helpless that the characters feel because at the mystery of their surroundings and of the uncertainly of what their tasks.
I chose to do this essay on the idea of story adaptation, and why changes are made to a story. I originally wanted to look at it just in terms of Apocalypse Now, and how the story of Heart of Darkness was updated to fit a different environment and time period, while still being true to many of the events, characters, ideas and themes presented in the story. I was curious about what changes were made, and what that indicated about how the director, and maybe society as a whole, felt about some concept that maybe were no longer acceptable or satisfactory.
Heart of Darkness and Apocalypse Now & nbsp; Heart of Darkness, a novel by Joseph Conrad, and Apocalypse Now, a movie by Francis Ford Coppola can be compared and contrasted in many ways. By focusing on their endings and on the character of Kurtz, contrasting the meanings of the horror in each media emerge. In the novel the horror reflects Kurtz's tragedy of transforming into a ruthless animal. The film The Horror has more of a definite meaning, reflecting the war and all the barbaric fighting that is going on. & nbsp;& nbsp;& nbsp;& nbsp;& nbsp;& nbsp;& nbsp;& nbsp Conrad's Heart of Darkness, deals with the account of Marlow, a. narrator of a journey up the Congo River into the heart of Africa, into the jungle, his ultimate destination. Marlow is commissioned as an ivory agent.
The story of Heart of Darkness is narrated by its central character, the seasoned mariner Marlowe, a recurring figure in Conrad's work. "Apocalypse Now" features a corollary to Marlowe in Captain Willard, a U.S. Army special forces operative assigned to go up the Nung river from Viet Nam into Cambodia in order to "terminate the command" of one Colonel Walter Kurtz whom, he is told, has gone totally insane. It is fitting that Marlowe's character should be renamed, as Willard differs from Marlowe in several significant ways: 1) He is not the captain of the boat which takes him and a party of others up the river; 2) He does not reflect the deep psychological and philosophical insights that are a signal feature in Marlowe's character, and 3) He is sent on his mission specifically to kill Kurtz, unlike Marlowe who is simply piloting others in the capacity of captain of a steamboat. However, Willard does communicate Marlowe's fascination (growing, in fact, into an obsession) with Kurtz. Also significant is the fact that he holds the rank of captain, tying in with Marlowe's occupation.
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
In 1979, Francis Coppola released a film that he said he hoped "would give its audience a sense of the horror, the madness, the sensuousness, and the moral dilemma of the Vietnam war" (as quoted in Hagen 230). His film, Apocalypse Now, based on Joseph Conrad's 1902 novel Heart of Darkness, is the story of Captain Benjamin Willard's (Martin Sheen) journey to the interior of the jungle of Southeastern Asia for the purpose of executing his orders to track down Colonel Walter E. Kurtz (Marlon Brando). Once Kurtz is located, Willard is to "terminate his command with extreme prejudice" because Kurtz has raised an army of deserters and natives, whom he rules over like a fanatical war lord- When Willard finally reaches Kurtz's compound and meets him, he discovers a man who has descended into primitive barbarism. From the beginning of their encounter, Kurtz knows why Willard was sent to find him and makes no effort to stop Willard from slaying him with a machete. With his mission accomplished, Willard boards the boat that will take him. back to civilization.
... identity grow to be intertwined. Interestingly, Marlow and Kurtz are very comparable and several parallels can be drawn between them, yet their fates differentiate in the end. Kurtz’s fate is due to his lack of restraint but Marlow’s restraint only saves his life for the time being. They were both exposed to the dark side of human nature and both eventually realized that the real heart of darkness is buried in the inside of every individual.
Francis Coppola’s movie Apocalypse Now was inspired by the world famous Joseph Conrad novel Heart of Darkness. A comparison and contrast can be made between the two. Both have similar themes but entirely different settings. Heart of Darkness takes place on the Congo River in the Heart of Africa, while Apocalypse Now is set in Vietnam.
...il of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision,-he cried out twice, a cry that was no more that a breath- 'The horror! The horror!' "(Longman, 2000, p. 2240). This is what distinguishes the two men; Kurtz abandoned himself and went over the edge, but Marlow is aware of just how close he was to becoming what Kurtz was.