“[A prince] needs to not depart from good, when possible, but know how to enter into evil, when forced by necessity” (The Prince 70). Here Machiavelli mentions an underlying principle that an ideal ruler must establish a balance between moral good and necessary evil. Yet, can an individual keep balance between good and evil acts? Shakespeare would argue otherwise. Through Shakespeare 's portrayal of Othello, one can observe that once an individual enters into evil, he or she is bound to evil and therefore should avoid entering evil at all. Ultimately, Shakespeare 's presentation of self-division, one where an individual is only capable of controlling either good or evil, but not maintain both, is more plausible than Machiavelli 's presentation
For instance, Othello 's speech before he decides to kill Desdemona is a clear example of self-division promulgated by his conflicted thoughts. Othello says “It is the cause… yet I 'll not shed her blood… yet she must die” (Othello 5.2.3). In this example, Shakespeare portrays the concept of self-division through Othello 's thought process. The repetition of “yet” indicates his self-division. He is troubled at the thought of killing Desdemona because he loves her, but also believes she deserves to die because he believes she betrayed their marriage. Shakespeare 's depiction of self-division is focused on Othello, whose emotional conflict impedes him from making a moral decision and ultimately leads him to becoming corrupt. Shakespeare does not indicate that Othello can maintain a balance between good and evil, rather, Othello merely succumbs to evil. Individuals in The Prince and Othello experience self-division differently and for different purposes. However, each author also presents a different interpretation about human nature in both texts. In Othello, Shakespeare presents the concept that a human is incapable of balancing both good and evil and therefore should avoid evil altogether and pursue virtue. On the other hand, Machiavelli argues that a human is capable of balancing moral good and necessary evil without succumbing to either too much cruelty or
Machiavelli’s views on human nature are unjust; nevertheless, his philosophy, or rather instructions, is reasonable in capturing the selfishness of men. As written in The Qualities of the Prince by Machiavelli, “Men are ungrateful, fickle, simulators and deceivers, avoiders of danger, greedy for gain; and while you work for their good they are completely yours, offering you their blood, their property, their lives, and their sons… when danger is far away; but when it comes nearer to you they turn away.'; Machiavelli’s generalization demonstrates his low opinion on the nature of men because he views them as selfish and lacking in both loyalty and honesty.
Dual Nature of Characters in Othello Many of the characters in Shakespeare's tragedy, Othello, are duplicitous to the extent that how. they are perceived in public is not how they behave in private. The perception of the public plays.
William Shakespeare: I doth not bethink twas Othello 's fault. Though i knoweth that gent hath killed Desdemona, his actions wast the worketh of 'honest Iago '. That gent wast most unfortunate to has 't fallen into Iago 's trap. Though Othello accused Desdemona of cheating and hath killed that lady, that gent loved that lady with all his heart. Othello spake about how Desdemona would has 't hath lived, hadst the lady nev 'r hath fallen in love with that gent. that gent kissed that lady and hath killed himself, as a form of contrition for killing that lady.
In the Shakespearean tragedy Othello the number and description of themes is open to discussion. With the help of literary critics, we can analyze this subject in detail.
Analysis of Othello’s Soliloquy. During Othello’s soliloquy in Scene 3, ll. 299-318, Shakespeare uses the literary devices of imagery, symbolism, and antithesis to develop the state of mind of Othello during this strenuous time in his life. Othello, who seems to intrinsically believe that as a public figure he is fated to be unsuccessful at marriage, is torn between his love for Desdemona and the possibility that she is having an affair with Michael Cassio. This particular passage comes at a juncture after he denies that this could be true, and before he is finally convinced of his wife's infidelity.
Othello is noble, tender, and confiding; but he has blood of the most inflammable kind. Unfortunately, Othello was naïve enough to be swayed by Iagos misplaced trustworthiness and the accusations cause the entire play to unfold. Once someone brings up a sense of all his wrong doings, he cannot be stopped by considerations of remorse of pity until Othello has extinguished all that fuels his rage and despair. Othello is described as a “Moor” by his critics (Brabantio, Iago). A “Moor” is a slang word used for the dark skinned appearance of the Muslim people from the northwest part of Africa.
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
William Shakespeare has yet again created a world of good and evil. In his work Othello, the ideals and principles of this world are just like any other with a twist brought upon by two characters, Othello and Iago. These two characters along with many others employ the central idea of what good and evil entails. However, neither Othello nor Iago possess just one of these traits. Othello is not just the pure perfect guy he is perceived to be and Iago is not just the evil vindictive character he is believed to be but rather both of these men are far more interesting than that. They both have the necessary qualities that get them through life and potentially threaten their lives. Through their actions and interactions with the other characters that they really are is shown.
The Tragedy of Othello, written by William Shakespeare, is a play about a Moor of Venice and his downfall by deception and love. The themes of two-facedness, narcissism, and honor are all prominent in this play; the theme overarching these, however, is loyalty. Similar to a satirist, Shakespeare shows that the true nature of a person’s loyalty is not always as it appears. Othello’s loyalty to his own honor exposes his false loyalty to his wife. Iago, the antagonist, is deceptive in portraying himself as honest and committed to those he supposedly loves, but at the same time he plans their downfall. Honor, narcissism, and deception are each concepts Shakespeare uses to convey the ambiguity of loyalty in people.
The tone of the story is tragic and serious. Meanwhile, there isn't any point of view because this is a play and a play doesn't normally have a narrator. Shakespeare lets the reader make up his/her own imagination with the characters' words and behavior. Since Othello is the protagonist, he is explained in more detail. Although Othello is a brave warrior, he is a jealous person; his jealousy also prevails over his good sense. The whole play depicts the fact that jealousy causes corruption. There are many conflicts found in Othello, and person vs. person is one of them. An example is when Iago seeks revenge against Othello and Cassio because of his anger and jealousy. Person vs. society appears when Desdemona's father Brabantio, disapproves her marriage to Othello because he is several years older than Desdemona, from a different class, and a different race. An internal conflict of person vs. himself is found when Othello is in a dilemma about whether or not should he believe that Desdemona is being unfaithful to him. Othello loves and trusts Desdemona until his jealousy is aroused by the cruel manipulations of Iago. Iago's intention was to persuade Othello to believe that Desdemona is having an affair with Cassio. As Iago succeeds in convincing Othello that Desdemona is guilty of adultery, it leads to the climax of the play. And so Othello must face emotions he can't deal with. His jealousy drives him insane, and his judgment is replaced with anger and hate. At this time, the reader notices that the death of Desdemona is inevitable. Othello smothers her, and he eventually kills himself when he knows that Iago falsely accused Desdemona. This also represents the tragedy of the play.
Each character makes their own decisions and has their own flaws, which is very humanistic. Shakespeare’s use of tragedy shows, “…in a universe in which order and disorder coexist, human choices play a vital and potentially destructive part. ”(3:100) Shakespeare develops the character Iago into an instigator and evil man. Iago attempts and succeeds to convince Othello that his wife has had an affair with his friend Cassio.
Interestingly, as Othello is preparing to kill Desdemona, he still believes that he is using reason to make his decisions. He says, “It is the cause, it is the cause, my soul./ Let me not name it to you, you chaste stars,/ It is the cause” (V.ii.1-3). While he does not speak his reason, he is confident that he has one good enough for which to kill. This continues into an emotional set of lines about how much he is dreading preforming the necessary deed. It is not until the last set of Othello’s lines that he admits to being a fool overcome with
From the beginning, Othello is noble, quick to act, judicious, trusting, and gives much weight to the importance of duty. These are all traits that serve to make him great at the beginning of the play, and later, ironically, become key elements in his downfall. These aspects can be considered the internal causes of Othello’s tragic flaw. “Othello's nature is all one piece. His trust, where he trusts, is absolute.
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.