In this passage, Dick and Perry are driving in their car driving to Mexico City to escape the murder they recently committed. The passage begins with Dicks point of view. Capote presents Dick as a void character. Even though he was raised in normal family with both parents, his dad was a father, he lived a somewhat detrimental life. At a young age Dick was married, divorced and then married again. He lived the life of a loner, moving around trying to avoid police from petty crimes he committed. Capote explains his backstory in short segments. Capote is able to give Dick very very little sympathy when using this writing style. He is able to force the reader to think Dick was the mastermind behind the whole murder and Perry was just along for the ride. Dick did not too much to help the reader sympathize with him though. In the pa...
... middle of paper ...
... through, this was from his use of juxtaposition.
Capote wrote an incredible book that focuses on two complex men who killed an innocent family of four. Dick was a man who was morally hollow and felt nothing after he committed the crime. He focused on acting masculine and often bragged about his intelligence and always fixated on his ego. Perry was opposite of Dick. He often had frightening memories of the murder and frequently talked about how he never thought he could do a thing like that. Perry would often wet his bed and suck his thumb but Dick explained that he could be ready to snap at you and you would have no idea. The juxtaposition that Capote used was able to exemplify the differences between the two. We see how they look at each other when Capote writes through their point of view. This writing style impacted the novel in an effective and compelling way.
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