Essay on Analysis Of The Poem ' Capped Hair '

Essay on Analysis Of The Poem ' Capped Hair '

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Initially an extension of the third enjambment “the beautiful earth” into the beautiful earth in my eyes.” Eventually, the third enjambment flows into to the fourth, reading: “in my eyes blurred flora,” meaning the ascension is distorting natures natural vista (flora). Enjambment four then flows nicely into enjambment five: “from atop bouncing shoulders and capped hair.” The literal implication is obvious however, what I embedded may not be. By writing “capped hair” I intended puns on both words. “Capped,”, in the obvious connotation, means wearing a cap or hat while, in the embedded connotation, means restrained from reaching further heights or bound. As for “hair,” I meant the literal hair atop one’s head, and an heir to power, in this case an heir to the human species and its environmental conditions.

Another enjambed line, which can read: “capped hair blowing hirsute,” or “blowing hirsute Off.” The former has a more literal, less punny connotation in that it merely means the wind was blowing capped hair that is unshod or unkempt (the ascension is most likely an expedition of sorts, requiring months of wild living.)
The second meaning of the phrase is a pun on the phonetical structure of “hirsute,” and is meant to read: “Capped heir blowing her suit off.” This phrase alone can be interpreted many different ways; “capped” has shifted definitions once again, this time signifying an heir capped with a crown who is blowing her (nature) suit off. Further, “her suit” is the thin layer of earth that man touches and walks upon, which is receding. Although one unclothed is alive, a certain morale is lost with the stripping of clothes, as a master who orders a servant to please him (again, her being nature but also, perhaps, any p...


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... The former is obvious because rock cleavage is very common amongst igneous rocks while the latter’s meaning is more embedded, let us uproot it. Nature, being omnipresent, has the established potential to destroy humans (or all animals for that matter) at any moment, and constantly grapples with such potential. Usually however, nature is kind to humans. Such kindness symbolizes Eros (life loving), while, during natural disaster or organic catastrophe, nature bolsters it’s Thanatosian (death loving) potential. These potentials comprise the “cloven” nature of nature, split between Eros and Thanatos—though more commonly favoring Eros. Returning to our speaker, nature is “failing” because it’s attempting to kill, thus favoring Thanatosian action rather than more anthrophilic and common Erosian action. Therefore, our speaker feels betrayed that nature has betrayed him.

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