In Antigone, Sophocles uses the archetypal “tragic hero” to relay the deeper messages of the play. In Ancient Greece, the tragic hero consisted of a character who was usually noble, whether by birth or by virtue, but had one fatal flaw that led to the character’s inevitable downfall toward the end of the story. Looking at the different situations each character is flung into, it is easy to entertain the thought that Sophocles wrote both Antigone and Creon as the tragic hero of his story. Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is ...
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...icious by nature, willing to test his devout followers with endless suffering like he does to Job for seemingly no reason at all. Job, anguished by the multiple calamities that befall him at the hands of his God, curses the day he was born and questions God’s actions toward him. Some believe his current pain and grief are indicative of supposed sins Job had committed, but his friend Eliphaz think otherwise. He assures Job not all is lost, and that God has not abandoned the man. Without this punishment Job would not be able to test the boundaries of his faith. Eliphaz reminds Job that God “does great things too marvelous to understand… [and] performs countless miracles” (Job 5:9). But these miracles cannot be construed as such unless bestowed upon an individual experiencing hardship.
The ebb and flow of the balance between good and evil can easily lend itself toward
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