In order for someone to do anything outgoing, they need confidence. Being a DJ is no exception; a DJ needs to be outgoing, and therefore needs confidence. Joel Diaz-Porter’s poem “Turning the Tables” is a poem in which Diaz-Porter uses his confidence to explain how to be a DJ, and debunks several misconceptions about how a DJ’s job is done. In “Turning the Tables” Joel Diaz-Porter creates a confident tone by using figurative language and word choice. Joel Diaz-Porter uses figurative language in the form of two similes and a metaphor to show a confident tone throughout “Turning the Tables.” Diaz-Porter created these similes to show that confident tone, “First hold the needle/like a lover’s hand” (Diaz-Porter 10-14). The author also states,
“About
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By saying that people are wrong, the author is implying that he knows better than the people. That shows confidence because the author must have confidence in himself to say that someone is wrong. The author also stated,
“Then cultivate the sweet beats blooming in the valley of the groove.” (6-9)
The way that the author uses words such as “sweet beats” and “blooming” the reader can tell that the author has a love of and speaks high of the music coming from the record. Only a person who has been a DJ for a long time, and someone who is in love with that occupation can use words like those to describe the music coming from the record. This shows the authors confidence because not everything in this world can be described in that way, and the fact that the author uses those words to describe it, shows how confident he is in his understanding of this
...influenced by many genres of music and wanted to cultivate a sound that was their own and like nothing else out there. Artist flocked to them to receive something that was completely different and to bring out put out the best recordings that were possible. The studio was influenced an array of artists who possessed individuality, a sound that differentiated them from other artists, and a will to try to experiment. The studio created a sound like no other studio and much different from the prominent studios from the north, west, and south. It was a studio that will leave a legacy of risk takers, who had a desire to produce a sound that would stand the test of time and influence many generations to come. Their production style mixed genres and may music boundary less. It influenced the sound of today’s music to not be boxed in or classified as just one type of genre.
Ten minutes after lining up, I went inside the nightclub. From the door, I could hear the song and the beat of the bass so loud that my heart could feel it. Inside the nightclub, I saw people were dancing everywhere, on dancing floor, on their own seats, everywhere. They would dance and take a big gulp of their beer. Even the bartenders were dancing too, following the rhythm of the loud funky music. The rainbow rays of light moved through the club to make the mood even more exciting and funky.
He uses specific tone through his text his tone is meant to inform and persuade giving him creditability towards his argument. He uses pathos through his text by saying the way music makes people feel a certain way and understand the argument making it stronger, he also uses the story of his mothers death to play with the readers emotions. He uses words like ghetto, Blacks, love , soul, gangsters, etc to show persuade the audience and she if the emotions of the reader would be affected. He then brings in ethos by using creditable mentions of Fetty Wap and statistics like “At the time of this writing, “Trap Queen” is the #2 song in America. To have the #2 song in America is to hit pretty much every demographic…” To provide the audience a sense of trust with him making his argument gain power. He also includes tweets to validate his argument and create stronger support from his intended audience and giving the audience a sense of
A joyous celebration of the sanctity of life is generated through the element of Mood and atmosphere. The clip begins with a soft orchestration of piano and violin, creating a magical melody. The choice of melody creates the mood and atmosphere that influences the audience to feel joyous from the outset. The use of lighting adds dramatic effect to the mood and atmosphere of this scene; a warm yellow beam of light streams out of the barn, cutting through the dark and rainy morning, which
Although The Turn of the Screw begins in a rather somber mood with Douglas’s tale, it quickly shifts tones during the telling of the governess’s first meeting with the wealthy uncle. This scene makes it clear that the governess places the uncle on a pedestal and that she desperately wants to be in such a privileged position herself. Her attraction for him quickly moves beyond that of an employee to one that nears sexual desire. She even describes the “moment [when] he held her hand, thanking her for the sacrifice, she already felt rewarded” (James 29). While this is only the introduction to the piece, her attraction to the uncle plays an enormous role in the subsequent encounters with Quint, a former house worker who was known to parade around in the master’s clothes. In fact, at the moment when she first sees Quint’s alleged ghost, she is fantasizing about meeting the uncle and is nearly fooled by th...
...that what they believe might not be correct, it is what they believe but others do not have to believe that they are right.
The author also uses various types of figurative language like metaphors and hyperbole's. Ernest Thayer uses metaphors comparing Casey to many things. "But Flynn preceded Casey, as did also Jimmy Blake, And the former was a hoodoo, while the latter was a cake."
Chapter six in our book discusses a lot about neuroanatomy. It is written that in order to be moved by music (physically and emotionally) it helps a great deal to have a readily predictable beat. Composers accomplish this by subdividing the beat in different ways, and accenting some notes differently than others; a lot of this has to do with performance as well. Groove is that quality that moves the song forward, the musical equivalent to a book that you can't back down. ''Super Freak'' by Rick James is used as an example, and I have to agree. It has a funky and fun groove to it. The book states that music is organized sound, but the organization has to involve some element of the unexpected or it is emotionally flat and robotic. I agree with
Have you ever wondered how a record player works? Probably not. After all, who still listens to records? Surprisingly enough, turntables are making a come back. With the recent surge of interest in hip hop music, popular attention has been turned towards the turntable, used by DJs to provide beats, loops and scratching for virtually all of today's hip hop groups.
Djing is characterized as "the specialty of mixing, scratching, and making music by working with prerecorded (normally records) and making something new." Djing became an integral factor around an indistinguishable time from break dancing. As of now rappers began coming into the photo. As this happened, there turned into a need to deliver a more dull, beat-arranged foundation that individuals could rap over. With the requirement for more beats, DJ Kool Herc was the first to DJ with two turntables. It didn't take yearn for the DJ to end up noticeably a critical factor in the development of Hip-Hop. DJ's are viewed to keep the group celebrating for the duration of the night and on the move floor. The specialty of scratching resembles a marvel. A DJ can snatch any recorded sound and control it to state whatever they need it to state. DJ's brought into play another melodic instrument "the
The term “beat” had several different meanings in the 1950s but the most common definition meant “run down, tired.” Within that decade the definition began to change to mean “beautiful” or “beatific” which was penned by Kerouac. Not long after the meaning became associated with the idea of a “group of friends who had worked together on their writings. But the most common known definition of “beat generation” is the influence of poets, filmmakers, writers, painters or novelists who believed...
There are those who might find a book to analyze music that often aims for the effect of a sledgehammer to the head a mite pretentious. Yet the radicalism of dance music lies precisely in its "meaninglessness," which, paradoxically, requires intellectualization in order to get at its significance. This problem is particularly acute for Reynolds, who wants to both valorize everything about techno that makes it resistant to rock-crit "literary" analysis, and also explain exactly why it really did mean something, man. His central tool for resolving this contradiction is the idea of the "drug-tech interface": the reciprocal relationship between Ecstasy (and other less central intoxicants) and machine music that resulted in a feedback loop between sounds geared to enhance the rush, and rushes that inspired producers to take sound into new spaces. The drug-tech interface gives "Generation Ecstasy" a narrative backbone that applies again and again, across continents and cultures from Texas, where Ecstasy culture first reared its head in the mid-'80s, to Scotland, Holland, and Germany.
The label “Beat Generation” was first publicized in a 1952 New York Times Magazine article entitled, “This is the Beat Generation.” In this article, author John Clellen Holmes states that “beat” means “More than mere weariness,” involving “a sort of nakedness of mind, and, ultimately, of soul; a feeling of being reduced to the bedrock of consciousness.” (Holmes) These feelings became the inspiration for the Beat writers and from them sprang ideas that permeated throughout society. Major interests among the Beats were freedom, self-expression, and a rejection of mainstream ideologies (such as those governing drugs, sex, and spirituality). (Scheibach 213)
The Beat Generation was one of the first groups of writers to break down the barriers of traditional literature and set a precedent for future writers with their writing style, their way of life, and by the messages they portrayed. They were the kids dressed in black, hanging out at coffee shops, reading their latest poetry. They protested wars, were drug users, and openly expressed homosexuality, as they expressed every aspect of their life candidly. But, the Beats are best known for their writing style. It was unique for that time to cast aside conventional structures of sentences and poetry. They used dashes instead of commas and periods; to write the way a person hears speech. Their poetry had a style of it’s own, unknown to any other groups of poets at the time; no rhyming, no structure, and non-conforming beauty.
One example supporting this quote is that people believed that Columbus was the one who discovered America but this was not true. America was discovered before Columbus twice, firstly by the locals and secondly by the Vikings in the 11th century (Mark). This proves that everything is not true of what we are told about there is always a room for the facts being incorrect. The things we believe is not always