El ángel exterminador, Luis Buñuel (1962)
Luis Buñel Portés fue un director de cine español. Nació en Teruel en el año 1900 aunque la mayor parte de su obra fue realizada en México y en Francia. Murió a los 83 años en Ciudad de México. Es considerado uno de los directores más originales e importantes de la historia del cine.
Buñuel se trasladó a Madrid en el 1917 después de recibir educación religiosa que marcaría una importante tendencia en su línea personal y artística. Inició la carrera de Ingeniería Agrónoma instalándose en la residencia de estudiantes donde entabló amistad con personajes característicos de la época como Salvador Dalí o Federico García Lorca. Aunque más tarde abandonó la ingeniería para terminar licenciándose en Filosofía y Letras. Se especializó en técnica cinematográfica en la Academia de Cine de París y realizó junto a Dalí el famoso corto “Un perro Andaluz” (1928), que representó su inmersión en el estilo surrealista.
El surrelismo en esos años desarrollaba plenamente la creatividad intelectual y la imaginación visual, dejando de lado los tradicionales conceptos de expresión y narrativa. Dió importancia a los mundos oníricos como un reflejo de la lógica que permanece bajo la capacidad subconsciente del ser humano. Su obra se caracteriza por provocar ansiedad en el espectador. Dado el estallido de la Guerra Civil española Buñuel se exilió en el continente americano.
Su cine surrealista, original y simbólico abordó varios géneros y subgéneros como son las farsas, sátiras, comedias negras, dramas de corte neorrealista o melodramas. Otra de sus características es que enfocaba sus flechas mas críticas en el catolicismo y la burguesía lo que se ve constantemente reflejado en la obra “El angel exterminador”.
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... de mí que me satisfaga”.
El autor de esta película cree que en la realidad se encuentra todo: el deseo, el sueño, el pensamiento, la acción, el gesto, el sentimiento, la razón y el sinrazón. Además confirma su descreencia a la psicología de la misma manera que lo hacía Nietzsche afirmando que “todos los actos son esencialmente desconocidos” lo que pone en duda la anterior relación con el conductismo de Freud.
En la película queda patente el uso de la idea del aislamiento como un pretexto para poner en cuestión la condición civilizada del hombre y mostrar el desarrollo de las conductas del ser humano ante situaciones límite.
Works Cited
MORENO TAVERA, Miguel Ángel: El ángel exterminador. El sueño profético del Gran Hermano buñuelesco. http://temakel.net/node/449
FREUD, Sigmund: Obras Completas: El malestar en la cultura, Biblioteca Nueva, Madrid, 1995, pag. 3053
Alfredo Corchado — is the author of the book named " Midnight in Mexico:A Reporter's Journey through a Country's Descent into Darkness”. We are, probably, all interested in finding out the facts, news, and gossips about Mexico. This country was always associated with something mysterious. For me personally, the title of the book seemed to be very gripping, I was interested in revealing the secrets of life in Mexico, thus I decided to read this book. I was really curious, what can Alfredo Corchado tell me about the life in this country, the country, where the constant massacre is the picture, people used to see. In his book, the author tells the reader about the real situations, which took place in Mexico, reveals the secrets of the people’s lives and tells the story from the “inside”. He describes the way he lives his life, and does his work. The " Midnight in Mexico: A Reporter's Journey through a Country's Descent into Darkness” is a memoir. Author tries to transform his own experience into the story line. Corchado shows the reader the darkest episodes of Mexican society, while relying on his own experience.
Bartolomé de Las Casas was born in 1484 AD in Seville and died in 1566 in Madrid. In the ending of the 15th century and the beginning of 16th, he came to America and become a “protector of Indian”. In 1542, most based on his effort, Spain has passed the New Law, which prohibit slaving Indians (Foner, p. 7). In 1552, he published the book A Short Account of the Destruction of The Indies.
Two conflicts during this time are seen as significant towards this battle between the interests of the Natives in the Americas. One of which was between two men: Bartolomé Las Casas and Juan Ginés de Sepúlveda. Las Casas defends t...
Mexico was home to rich landowners that ruled like medieval Dukes on large domains, keeping their workforces impoverished, deep in debt, and with barely enough basic necessities for survival. The sheer destruction wrought by ten years of war and chaos has proven to be a deep well of inspiration for Mexico's artists and writers that will be analyzed through the following investigation question. How was the Mexican Revolution the principle cause for the rise of different artistic movements in the first quarter of the 20th century? The inner search for national identity established conflicts prior to this event, therefore in order to execute a thorough analysis, research will emphasize on contextual information starting in the year of 1910 up until 1920. Ideals of the Mexican Revolution, forms of cultural expression dealing with the Mexican Revolution, and how the conflict gave birth to a variety of new artistic currents will be investigated through the use of credible websites, academic journals, and books that provide original research and firsthand experience.
Contemporary Psychology, 36, 575-577. Freud, S. (1961). The Species of the World. The Complete Works of Sigmund Freud. London: The Hogarths.
Art movement’s characteristics vary from nation to nation, but painting can be used as a critique of the socio-political reality in a given nation. It is a creative way to communicate with a population about economic, education and social issues. Therefore, The History of Cuernavaca and Morelos: Crossing the Barranca (ravine) Detail (1929-30) Fresco by Diego Rivera is a good example of how an artist uses his creativity to connect with people in relation to Mexican history. Art is an inspired way to share the complexity and challenge of a community. It can be used a way to respond to them likewise. Therefore, the concept of accessibility takes ingenuity. With his deepen knowledge of European and ancient Mexican art, it was not a documentation
Freud, S. (1957b). Some character types met with in psychoanalytic work. In J. Strachey (Ed. & Trans.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 14, pp. 309–333). London: Hogarth Press. (Original work published 1916)
Conclusively, throughout Don Quixote, Miguel Cervantes explores the transformation of reality. By doing this, he critiques and reflects conventional societal literary norms. In three distinct scenes, Don Quixote or his partner, Sancho, transform reality. Often they are met with other’s discontent. It is through the innkeeper scene, the windmill scene, the Benedictine friar scene, and Quixote’s deathbed scene that Cervantes contemplates revolutionary philosophies and literary techniques. The theme of reality transformation does not even stop there. Sometimes the transformations of reality scenes act as a mimetic devices. Ultimately, Miguel Cervantes use of transformative scenes acts as a creative backdrop for deeper observations and critiques on seventeenth-century Spanish society.
In 1949, Dana Gioia reflected on the significance of Gabriel García Márquez’s narrative style when he accurately quoted, “[it] describes the matter-of-fact combination of the fantastic and everyday in Latin American literature” (Gioia). Today, García Márquez’s work is synonymous with magical realism. In “Un Señor Muy Viejo con Alas Enormes,” the tale begins with be dramatically bleak fairytale introduction:
Throughout an individual’s life-time, he/she has a vision as o what his/her should be. But when things do not go as planned and the unexpected occurs, does that person face it, or run away? In “An Act of Vengeance” by Isabel Allende, running away is not an option at well. Through the usage of plot, character and irony, Allende illustrates the cost of war.
Sigmund Freud, The Ego and Id, trans Joan Riviere (London and New York: W.W. Norton, 1960), 5-6; 8-9.
Central Character: A very old man with enormous wings that they call an angel and that was found in a stormy night in the rear of Pelayo's courtyard. Other characters: Pelayo, Elisenda, a neighbor woman who knew every thing about life and death, Father Gonzaga, a woman that had turned into a spider, the whole neighborhood and other people that came from everywhere to watch the angel.
Freud, S., Strachey, J., Freud, A., Rothgeb, C., & Richards, A. (1953). The standard edition of the complete psychological works of Sigmund Freud (1st ed.). London: Hogarth Press.
Wilson, Sarah. "Sigmund Freud and the oedipal complex." The Observer”. Guardian News and Media, 8 Mar. 2009. Web. 1 May 2014. <http://www.theguardian.com/lifeandstyle/2009/mar/08/sigmund-freud-oedipal-complex>.
The work continues to incorporate the deflating of authority by presenting Father Amador. Father Amador attended medical school for a few years and performs the autopsy on Santiago Nasar. Page 76 in the work describes the after effects of the autopsy. “They gave us back a ...