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antigone character analysis
antigone character analysis
character analydsis of antigone
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Sophocles’ theme is traversed throughout the trilogy showing how Sophocles views a tragic hero. It is essential to first know the background information behind Antigone in order to fully comprehend the story. Two new characters are introduced in the previous play, Oedipus in Colonus. The story, Oedipus Rex, leaves off with Creon banishing Oedipus from Thebes. Because of his suffering, Oedipus exits Thebes as a humbled and god-centered individual. At the time, society expected the son to foster the wellbeing of a parent, especially if he or she was disabled. Neither Polyneices nor Eteocles desired to attend to their father’s protection. Antigone, the elder and zealous daughter, decides to risk her life to protect her father due to the duty of the gods and her family. Oedipus’ guilt has been revealed publicly thus creating anxiety within the people that the guilt will spread. Oedipus and Antigone arrive in shambles and rags at a grove in Colonus located just outside of Athens. This again shows the humility of Oedipus for he chose not to reign as king in Corinth. Subsequently, a stranger arrives informing the visitors that the grave is sacred and a dedication to the Furies and that the King of Athens is an amiable and generous ruler named Theseus. Oedipus replies to the stranger to notify Theseus asking him for permission to reside in the grove. This brings confusion to the Chorus, representing the citizens of Colonus, and they ask Oedipus the reason of dwelling in the sacred grove. The identity of Oedipus is revealed to the Chorus and they are horrified that he may bring a moral pollution. Antigone interjects pointing out that Oedipus is carrying the guilt alone and that his suffering was an act of sanctification. Un...
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...one still continues to strive and propose a proper burial for her brother. Similarly, this is also seen with Creon, where also seen before, he wishes the best for Thebes and strives to accomplish that in spite of the reprimands of Antigone, the Choragos, Haimon, and Teiresias. Both tragic heroes had similar mindsets throughout all the circumstances of the story making them credible for the position.
In order to fully portray his view, Sophocles uses both Creon and Antigone as they function together as a tragic hero, none overtaking the other. Creon’s pride impedes but at the end, he brings shame upon himself. Antigone’s pride and wayward nature was valued by the people, and she desired what was best for her family and the moral sovereignty of the gods. Both characters depict Sophocles’ interpretation as a tragic hero by their characteristics and actions.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
Wiz Khalifa once said, “Never make permanent decisions on temporary feelings.” Some students may believe that Antigone was the tragic hero in the story, but the real tragic hero is actually Creon for many reasons. Some describe a tragic hero by whether they are heroic or born into nobility, but in the story he is portrayed as the antagonist. In the novel, “Antigone” written by Sophocles, Creon becomes the tragic hero by forbidding the burial of Polyneices, imprisoning Antigone for his own good and believing that he is the only one that can control the law.
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
In Sophocles’ classic play Antigone the main character Antigone faces the impactful and controversial choice between god’s laws and man’s laws, fate and free-will, and family versus government. With her heroic and ultimately fatal decisions, Antigone would normally be the character everyone defines as a stereotypical tragic hero, however, not many people take into consideration that her counterpart Creon, is the real tragic hero. Creon is often portrayed as the antagonist within the play, yet he has all the qualities that make an ideal tragic hero.
A tragic hero has many definitions but Creons characteristics fit each single one. He displayed a fatal flaw that drove him mad near the end but also understood that his predicament was caused by him alone. Antigone cannot be the tragic hero because although she possesses several flaws, she experiences no true illumination. She does not met the required the traits for the tragic hero. Creon wanted to protect the state above personal cost, a task that was achieved in a way. Creon is the tragic hero in Sophocles Antigone because he can’t accept a diminished view of himself; he endures great suffering and is enlightened in the end.
In the struggle between Creon and Antigone, Sophocles' audience would have recognized a genuine conflict of duties and values. From the Greek point of view, both Creon's and Antigone's positions are flawed, because both oversimplify ethical life by recognizing only one kind of good or duty. By oversimplifying, each ignores the fact that a conflict exists at all, or that deliberation is necessary. Moreover, both Creon and Antigone display the dangerous flaw of pride in the way they justify and carry out their decisions. Antigone admits right from the beginning that she wants to carry out the burial because the action is glorious. Antigone has a savage spirit; she has spent most of her life burying her family members.
Antigone could also be referred to as a tragedy sub-genre. Tragedy "recounts casually related series of events in the life of a person of significance, culminating in an unhappy catastrophe, the whole treated with dignity and seriousness" (554). Antigone is one of Sophocles' many famous tragedies. It is centered around the tragic outcome that may take place in the occurrence of being prideful. Sophocles portrays that pride can result in tragedy and in disaster. In the story, Creon is prideful as his position of King and he ultimately brings his city to ruins. "Tragedy" played a major role in the story.
Justice is a word we hear today all the time. Left and right we hear of judges and citizens demanding justice. Is justice always the right way? It seems that justice is not always the correct solution to a problem, but a solution that is the easiest to make. The classic play Antigone is a perfect example of this. Antigone is classic tragedy at its finest. A simple civilized and humane right of burying a loved one is turned into a great loss. Creon’s inapt decision to hold his power and sentence Antigone to death causes him to lose the people he loves most. The “justice” of the play is simply Creon’s punishment for his cruelty to Antigone.
Today the United States is controlled by three branches, but the executive branch is the branch that is commonly referred to when mentioning the United States; the President. Who was once just a loyal friend of Oedipus, now the ruler of Thebes, Creon can be considered Thebes’s president. A ruler who believes and insists that his word is final when it deals with anything under his jurisdiction, meets a match in Antigone, the daughter of the former ruler of Thebes before he parted unto the other side. “When the unstoppable object collides with an unmovable object,” can be used to describe the two opposing views of Antigone and Creon.
In our society today, movies and television shows are being broadcast all over the world to many genders, races, and ages. Some of these shows involve many violent topics and situations. For example, the news qualifies as a violent shows because three fourths of every broadcast involves a violent situation. The next generation of adults is exposed to this violence everyday, thinking it’s cool or acceptable. I think that if teenagers witness the violent actions in person they would react differently than seeing them on TV.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.
Creon in the play of Antigone by Sophocles plays a major role within the play. Antigone also plays an important role, as these two character’s conflicting views led to utter disaster, which highlights Creon as a tragic figure. Within the play Creon attempted to establish decisions for the common good; however, his decisions resulted in tragedy.
In the following paper, I plan to discuss the source of conflict between the title characters of Antigone and Creon in Sophocles’ “Antigone”. I also plan to discuss how each character justifies his or her actions and what arguments they give for their justifications. I will also write about the strengths and weaknesses of these arguments. The final points I try to make are about who Sophocles thinks is right and who I think is right.
When the play starts, it starts with Antigone talking with her sister, Ismene. She talks about burying her brother, Polynices. Even though Ismene reminds her that this would be illegal, she goes ahead and buries Polynices anyways. Because of this, Antigone is a more important character than Creon because this action alone started the play’s entire chain of events. Without this, Thebes would have gone on as usual, and Creon would have been king of Thebes.