As a student of Duccio di Buoninsegna who was an Italian artist and actively worked in the city of Siena, Tuscany, Simone Martini's most famous painting "The Annunciation and the Two Saints" (1333) (Fig. 1) shows influence of the Sienese style of painting at a time when Byzantine art was very popular in the 14th century (Kleiner, 2010:387). This is made evident by the expansive use of gold in the background space behind the figures and flowing throughout the panelled-painting, the attention paid particularly to decorative pattern, as well as the detail and subtle use of sinuous line and rich colours to create pattern, which are all characteristics of Sienese-styled religious iconography. The painting is considered very beautiful, executed with tight, elegant brushstrokes and bears a medieval interest in the representation of the supernatural and spiritual.
The overall artwork is composed of a large panel containing 'The Annunciation' with two others flanking it said to have been painted by Lippo Memmi, wh...
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...w York, NY. Britannica Educational Publishing.
- Kulenovic, R. 2004. The Annuncition Lionardo da Vinci [online]. Available: http://www.johner.moreinfo.se/museer-firenze-uffizierna-annunciation-en.shtml [2014, May 14th]
- Shea, R. 2004. Marcia Myers: Twenty Years Paintings & Works on Paper 1982–2002. Manchester, United States: Hudson Hills.
- The Bible: English Standard Version. 2001. Illinois, United States of America. Crossway Bibles.
- Van Dijk, A. 1999. The Angelic Salutation in Early Byzantine and Medieval Annunciation Imagery. The Art Bulletin. 81(3): 420-436).
- Von Rohr Scaff, S. 2002. The Virgin Annunciate in Italian Art of the Late Middle Ages and Renaissance. College Literature. 29(3):109-123.
- Web Gallery of Art. n.d. Available: http://www.wga.hu/frames-e.html?/html/l/leonardo/01/2annunc.html [2014, May 10th]
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