Rhetorical Analysis Of Nest Is A Dramatic, Crime TV Piloter

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NEST is a proposed dramatic, crime TV pilot that features a team of FBI agents trying track down a notorious global terrorist. The hook is that everyone believed the terrorist to be dead, but now he’s back. There are some smart story choices including the personal connection between the terrorist and a former FBI agent. The agent is motivated to capture this man, who was responsible for the death of his father and the destruction of his marriage. The goal is clear and the stakes feel high. The dramatic tone is consistent. While there are certainly strengths to the pilot and it’s clear what the series is about, the pilot would benefit from further development in the areas of structure, pace, tension, and character development. First, the pilot opens with an intriguing teaser with the bomb. This captures one’s …show more content…

Things aren’t adding up.” It’s also sounds a bit on the nose. On page 40, Adam Glass also sounds contrived, summarizing information, “Let’s start with what we all know!” His voice is also obscure and sounds un-natural. On page 44, Marcus tends to repeat information that the audience already knows. The overall tension could be more compelling with a stronger and more effective structure in which Marcus is more proactive in trying to track down King and save the hostages. Right now, the tension isn’t very compelling. Enhance a sense of urgency. Maybe King kills a hostage, elevating the stakes. The pilot is formatted into various acts. Make sure each one ends on strong tension and that the tension intensifies as the plot progresses. The formula for the series is clear. Marcus will track down King. There are minor typos: the name Jasmine is used twice (a waitress and FBI agent Jasmine Li.) The word elderly is misspelled (scene 11). There’s no need for scene numbers if this is a spec script. Act one should actually begin on a separate

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