Analysis Of The Poem ' Prelude ' And Morning At The Window ' Essays

Analysis Of The Poem ' Prelude ' And Morning At The Window ' Essays

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The way that the city is encountered at night can be compared with to how it is encountered at day in the poems ‘Prelude’ and ‘Morning at the Window’. The city is described similarly to each other. In ‘Preludes’ the streets in the morning as are described as “sawdust-trampled” (II, line 16) which is reminiscent of the description of the “sawdust restaurants” (line 7) in ‘The Love Song of J. Alfred Prufrock’. The “waves of brown fog” (line 5) in ‘Morning at the Window’ parallels the “yellow fog” (line 15) in ‘Prufrock’. An eerie tone of ‘Morning at the Window’ is created through the repetition of ethereal language throughout the poem. The fog tossing up faces from the street gives an impression of ghosts or spirits. The use of the word “twisted” on line 6 emphasises this associates with ghostly imagery as the word could be analysed as meaning unnatural and perverse and could also mean wicked and evil. Ghosts could also “hover in the air” (line 48) and “vanish” (line 9). This is analogous with the instances of mystical motif in ‘Rhapsody on a Windy Night’ we can take the “Whispering lunar incantations” (line 4) and the personification of the street-lamp as examples. The reoccurring instances of the city at day and the city at night being comparable shows that this cannot be simply inadvertent. Eliot encapsulates the city through a pessimistic perspective, it is “trampled” and thick with brown or yellow fog which we can assume is caused by the pollution that you would expect in a city and it has an unsettling eeriness to it. Moreover it is not just the description of the city that is the same but also the emotional state of the people who occupy the spaces at different times. The emotional states are that which produce “aimless smile...


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... outside by herself there must be a particular reason. Furthermore the door is described as “open[ing] on her like a grin” (line 18) and the idea of the door grinning is quite ominous and so we would not associate the building going into as positive. It would not be absurd to consider this woman as a prostitute and for the building that she is entering wither being a brothel or a client’s house. And so both ‘Prufrock’ and ‘Rhapsody of a Windy Night’ gives implicit suggestions of prostitution, and these are the only mentions of any kind of relationship that occurs in either of these poems. Hoover describe the relationship with a prostitute as “the city-wise substitute for true love and commitment” (pg. 16) and as it still only speculative whether either poems are portraying prostitution even then there may not be any relationships at all even meaningless, fake ones.

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