In “Dulce et Decorum est”, Owen brings the horrors and pity of being a combatant for the public to understand not just literarily but through stimulating the audience’s auditory sense. From the outset, the poet narrates in a traumatic tone. Regardless of any interpretation, the opening is not pleasant: “coughing like hags,” and “cursed through the sludge,” (Owen line 2). The sounds of beldams’ cough and curse illustrate the terrible physical conditions that these young soldiers are sunken into. Then, Owen intensifies the atmosphere in the second stanza. The first line of stanza which is “Gas! GAS! Quick, boys!” is using the exclamation mark and short one syllable words (Owen 9). These words quickens tempo and presents panic. Also, the repetition and the capitalization of gas express the yell of imminence, with the exclamation marks to imply the maximum shocks. The following stanzas change pace back to traumatic. The poet illustrates the obnoxious situations effectively through the sound once again. He directly suggests the readers to hear “the blood Come gargling from the froth-corrupted lungs,” instead of picturing it (Owen 21, 22). In the...
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...e’s attention for the last time and leave strong resonance afterward. By doing so, Owen portrays powerful images through sound and encourages the readers to mollify the souls of innocent and young men who have fight and died for their countries.
Through “Dulce et Decorum est”, Wilfred Owen has portrayed the stark reality of combatant, writhing in great agony and sceptically questions the military propaganda: it is sweet and proper to die for one’s country. In “Anthem for Doomed Youth”, Owen depicts that the young males who were swayed by the propaganda die a miserable death in the battlefield filled with bitter farewell. The essential in both poems is that there is no such thing as glory in war. The poet fascinatingly has delivered the main point by incorporating auditory qualities in the text. As a result, the readers are able to absorb the author’s full intention.
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