Analysis of The Yellow Wallpaper, The Birthmark, and The Goose Girl

Analysis of The Yellow Wallpaper, The Birthmark, and The Goose Girl

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There have been various analysis based on these three stories and the characters involved: “The Yellow Wallpaper,” “The Birthmark,” and “The Goose Girl”. This paper will focus on analysis based on figurative languages used either consciously or unconsciously, the passivity of the characters, motivations, role performed in the story, and the agendas used by the various authors. The point of this analysis is to show how various authors have used short stories to give the world a diverse message that can be spun in many different directions. “The Yellow Wallpaper” is a short story by Charlotte Perkins Gilman who specialized in poetry, short stories and social reform. Jane in “The Yellow Wallpaper” is a passive character that shows her passivity in a quite distinct manner. According to a quote from a critic of this short story, “Visible: the prisoner will constantly have before his eyes the tall outline of the central tower from which he is spied upon. Unverifiable: the prisoner must never know whether he is being looked at any one moment; but he must be sure that he may always be so.” “The Panopticon is a machine for dissociating the see/being seen dyad: in the peripheric ring, one is totally seen, without ever seeing; in the central tower, one sees everything without ever being seen” (Michel Foucault, 1979). This shows that the house where Jane lives in would be considered to be a Prison whereby the prisoners can be observed but they cannot see their observers. He called this method of observation “Panopticon” (Michel Foucault, 1979). This method regulated the prisoners behavior at all times and in this story, it regulated Jane’s behavior so she was used to taking orders.
In addition, this critic also describes the narr...


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