The And The Lighthouse By Virginia Woolf Essay

The And The Lighthouse By Virginia Woolf Essay

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Artists of all mediums offer the public different perspectives of reality and within the multitudinous amount of works, a truth is brought to the attention of the viewer. The truth brings awareness to the masses and changes the means of thinking of the public. Virginia Woolf’s novel, To The Lighthouse, represents a cultural shift in thought from the 19th to the 20th century state of mind by being inspired by the situation of the world at the time and the changes turn of the century brought to humanity by creating a novel that alludes to major revolutions of the time, such as the social, physiological and philosophical, and social revolutions. Woolf does this by creating a new way of expressing thought in writing, and creating characters with dramatic ways of thinking and offering different perspectives. With this, Woolf offers her readers a window to see the world.
One of the major changes the 20th century brought was the physiological revolution, in which sparked interest in how people thought and their hidden desires. Sigmund Freud, the father of psychoanalysis, lead this revolution, especially in the idea of hidden desires, by publishing his groundbreaking book, The Interpretation of Dreams. In his book Freud “explored the unconscious human mind through the analysis of dreams [and claimed] that past traumas [which people bury deep] within [their] psyches, [are] the root of many of their problems.” (Sigmund Freud: The Interpretation of Dreams (1900)). In his studies, Freud found that “[dreams specify] the fulfillment of wishes” and that these wishes are not as apparent in dreams but “that the [presentation of the wish] may not be the same in every dream [and that they may present themselves in our dreams as] a wish fulfillment [...


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...ed using a quote from the episode “Blink”, by the character The Doctor from the show Doctor Who, saying that “[most] people assume that time is a strict progression of cause to effect, but *actually* from a non-linear, non-subjective viewpoint - it 's more like a big ball of wibbly wobbly... time-y wimey... stuff” (Moffat). Instead of using the traditional liner pattern of time, Woolf manipulates time to create a dream-like state, stretching eight hours’ worth of time in the first part of the novel, ”The Window”, and condensing 10 years in the second part, “Time Passes”. With the consent bouncing around between the minds of characters and the surrealistic movement of time, the influence from the psychological revolution Woolf uses in her novel, creates a collaborated set of layers that fit together and support the other layers like a well-orchestrated piece of music.

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