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... last couplet a strong conclusion for stanza one. Collins suggests that the Ode to the West Wind “is the voice of the poet attempting to make itself heard (8). In addition to the closing interjection demanding the wind to hear the speaker’s invocation: “hear, O hear!” (15), which seems like a plea to appeal the Wind. Herein, we can imagine the poet using his voice and his breath to pursue the attention of the wind, but it seems that the Wind is not paying attention to the speaker whatsoever, for the speaker is using the interjection ‘O’ to express powerlessness. Hence, we can say that words, poetry lines, and the meaning(s) that they carry, they all work together highlighting the musicality of the poem in order to create the effect of unity and harmony in its sound and its language. Again, this is the creative and the formative effect upon the reader in Shelley’s Ode.
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