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Cyrano de Bergerac character analysis
Cyrano de Bergerac character analysis
Cyrano de Bergerac character analysis
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Loyalty Overrules Love
As popular author Nicole Yatsonsky says, “Your truest friends are the ones who will stand by you in your darkest moments – Because they're willing to brave the shadows with you – and in your greatest moments – because they're not afraid to let you shine.” Similarly, in the heroic, romantic comedy, Cyrano de Bergerac by Edmond Rostand, Cyrano, a passionate and talented poet cursed with an exceedingly long nose, helps Christian, a handsome yet dim-witted man, win the love of Roxane, the girl both have pined after for years. Through a series of correspondences between Cyrano (posing as Christian), and Roxane, Roxane falls deeply in love with Christian. In turn, Cyrano falls for Roxane. Despite his feelings for Roxane, Cyrano backs off and allows, even helps, the two lovers get married. In Cyrano de Bergerac, playwright Edmond Rostand uses Cyrano’s relationship with Roxane as well as his friendship with Christian to prove the theme that loyalty forms a bond stronger than love.
To begin, Rostand proves the theme that loyalty forms a bond that proves more durable than love through Cyrano’s relationship with Roxane. At one point, Cyrano and Roxane reminisce about their childhood at Ragueneau’s bakery. Roxane remembers fondly, “Sometimes when you had a hurt hand you used to come running to me and I would be your mother”(Rostand 72; Act 2). Even before Cyrano became romantically interested in Roxane, the cousins had a strong friendship built on loyalty and willingness to care for another. Now that Cyrano is infatuated with Roxane, his desire to help her continues strong, regardless of the cost to himself. Putting his own interests aside, he helps the foolish Christian earn Roxane’s love. Even as Cyran...
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..., the deep allegiance that forms between the two friends proves to be greater than the romantic affection that either man feels for Roxane.
All in all, Cyrano’s loyalty to Christian and to Roxane demonstrates the theme that loyalty forms a deep connection that extends beyond love. The motif of faithfulness shown between Cyrano and Roxane, even when love was no object, portrays the idea that being a dependable friend creates long lasting relationships. As Nicole Yatsonsky articulates, loyalty is a decision to stand by a friend in hard times, even when it hurts; and when things are going well, loyalty is a willingness to be outshone.
Works Cited
"Nicole Yatsonsky Quotes." Nicole Yatsonsky Quotes (Author of Summer Sun and Sand).
N.p., n.d. Web. 30 Apr. 2014.
Burgess, Anthony, and Edmond Rostand. Cyrano De Bergerac. New York: Knopf, 1971. Print.
Superficial passion revolves around outward beauty, but true love is always found in the heart. In Cyrano de Bergerac, Edmond Rostand conveys this truth beautifully. This play follows Cyrano in his quest for love from Roxanne, believing she could not love him due to his oversized nose. Little do they know that she does not truly love the handsome Christian, but rather Cyrano, the master of words.
One of Cyrano’s most significant traits as a friend was his loyalty. He would always look out for friends in their time of need, which makes the audience feel sympathetic towards him. Because Cyrano is such a loyal friend, the audience feels angry with Roxane for manipulating him, and taking advantage of his loyalty. An example of Cyrano’s loyalty was when Ragueneau’s wife was having an affair with a musketeer, Cyrano confronted her, “Make sure you do./I like your husband, and I don’t intend/To see him made a fool of./Is that clear?”(II.iv.115-118). He stood up for his dear friend, and did not want him be made a joke of. I believe this is important because it shows that he is not only loyal to his friend, but also caring and has strong moral principles. What Lise was doing was wrong, and the author put this part in to emphasize the reader’s sympathy for Cyrano. Later when Ragueneau’s wife left him, Cyrano did not hesitate to support Ragueneau by talking him out of killing himself and providing him with a proper job. Furthermore, as everyone must be aware of, Cyrano was in love with Roxane. But because he was such a trustworthy friend, he agreed to protect Christian...
The theme of this play is inner beauty and outer beauty. In the beginning of Cyrano de Bergerac, it seems like the theme focuses heavily on outer beauty. As you continue to read on, the play actually puts more emphasis in inner beauty. Symbolism is very important in this play. The letters written by Cyrano symbolizes Cyrano’s inner beauty because what you write comes from your soul which is shaped by your personality. Cyrano’s nose symbolizes his ugliness and his insecurity. Because Cyrano knows Roxane would never consider him because of his nose, he decides to help Christian since Cyrano believes he can help Christian win Roxane’s heart. “
...es Apollo left” (89). Poetry destroyed the marriage of Lise and Ragueneau; she didn’t value art as much as he did. Conversely Christian decides to talk to Roxane without any of the poetic letters that Cyrano has been giving him. Christian has no other words to say than, “ I love you” (102). Christian does not have the same ability to woo her as Cyrano has. So then come Cyrano for the rescue and he says, “ Let us try what can be done; It is more than you deserve—stand over there, Idiot—there! —before the balcony—Let me stand underneath. I’ll whisper you what to say” (104). Cyrano helps Christian, being useful the setting in the Balcony, the darkness and Cyrano hiding and telling Christian what to say sets up the appearance for Christian. Cyrano’s poetic language saves Christian from getting rejected from Roxane; Cyrano saved their relationship.
Cyrano De Bergerac is an inspiring play based on a tragic love. The characters are revealed within unique backgrounds, creating life and depth between our imaginations. There are a variety of important characters throughout the play besides Cyrano De Bergerac. The play consists of more important characters than Christian De Neuvillette, although he is the most admirable. Three admirable qualities that Christian possessed are courtesy, modesty and bravery.
This is not fate nor coincidence. In complete control of his life, Cyrano is arrogant, deceptive, and hesitant in his actions; this ultimately leads to the great tragedy. As a result, we conclude that Cyrano has technically jeopardized himself. If Cyrano had not been so stubborn when he refused to be under De Guiche’s patronage, had not been so generous to feign the love letters for Christian, and had he not been so hesitatant when he deciding to confess his love to Roxane, the tragedy could become a romantic love story with a sweet ending. Again, Cyrano must hold all the responsibility for his actions and he must recognize that only he is to blame for this tragedy.
“Everything has beauty, but not everyone sees it.” (Confucius) Cyrano’s insecurity of his nose effects his relationship with Roxane. In Edmond Rostand’s play Cyrano De Bergerac, Cyrano’s insecure and eloquent self-perception results in Cyrano’s companionship & loving in his relationship with both Christian & Roxane. Cyrano’s level of eloquence helps him combat the insults of his nose. Cyrano is a poetic, witty, & eloquent man who is insecure & has trouble showing his true feelings for Roxane .Cyrano and Christian work together to win Roxane’s heart, and at the end Cyrano allows love to kill him, even after Roxane discovers & reciprocates his feelings.
The Lais of Marie de France is a compilation of short stories that delineate situations where love is just. Love is presented as a complex emotion and is portrayed as positive, while at other times, it is portrayed as negative. The author varies on whether or not love is favorable as is expressed by the outcomes of the characters in the story, such as lovers dying or being banished from the city. To demonstrate, the author weaves stories that exhibit binaries of love. Two distinct types of love are described: selfish and selfless. Love is selfish when a person leaves their current partner for another due to covetous reasons. Contrarily, selfless love occurs when a lover leaves to be in a superior relationship. The stark contrast between the types of love can be analyzed to derive a universal truth about love.
The homosocial relationship between the main character and their best friend connects these two novels by showing how the main character has the same purpose of taking revenge against the one who killed their loved ones, and the best friend who is always there to help and take care of the main character so he can complete his goal. The differences between them make the relationship closer and stronger, and it is proven by the authors through out the novels that no other person can take the place of their best friend.
While reading Cyrano de Bergerac, I found myself often wondering whether or not Cyrano had led a happy life. Actually, I never once wondered that, but that is irrelevant, because Cyrano’s happiness is the focus of this essay. Was he happy? Truth be told, I cannot say for sure. If we look upon his life, it would seem that he was a bit of a martyr, always sacrificing his happiness for the sake of others. This is probably the case, but I do not believe that he led his life with his happiness as any sort of goal. That will be a defining case in my argument. What I really believe is that he simply did not care about his happiness. In that sense, he did not so much sacrifice it, as he annexed and divided it when he saw fit. To a further extent, this apathy towards himself probably came from a low self-worth, almost certainly spawned not from his elephantine nose, but the fair maiden Roxanne. Finally, the nose itself, the very icon of de Bergerac, was probably not the problem that Cyrano believed it to be. All of this, however obscure it may seem, is crucial to the question posed of me now.
In the beginning of the play all aspects of society come together to the theater which involves the poor and the richest people. There’s were Roxane first saw Christian and she was immediately attracted to his looks, she’s just like society is quick to judge looks over personality, completely under minding Cyrano. Roxane tells Cyrano about Christian beauty in Act two Scene five Roxane said “His face shines with wit n intelligence, He’s proud, noble, young, fearless, and handsome.” This shows that she’s completely blinded by his looks! Society will describe Christian just like Roxane but will have different aspects of him. She’s saying that Christian is a bright person judging him by the way he looks. Roxane starts to look for Christian by letting Cyrano know that he is part of his regiment. In Act two Scene five Roxane said “ And it s happens, cousin, that he’s a member of your regiment.” Roxane had just seen Christian once and she already knew who he was and what he did....
Examples of loyalty can be found in many pieces of classic literature such as _Don Quixote_, _The Odyssey_, and _Sir Gawain and the Green Knight_. Many characters in the stories profess their loyalty to other characters. Some of them fail in their loyalty tests while others prevail. I found loyalty to be an underlying theme in all three pieces of literature covered in this paper. The examples provided should prove the theme of loyalty.
The author, John Donne, had a distinct amorous and philosophical style in his literary work characterizing love as religion. Donne was born in a religious Roman Catholic home, which influenced his decision to be ordained as a deacon and priest in his adult life. In his amorous tone, Donne often uses metaphors and imagery to describe and display his love for someone or something. Metaphors and imagery are one of the central figurative languages used by Donne when characterizing his love as a religion that bewilders him in how for every good deed he’s done, the woman won’t return the favor. The metaphors and imagery used to characterize an intangible thing contribute to the theme of how love pertains to our lives just like religion
...d he has also drawn a portrait of her (which seems to have been lost), but the thought of a more intimate relation did not occur to her, and when Vincent spoke to her at last about his love, a very decided no was the immediate reply”(54). Once again as Vincent gathered his courage to express his love, but again denied. Lastly, Vincent failed again to establish a love relationship with a woman named Kee, who entered into his life when he lived in Holland. His method, which he followed to win her heart, was, “to love her so long, that she’ll love me in the end”(130). But in the end she never loved Vincent and once again Vincent was left alone. In all of his attempts, Vincent had failed in all his adventures to develop any type of love relationships.
...ce of outside forces. However, the male-female love still exists in the world because the world in reality is a play where each being can write their script. In poetry reality holds no limitations. Even though the lover’s love is not true, it exists in the world because of the human being’s fight to preserve it. True love may only be able to exist in the female-friendship as shown in the play, but love in relationships still exists because the world allows any being willing to become a poet to be one. Any person can preserve a dream of false love and turn it into true love is they are willing to believe it possible. True love can only exist without penetration, domination, desire, or loss of identity, which exist in male-female love. However, love exists in this relationship because poetry has the ability to transfer this love away from a dream and into existance.