In order to determine whether Antony is a tragic hero in Antony and Cleopatra, we must first define exactly what a tragic hero is, before being able to analyse whether Antony is portrayed as such. It is generally accepted that a tragic hero is a “man of noble stature”, who falls from a place grace, who exhibits many extraordinary qualities that set him apart from other men and who is a remarkable example of someone in his position. A key element of a tragic hero is that the audience must feel pity for the character’s death or downfall and there are several reasons both why the audience would feel pity for and why they wouldn’t feel pity for Antony upon his death.
Antony is generally highly regarded and his status as a tragic hero is elevated through others’ accounts of him, as well as through poetic nature of the characters’ speech, despite the reckless impression we get of him. For example, Enobarbus remarked that he is “nobler than my result is infamous”. Additionally, Philo’s initial dialogue concerning Antony in Act 1.1.1-9 speaks highly of him: “Those his godly eyes,/That o’er the files and musters of the war/Have glowed like plated Mars, now bend, now turn/The office and devotion of their view/Upon a tawny front.” Similarly, Cleopatra exclaims “his legs bestrid the ocean; his reared arm Crested the world”. This poetic image summarizes her positive view of Antony, by speaking about him in such cosmic proportions, therefore strengthening Antony’s stature. Furthermore, despite Caesar being portrayed as an all round better leader than Antony, even he has admiration for Antony, as demonstrated in Act 1.4.69-72.
… And all this -
It wounds thine honour that I speak it now
Was borne so like a soldier that thy cheek
So m...
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...n overall negative impression. The audience feels, by the end of the play, that Antony got what was coming to him, and his downfall was nobody’s fault but his own. Granville-Barker agrees, he claims that Antony (and Cleopatra) “themselves do not kindle pity and admiration to the full.” This kindling of pity and admiration is one of the key elements of being a tragic hero and as they do not fulfil this prerequisite, the audience is unable to view them in such a way.
Bibliography
• http://shakespeare.learnhub.com/lesson/4435-elements-of-a-tragic-hero-in-literature
• Antony and Cleopatra: edited by Mary Berry and Michael Clamp. Cambridge University Press
• Antony and Cleopatra: edited by Roma Gill. Oxford University Press
• Essays: (1) H. Granville-Barker The Construction of ‘Antony and Cleopatra’
(2) I. Vignier The Tragic in ‘Antony and Cleopatra’
With the use of pathos, Antony directly touched the emotions of the people by stating how greatly affected he was by the death of Caesar and how he did not deserve to die. Next, by the use of ethos, Antony reminded the people that they once loved Caesar and that he was a morally good
In conclusion, William Shakespeare’s Julius Caesar is the quintessence of a tragic hero. He is highly respected in society and holds a position of authority, yet is corrupted by his pride and arrogance. He ignores warnings of assassination, but once he is attacked by his confidant Brutus he realizes his flaws. Unfortunately, he can never repent of his prideful ways, as his life is extinguished. Because he is murdered by one of his greatest friends and did so much to aid the destitute, he is a sympathetic character. Julius Caesar is a complex and multi-faceted man, but the tragedy of his life strikes a chord of sympathy that resonates throughout not only his subjects, but the readers of his downfall for centuries past, present, and future.
Through the whole of his spectacular speech, Mark Antony influences the crowd using his distinct diction. He is able to inculcate a fired up anti-Caesar mass of people, and he makes the populace believe that Julius Caesar’s death was a true tragedy. Antony gracefully applies his proficiency with ‘logos’ and ‘pathos’ to his speech and is able to adroitly gain followers. His strong reasoning and explanations allow the Romans to buy what he has to say. Antony’s ability to speak in a roundabout way is a key constituent of his speech. Withal, he is extremely humble and the way he plays down his prowess is impressive. Mark Antony puts all the parts of his remarkable rhetoric together, and the result is a speech for the ages.
The Tragedy of Julius Caesar by William Shakespeare is the story about the men who conspired and followed through with the assassination of the great Julius Caesar. These men fear that Caesar will take the crown and become the next king of Rome. The roman people had a true averse feeling toward the idea of monarchy. So in order to prevent this they come up with a plan to end Caesars life, which is duly followed through on March 15, 44 B.C. Out of these conspirators there is one man that stands out to be a tragic hero, and that is a man by the name of Brutus. He was a great friend of Caesar who ultimately became one of Caesars worst adversaries. He betrayed Caesars trust and friendship when he agreed to be part of the assassination plot. A tragic hero is someone who is in a place of high standings or a place of power. This leads to a huge fall from greatness to death. A tragic hero must have many deep complex character flaws that are revealed throughout the course of the story. They then must ultimately accept responsibility for their mistakes; along with being humbled and enlightened. Brutus demonstrates all of the attributes of a tragic hero.
Shakespeare’s complex play The Tragedy of Julius Caesar contains several tragic heroes; a tragic hero holds high political or social esteem yet possesses an obvious character flaw. This discernible hubris undoubtedly causes the character’s demise or a severe forfeiture, which forces the character to undergo an unfeigned moment of enlightenment and shear reconciliation. Brutus, one of these tragic heroes, is a devout friend of the great Julius Caesar, that is, until he makes many execrable decisions he will soon regret; he becomes involved in a plot to kill the omniscient ruler of Rome during 44 B.C. After committing the crime, Mark Antony, an avid, passionate follower of Caesar, is left alive under Brutus’s orders to take his revenge on the villains who killed his beloved Caesar. After Antony turns a rioting Rome on him and wages war against him and the conspirators, Brutus falls by his own hand, turning the very sword he slaughtered Caesar with against himself. Brutus is unquestionably the tragic hero in this play because he has an innumerable amount of character flaws, he falls because of these flaws, and then comes to grips with them as he bleeds on the planes of Philippi.
A tale of duplicity and impetuosity, William Shakespeare’s play Othello brings to life a cast of complex characters. The leading character, Othello, whose undoing the piece recounts, proves to be the quintessential tragic hero by fulfilling all required elements necessary to be labeled as such. Aristotle defines a tragic hero as one of a noble stature who experiences misfortune and commits a culpable act as a result of his own free will; however, the misfortune is neither entirely deserved nor does it result in an absolute loss, as the hero experiences an awakening to the disagreeable facts while accepting defeat (Arp and Johnson). Othello, a vanguard of his day, is beguiled by a confidant and ensnared by the lies that ensue. This causes Othello great mental anguish. He is plagued with the question: Is his love unfaithful, or does she remain true? Eventually, unable to discern fact from fiction, Othello repudiates his bride and their recent marriage. Misplaced trust and a jealous heart soon cause Othello to lose his composure, his dignity, his most loyal counterpart, and ultimately his life.
In Shakespeare?s play 'Antony and Cleopatra' Caesar, while he displays remarkable tactical skills, is calculating and cold hearted. Antony on the other hand embodies many admirable qualities and emotions which make him the greater of the two. Firstly I will look at Caesar?s military victories before examining Antony?s great human qualities.
Julius Caesar may have been a noble person, but the people of Rome did not think so. In Julius Caesar, Shakespeare shows the Caesar comes to an unhappy end when he is murdered by the people he loved most. Within this play Julius Caesar is portrayed as a tragic hero. A tragic hero is defined as “the main character of a tragedy [who is] usually dignified, courageous, and high ranking” (Novel Study Guide). Also vital to defining a tragic hero is that, “the hero’s downfall is caused by a tragic flaw” (Novel Study Guide). It is evident that Julius Caesar is William Shakespeare’s Julius Caesar is a tragic hero given that he is of noble stature, has a fatal flaw and comes to an unhappy end.
The definition of a tragic hero is perceived as on who is neither wicked nor purely innocent, one who “is brave and noble but guilty of the tragic flaw of assuming that honorable ends justify dishonorable means”. In The Tragedy of Julius Caesar, Brutus takes the role of the tragic hero. Brutus’s honor, nobility, and self-righteousness makes him “a tragic figure, if not the hero” (Catherine C. Dominic).
The concept of tragic hero is very important in the construction of tragedy. It is the main cause of pity and fear. The tragic hero is a character between the two extremes; he is neither virtuous nor evil. At the same time, this character is better than the ordinary men or audience, he has some good qualities. Moreover, as a tragic hero, he is moving from happiness to misery by his downfall at the end. In fact, this downfall is caused by an error or a flaw in his character not by a vice or depravity. Another feature in the tragic hero is that he has good reputation and he is a man of prosperity. It can be said that Oedipus is a tragic hero because he has all the previous mentioned characteristics and the whole play is a classical application of this concept.
A tragic hero is the antithesis for the common protagonist. Most protagonists show how they overcome great obstacles however, the tragic hero shows a more humane character, that stumbles and falls. The tragic hero usually exhibits three specific traits that lead to his or her downfall. In the play, Julius Caesar by William Shakespeare, the characters of Brutus and Caesar both exhibit the three attributes of a tragic character. The first trait of any tragic hero is a high rank and potential for greatness. Both Brutus and Caesar hold his trait, as they are beloved high ranking Romans. The second characteristic a tragic hero must possess; is a fatal flaw that dominates their personality, and Brutus’ sense of justice and Caesar’s ego, fulfill this
Mark Antony’s character at the beginning of the play, is that of a great, powerful, triumvir whose heart has been entrapped by Cleopatra’s enchanting personality. The audience hears many good things about Antony’s character, which is shown through his great past, “It is reported thou didst eat strange flesh which some did die look on,” which informs us that he was a great warrior which evoke feelings of respect towards him.
In the tragedy “Antony and Cleopatra”, Shakespeare presents our protagonist Mark Antony as a tragic hero. He does this by using a number of dramatically effective methods, including language, staging techniques and structure. Aristotle defines a tragic hero as a character of noble stature who has a tragic flaw (usually hubris which is over confidence/arrogance) and suffers a downfall that is partially their fault but also due to factors beyond their control. The downfall they suffer exceeds the “crime” but the tragic hero gains some sort of self-awareness.
When it comes to the history of drama Sophocles’ Oedipus is the king of all tragic heroes. From killing his own father and marring his own mother Oedipus’s tragic downfall leaves the reader emotionally scarred for life. Yet he still holds on to his morality and prevails past it all. Famous Greek philosopher Aristotle defines what a tragic hero is and Oedipus fits it perfectly. Oedipus is a true embodiment of Aristotle’s definition of a tragic hero through his ability to preserve his virtue and wisdom, despite his flaws and predicament.
One of the biggest internal struggles in Shakespeare’s Antony and Cleopatra is Antony’s struggle between reason and emotion. One of the times this is shown is when Antony turns his ships around after noting that Cleopatra has done so in Act III scene 10. Shakespeare decided to show Antony’s internal struggle by having him follow Cleopatra to emphasize how strongly his emotions and reasoning lead him to mix business with pleasure, intertwining his role of general with his role of lover. From turning his ship around mid-battle to dressing himself after spending the night to outright stating his feelings, Antony shows over and over the unavoidable mutual existence of his roles as general and lover.