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...more absorbed into the film. As one watches a car crash it is not, in fact realistic that one stays seated in a chair. Even though the movement will not be able to recreate any of the effects that should go along with this example of a car crash, and luckily so, it will enhance the experience of seeing action bound mise en scenes. So the question remains: what applications does Bazin's work have in today's cinema? The reality cinema captures is largely the subjective reality of the filmmakers' distinct worldview and not Bazin's "objectivity in time". You could say, however, that cinema is about different levels of representation, and that the differences between fiction and reality, between subjective and objective, no longer exist. However, you still haven’t established whether modern day cinema is worth looking at as work of narrative art or corporate indulgence.
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