Antigone, a story of broken family ties and conflicting motivations, can be twisted to tell two entirely different stories, and this is what happed when Anouilh rewrote Sophocles' classic. While both Sophocles and Anouilh told the story of Antigone, through subtle changes in the style of the drama, each author was able to produce a product that told a significantly different and intimate tale conducive to their personal or political situation at that time.
Structure is one of the various components of the two versions of Antigone that set the pieces apart with just slight alterations. Both Sophocles and Anouilh begin their plotlines at approximately the same point in time, just after the Theban civil war ends with the death of the city's two kings, Polynices and Eteocles, but the tones set in the beginning of the two pieces are wildly contrasting. In the modern take on Antigone, written by Anouilh, the audience is introduced to the world of Thebes by a prologue that goes beyond setting up the background for the play, as is the case in the classic with its background note. Instead, the prologue introduces each character and the role they are to play within the drama (Anouilh 3-6). With this technique, and with similar instances where the chorus breaks the fourth wall, the audience is constantly being reminded that they are watching a performance rather than becoming engrossed in the plot as is intended to happen with the classic, resulting in almost a constant state of anticipation due to the magnitude of the foreshadowing. For example, from the beginning the audience knows that Antigone will grow apart from her sister, and that Antigone and her fiancé Haemon will die (Anouilh 4). While the audience does not have to wait long...
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... happy life with Haemon, but changes her mind when happiness truly becomes the topic of conversation, and she remembers that she is far from happy (Anouilh 47). This change of heart leaves Antigone asking for the death she receives, until near the end of the play where she admits that she does not know why she is dying (Anouilh 57). By looking at this through the symbolism, it is easy to see that while Anouilh may not have been a Nazi sympathizer, he saw the practicality of cooperating with those in power, and that there is always two sides to every story.
While Sophocles and Anouilh's versions of Antigone told roughly the same story, of a girl fighting for the honor of her brother, their different styles drastically changed the end result for the reader. However both were conducive to their intended purposes and thus must considered successful pieces of art.
The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to the state because he attacked his brother. Creon's first speech, which is dominated by words such as "authority” and "law”, shows the extent to which Creon fixates on government and law as the supreme authority. Between Antigone and Creon there can be no compromise—they both find absolute validity in the respective loyalties they uphold.
As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's prejudiced judgments as well (and ambiguity of justice)
Justice is a word we hear today all the time. Left and right we hear of judges and citizens demanding justice. Is justice always the right way? It seems that justice is not always the correct solution to a problem, but a solution that is the easiest to make. The classic play Antigone is a perfect example of this. Antigone is classic tragedy at its finest. A simple civilized and humane right of burying a loved one is turned into a great loss. Creon’s inapt decision to hold his power and sentence Antigone to death causes him to lose the people he loves most. The “justice” of the play is simply Creon’s punishment for his cruelty to Antigone.
There are many similarities and differences between Antigone by Sophocles and Shakespeare’s Romeo and Juliet. The adults in both of the books have the difficult job of controlling the actions of the younger characters. Their decisions have a crucial effect on the outcome of the books, for the younger characters that they guide are the main figures in their stories. Antigone’s King Creon and Romeo and Juliet’s Prince Escalus and Lord Capulet share but also have unique strengths, weaknesses, leadership qualities, and crisis-managing techniques.
Antigone, a story written by Sophocles, is about a young woman, Antigone, choosing whether she will not bury her brother, Polyneices, to not break the law or disobey Creon’s law and bury him; however choosing to bury her brother does not derail her moral development.
Anouilh does not alter the fundamental structure of Sophocles play. Rather, he makes the familiar Antigone into a tool for subtly encouraging his intended audience in Vichy France to not stand passively as a chorus "who sit or stand here, looking at [Antigone], not in the least upset ourselves- for we are not doomed to die tonight" (3). The story is presented by Chorus as immutable and this point is brought up over and over until it is apparent that the only way to change the ending is for the community to stand fast with, in the case of the French, those who would rebel against the occupation and fight the seemingly insurmountable
Antigone, a play written by Sophocles, and Whale Rider directed by Niki Caro are stories that taking place in different eras and location but are very similar in storylines. The text Antigone and share a similar storyline and even share major themes. Both are about a young girl whose brother dies and she tries to uphold tradition but is constrained by her gender.
...se Creon was not yet the king of Thebes during the period of Oedipus’s ruling, and Antigone who was not yet a renowned figure acting independently in her own will without any dilemmas. It is until the story of Antigone when Antoine’s rights are desecrated by the might of Creon’s rule and that it led Antigone to bail and revolt against it. This is the dynamic that Sophocles sees in Antigone within the society of Thebes, and through the perception of Antigone’s heroic deeds, equal to that against the behavior of Creon, Sophocles exemplify to the audience the unbalance nature in society.
...tigone is between the two mindsets of the two conflicting characters. Sophocles bases Antigone on his standpoint about the argument of the man-made law against the religious law. The conflict between the two opposing characters creates drama throughout the story.
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.
Early in the play, Antigone felt dying for her brother was a noble action. Death to her was not an ending, but a new beginning in a better place. Antigone’s family had been cursed for ages; death was something that followed at their heels. The people of Thebes would always look at her with suspicious eyes. Her father, Oedipus, had caused these looks to be placed on her family forever. Then her brothers killed one another on the same day; her life in Thebes was not good. With such a bad life in Thebes, an honorable death must have looked very appealing to Antigone.
Although Antigone has a bad reputation with Creon, and possibly Ismene, for being insubordinate, she stays true to her values throughout the entire play by following the law of gods, not so that she could appease them, but because she admired its value of honor and respect to loved ones that have passed away. This devotion and determination to give her brother a proper burial shows the true essence of her being: that loyalty to family is in fact hold above all else.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
Both Sophocles and Jean Anouilh use the simple story-line of a girl defying her uncle and king in the face of death to reflect upon the events and attitudes of their days. Sophocles' Antigone models the classical pattern of tragedy by incorporating key elements such as a tragic hero with a fatal flaw and the Man-God-Society triangle. Creon is the tragic hero who disturbs the natural harmony of Thebes by denying Polyneices a funeral. Antigone is the catalyst who forces him to reckon with the consequences of his pride and arrogance. In the twentieth century, Jean Anouilh takes Sophocles' drama, strips it down to its core, and weaves an entirely different version of the story. Anouilh redefines "tragedy" by removing the conventional tragic hero, the Man-God-Society triangle and the black-and-white distinctions within the story. He creates a heroine with human faults and emotions, whom society can both embrace and emulate, in order to criticize the Vichy collaboration with Nazi Germany during WWII.
The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This in turn creates an excellent tragedy.