Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Examine the poetic style of Ts Eliot
Examine the poetic style of Ts Eliot
Whose work reveals influence by T.S. Eliot
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Examine the poetic style of Ts Eliot
Annotated Bibliography All annotation information comes from Wikipedia unless otherwise noted. Poetry Collected Poems 1909-1962. New York: Harcourt, Brace & World, 1963. Print. This collection contains almost all of Eliot’s essential poems from 1909 to 1962. Some of the main poems would be Four Quartets, The Waste Land, Ariel Poems Choruses From ‘The Rock’ and The Love Song of J. Alfred Pruforck (Amazon). Most of Eliot’s poems happened to be more of a social comment depending on what time it was written. Many of them were religious based or relative to current events. This can be seen if you read chronologically through each poem through the years he wrote them. According to Amazon, this book has received many fantastic reviews stating, “It …show more content…
The collection consists of about seventeen poems involving different stories about cats. Each section is a different cat. Some of the few it includes is “The Naming of Cats,” “The Old Grumble Cat,” and many more. The overall theme was to basically make fun of cats in a more whimsical manner. According to Wikipedia, there have been many references to the collection, along with a few adaptions towards it as well. Due to all the references and adaptions, it seemed to have done quite well. The Love Song of J. Alfred Pruforck. New York: Amerion, 1930. Print. This long poem consists of the narrator musing to an unknown audience, expressing his frustrations in a complex way. This poem, like others of Eliot’s, is hard to interpret and typically has a deep unseen meaning. It is thought to be a narration about a man and his issues. According to some, it is thought that to be a criticism of “Edwardian society” and the narrator’s problem is that he cannot find reasonable idea for himself to live. This poem, along with The Wasteland, is considered to be the beginning of Modernist poetry. Before these poems existed, most all poetry was Romanticism and Augustan poetry.
In his poem, T.S. Eliot (often criticized for being too academic) packs a lot of information into a mere 98 lines. He uses complex allusions and extended metaphors to portray his feelings from 1925, and to reflect the feelings of the Hollow Men. The men who fought in World War One, and were abandoned into the desert of a society that did not care for
Eliot saw an exhausted poetic mode being employed, that contained no verbal excitement or original craftsmanship, by the Georgian poets who were active when he settled in London. He sought to make poetry more subtle, more suggestive, and at the same time more precise. He learned the necessity of clear and precise images, and he learned too, to fear romantic softness and to regard the poetic medium rather than the poet's personality as the important factor. Eliot saw in the French symbolists how image could be both absolutely precise in what it referred to physically and at the same time endlessly suggestive in the meanings it set up because of its relationship to other images. Eliot's real novelty was his deliberate elimination of all merely connective and transitional passages, his building up of the total pattern of meaning through the immediate comparison of images without overt explanation of what they are doing, together with his use of indirect references to other works of literature (some at times quite obscure).
Williamson, George. A Reader's Guide to T.S. Eliot; a Poem by Poem Analysis. New York:
In conclusion, after exploring the theme of this poem and reading it for myself, Eliot has created this persona, in industrialised England or somewhere else. A man of low self-esteem, you embark on his journey as he struggles with a rational fear of being rejected by a woman.
The early poetry of T. S. Eliot, poems such as "The Wasteland" or "The Love Song
In his poem "The Waste Land," T.S. Eliot employs a water motif, which represents both death and rebirth. This ties in with the religious motif, as well as the individual themes of the sections and the theme of the poem as a whole, that modern man is in a wasteland, and must be reborn.
Kenner, Hugh. T.S. Eliot: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice Hall, 1962.
with the Jamesian note, "I read, much of the night, and go south in the
“One function of the poet at any time is to discover by his own thought and feeling what seems to him to be poetry at that time” (The necessary vii). What Stevens is suggesting here is that a poet must find a particular voice among other voices –other poets– and that his voice will be significant only if it intends to be a contribution to the theory of poetry, in the sense that they “are disclosures of poetry, not disclosures of definitions of poetry” (Ibid). Precisely, the poetry of Wallace Stevens and John Ashbery are disclosures of poetry regarding imagination, for they deal with the capacity of the mind to transform external reality. Both poets take the reader through beautifully pictured strange landscapes and, by allowing the reader to experience, dialogically, what is pictured in the poem; both poets make clear that the reader is a fundamental part of it.
...script version of "Gerontion," the old man is abandoned by nature, leaving him in his barren state. There is no hope for these characters to find meaning through nature because it is a force that is completely out of their control. However, by substituting "History" for "Nature" in "Gerontion," Eliot gives an element of hope to an otherwise dismal poem. By recognizing the old man's failure to perceive history in the "living" sense, the reader also recognizes that the perception of history lies in the individual. Unlike nature, man has a controlling influence in history. As long as this is understood, anyone, including the old man, can find belonging in the living sense of history in order to establish meaning in their present world.
Eliot’s use of iambic pentameter introduces the reader to a familiar and structured construct much like what society initially seems to be but when the reader continues to delve into either the poem or society, he or she discovers that they are both intrinsically alienating (Shmoop Editorial
...to subjects relevant to today, such as religion.Eliot argues that without religion we are all lack direction and more importantly we lack substance in our lives. Without religion, we are superficial and it is due to this that we turn to pop culture. Pop culture is a filler for that which is intellectually rewarding. Eliot recognized this and for this reason he wrote “The Wasteland”. Eliot’s poem made bold statements about what was really happening in the modern world. Whether one argue with Eliot’s positions or not, his work joins the canon of the classic and ironically provides an opportunity for readers to plug into something greater.
Different speakers in "The Waste Land" mirror the disjointedness of modern experience by presenting different viewpoints that the reader is forced to put together for himself. This is similar to the disassociation in modern life in that life has ceased to be a unified whole: various aspects of 20th-century life -- various academic disciplines, theory and practice, Church and State, and Eliot's "disassociation of sensibilities," or separation of heart and mind -- have become separated from each other, and a person who lives in this time period is forced to shore these fragments against his or her ruins, to borrow Eliot's phrase, to see a picture of an integrated whole.
T.S. Eliot’s The Waste Land is an elaborate and mysterious montage of lines from other works, fleeting observations, conversations, scenery, and even languages. Though this approach seems to render the poem needlessly oblique, this style allows the poem to achieve multi-layered significance impossible in a more straightforward poetic style. Eliot’s use of fragmentation in The Waste Land operates on three levels: first, to parallel the broken society and relationships the poem portrays; second, to deconstruct the reader’s familiar context, creating an individualized sense of disconnection; and third, to challenge the reader to seek meaning in mere fragments, in this enigmatic poem as well as in a fractious world.
T.S Eliot, widely considered to be one of the fathers of modern poetry, has written many great poems. Among the most well known of these are “The Waste Land, and “The Love Song of J. Alfred Prufrock”, which share similar messages, but are also quite different. In both poems, Eliot uses various poetic techniques to convey themes of repression, alienation, and a general breakdown in western society. Some of the best techniques to examine are ones such as theme, structure, imagery and language, which all figure prominently in his poetry. These techniques in particular are used by Eliot to both enhance and support the purpose of his poems.