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short biography of buster keaton
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Biographies of Buster Keaton
Buster Keaton, Charles Samuels, My Wonderful World of Slapstick (USA: De Capo Press, 1982). Easily the most personal account of the silent film star, this indispensable book was co-written by Keaton himself. While it's not the most objective source - Keaton's memory or interpretation of certain events is rather unclear - it's an enjoyable and well-written memoir; offering some key facts and recollections. He delves quite a bit into his family life, dispelling some rumours and ruminating at length about his early years in the family vaudeville act (wherein he would perform the dangerous and creative stunts that became his trademark). From his later association with fellow silent film star Roscoe "Fatty" Arbuckle, through to his breakthrough as a leading man in early Hollywood, the book covers some fertile ground. It is, however, frustratingly brief - only touching the surface. Keaton glosses over the troubles he faced (such as his broken first marriage, or his clinical depression), making the book incomplete. My Wonderful World of Slapstick is most notable for providing an insight into Keaton's creative process - the formation of a visual gag for instance - and the writing makes his voice clear. We are given the impression that Keaton was a man without pretension, and his sense of humour remained intact toward the end of his life. While the lack of focus on his key films disappointed many critics, the book represents his only recorded memoir.
Eleanor Keaton, Jeffrey Vance, Buster Keaton Remembered (USA: Harry N. Abrams Inc., 2001). Equally personal, due to the involvement of his widow Eleanor, Buster Keaton Remembered traces his career and background in more depth. Detailing his rise from two-re...
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...d=3363). A comprehensive review of Keaton's most famous work. Brooke chooses to highlight the star/director's technical achievements, and his place as a true innovator of American comedy cinema. The writer notes: "Keaton's control of this material is masterly throughout, whether it's the large-scale set-pieces (including what was then the single most expensive shot in film history) or the smaller, more intimate moments, such as the iconic image of a lovesick Keaton sitting on the metal bar joining the wheels of his train, oblivious to the fact that it's starting to move". As with other critics, Brooke is all-too aware of Keaton's influence on filmmaking.
Internet Movie Database: Buster Keaton (USA: http://www.imdb.com/name/nm0000036/). The IMDb entry for Keaton includes a biography, trivia, and his complete filmography ranging from director, to actor, to producer.
Tim Burton: Exuberant, unique, witty, with his movies bring smiles to faces all around, young and old. The talents this man has are numerous; the films directed flawlessly.
The Cameraman (1928), an MGM Buster Keaton feature, is one of the last truly great feature films of the silent era. From the artistic balance it finds between the simplicity of an all-too-familiar storyline and the complexity of technique and cinematography, to the very-entertaining and captivating performances of its actors, the film that was nearly lost to the annals of motion-picture history is a multi-faceted gem that is joyous to watch.
Adam Sandler is a huge major icon in America. Although he is most known for his movies, he is much more than an actor. Adam released several comical acts, and even a few songs! Adam never really knew what he was going to do with his life, until Adam’s brother suggested comedy. This biography will show that Adam Sandler gives a lot to the movie and entertainment world.
The success in Pal Joey started his numerous cooperation with Stanley Donen. Kelly and Fred Astaire were considered as the brain and heart of the drama. His success in Singin’ in the Rain made him known to the world. He was remembered by his excellent dancing skills and natural humor in his performance. He received many awards from Hollywood for his contributions to the performance industry.
In my seemingly never-ending quest to fill in the glut of blind spots in moviegoing history, I tackled my first Marx Brothers’ film, 1933’s “Duck Soup.” As some of you may have realized, comedy isn’t my favorite genre simply because it frequently fails to make me laugh. Nevertheless, I continue to watch supposedly rib-tickling films in an effort to develop more of a taste for the genre. While I did find “Duck Soup” amusing, I cannot say I found it funny.
Not to mention he never let go of his faith in God and believed in his dream which led to his great success today. However he is a man who gives to people and helps with different charities. He is a man of inspiration who used one passion, which led him to the road of success. His writing, producing and directing over the years has inspired so many people. However he has inspired millions of people to not only dream, but make their dream a reality. He did not let his struggles keep him down. He has inspired me to do better through his testimony.I’am a huge fan of his work, today I dream bigger because of him being an inspiration to my life.A man who had a dream and used his sense of humor to bring joy to so many people in this world who are struggling. His struggles did not break him but made him. Furthermore he continues to inspire people through his movies, plays, and his Faith in
--clockwork orange... at times I wish I had those eye-lid clamps for some of my classes, that and bottle of visine, too. it's a nicely designed page, with lots of information on his films. I forgot he was the one who directed dr. strangelove, a personal classic of mine.
Travers, Peter. Rev. of Almost Famous, dir. Cameron Crowe. Rolling Stone. Rolling Stone, 13 Sept. 2000. Web. 29 March 2011.
Sunset Boulevard has had a huge impact on other filmmakers. Many filmmakers still use many of the quotes from Sunset Boulevard today. Sunset Boulevard is a film that represents one of the biggest milestones in film history, silence to sound. Sunset Boulevard also is a great example of the style; film
Sight gags are an essential part of comedy, especially the silent comedies of Charlie Chaplin's time. A sight gag is a visual form of comedy. In this form of comedy, the actors rely on the way the audience perceives the actions on screen for humor. This could include a misunderstanding by characters or a misrepresentation of an everyday object. In order to make the gag work, the actor must use smooth, visible actions to convey his or her point. Noel Carroll outlines six different types of sight gags in the book, Comedy/Cinema/Theory. In this paper, I will talk about each gag and give examples from the three Charlie Chaplin films that we have watched.
As stated by Robin Williams, “You’re only given a little spark of madness. You mustn’t lose it” (brainyquote.com). Robin Williams was a self-acclaimed comedian and actor. His work in many movies and his comedy shows made him an icon for people everywhere. Throughout his life he brought smiles and happiness to everyone who watched him. Exploring Robin Williams early life, career, and death can help one gain a deeper understanding of his life and struggles.
Barsam, Richard. Looking at Movies An Introduction to Film, Second Edition (Set with DVD). New York: W. W. Norton, 2006. Print.
The noir style is showcased in Sunset Boulevard with its use of visually dark and uncomfortable settings and camera work, as well as its use of the traditional film noir characters. In addition, the overall tone and themes expressed in it tightly correspond to what many film noirs addressed. What made this film unique was its harsh criticism of the film industry itself, which some of Wilder’s peers saw as biting the hand that fed him. There is frequent commentary on the superficial state of Hollywood and its indifference to suffering, which is still a topic avoided by many in the film business today. However, Sunset Blvd. set a precedent for future film noirs, and is an inspiration for those who do not quite believe what they are being shown by Hollywood.
After reading J.D. Salinger's famous short story, "A Perfect Day for Bananafish," I have found many similarities between the story and his other novel "The Catcher in the Rye." The first similarities I noticed were the settings. In The Catcher in The Rye, the main setting is New York. Holden Caulfield, the main character, wanders New York after getting kicked out of school. He takes taxis around the city, tries to buy alcoholic beverages, and rents multiple hotel rooms for the night. In the short story, the setting is not New York. However, Salinger does reference New York in the beginning of the story... "I have your call to New York now, Mrs. Glass," the operator said (Salinger 4). Although this is a minor detail of the story, I believe
One of America's finest playwrights, Eugene Gladstone O'Neill's great tragedies were greatly influenced by his own experiences with his dysfunctional family. He used these occurrences to craft one of the most successful careers in the earliest 20th century, earning countless awards including the Nobel Prize for Literature, four Pulitzer Prizes, Antoinette Perry Award and the New York Drama Critics Circle Award. Out of all of these Greek-like tragedies there emerged his only comedy, Ah, Wilderness!; a period piece set in his summer home of New London, CT. O'Neill referred to this play as the "other side of the coin", meaning that it represented his fantasy of what his own youth might have been, rather than what he believed it to have been (as seen in his magnum opus, Long Day's Journey into Night). These two plays are his two most auto-biographical plays, Long Day's Journey dramatizing his family, and Ah, Wilderness! paralleling it.