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Gender Roles in the 1950's
Essays on the portrayal of women in the 1950's
Essays on the portrayal of women in the 1950's
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Moreover, the film Mildred Pierce follows the struggles of a hard-working mother, Mildred Pierce, as she divorces her husband and supports herself and her spoiled daughter, Veda, by starting a successful restaurant business chain. In different ways, the film challenges the notions of masculinity and femininity as gender roles are reversed with different characters but identify this, you have to look at the films ideology. Ideology is a system of ideas that structure and make sense of society. If you look at 1940s America, post World War 2, the society at the time adhered to a very hegemonic patriarchy in which men were the ones with power, the ones providing for the family; where as the women of the time were seen subordinate and were more …show more content…
Is Mildred selling herself to the people in her life in order to maintain the life she has created for herself and Veda? She is constantly working and making money for her family but she gets no fulfilment out of it. Towards the end of the film, Mildred is back with Bert and is contempt to go back to the lifestyle she once lived, but that her daughter Veda despises. Does Mildred feel self-accomplished or does she feel powerless? “Mildred walks out of the police station into the morning sunshine with the man who was her first husband and the father of her children. However, since he was an unreliable breadwinner and she had to go to work baking pies to support the family in the first place, one might wonder just how happy this ending is supposed to seem” (Basinger, …show more content…
Bert being the family man is actually quite lazy and useless and focuses more yard work than supporting his own family as he is unemployed which is not expected for men at the time. It was more common for women to be doing this. Wally you could say has a feminist vibe about him in that he is constantly going out of his way to help Mildred find a place for her restaurant in which he probably sees her as an equal member of society and not subordinate. And then Monte who is this big playboy could actually be considered a ‘gold-digger’, a stereotype for women who cultivates a personal relationship in order to attain wealth for their own pleasure. He is visually wealthy while virtually bankrupt and so when he marries Mildred, he acts a gold-digger in that Mildred becomes financially in dept while she is the one providing for her family, while Monte and Veda go off and do whatever fun activities they
Mildred Pierce is one of the greatest novels written by James M. Cain. After the success of the novel, the Hollywood film came out, produced by Jerry Wald. The novel and the movie are very different from each other. “James M. Cain sent several letters of complaint to producer Jerry Wald, objecting to the changes Wald wanted to make, especially the dramatic idea of making Veda a washout musically and putting her in a tawdry nightclub” (Bennett Notes). The three main differences in the film were, the murder of Monte, Veda not having a successful career, and the time period only covering 1941 to 1945.
Women were only second-class citizens. They were supposed to stay home cook, clean, achieve motherhood and please their husbands. The constitution did not allow women to vote until the 19th amendment in 1971 due to gender discrimination. Deeper in the chapter it discusses the glass ceiling. Women by law have equal opportunities, but most business owners, which are men, will not even take them serious. Women also encounter sexual harassment and some men expect them to do certain things in order for them to succeed in that particular workplace. The society did not allow women to pursue a real education or get a real job. Women have always been the submissive person by default, and men have always been the stronger one, and the protector. Since the dawn of time, the world has seen a woman as a trophy for a man’s arm and a sexual desire for a man’s
First, Mildred is unfeeling when she didn’t care that a woman had burned herself to death. A quote from the story is “She’s nothing to me; she shouldn’t have had books. It was her responsibility, she should have thought of that.” Mildred is unfeeling because society has made her believe that if it doesn’t affect her it doesn’t matter.
Mildred Pierce, by James M. Cain, begins in pre-Depression California, and ends during World War II times, also in California. The main character, Mildred Pierce, is a very attractive housewife of 29, raising two daughters, Ray and Veda. Although Mildred loves both her daughters, Veda is a particular obsession with Mildred. She constantly slaves away throughout the novel to do whatever she can to make Veda happy, despite the constant abuse and deception Veda inflicts upon Mildred. After a divorce from her first husband, Bert, in the opening pages of the novel, Mildred is forced to sacrifice her pride and become a waitress in order to support her family. If Veda were ever to find out, she would be appalled; a constantly recurring theme throughout this story is Veda’s pride and arrogance, and her condemnation of jobs she deems to be menial. Mildred’s main goal is to nurture Veda’s musical talents, and manages to pay for expensive music lessons from her meager salaries as a waitress and pie baker. However, Mildred’s luck is soon to change, as she takes up with an attorney and former partner of Bert, Wally. Mildred is able to use Wally’s business and real estate savvy to build a restaurant out of a deserted model home, and from there create a thriving chain of three food businesses. After becoming bored with Wally, however, Mildred craves a relationship with another man, a prestigious local man named Monty. Veda highly approves of her mother’s choice, as this makes her feel as if she too were more prestigious and affluent, despite having misgivings about her mother still being so low as to have an average, pedestrian job. All seems to be going well; even through Veda’s constant demands and tantrums, she still gets everything she wants, and Mildred and Monty are happy. Monty, however, falls on hard times with the coming of the Great Depression, and he constantly mooches off of Mildred’s affluence, making it a struggle for Mildred to cater to Veda’s every whim. Mildred soon dumps Monty to focus on making Veda a musical prodigy; this fails, however, when Veda is told that her piano is not up to par from a local famous music teacher. After Veda recovers from this shock, she explores the opportunities offered by an acting career, and begins to spin more webs of deception and selfishness. After Veda forces money out of a local rich family, lying and claiming their son got her pregnant, Mildred and Veda have a major argument, and Veda disowns her mother.
Discriminating gender roles throughout the movie leaves one to believe if they are supposed to act a certain way. This film gives women and men roles that don’t exist anymore, during the 60s women were known to care for the family and take care of the house, basically working at home. However, a male was supposed to fight for his family, doing all the hard work so his wife didn’t have too. In today’s world, everyone does what makes them happy. You can’t tell a woman to stay at home, that makes them feel useless. Furthermore, males still play the roles of hard workers, they are powerful compared to a woman. However, in today’s world a male knows it isn’t right to boss a woman around, where in the 60s, it happened, today women have rights to do what they want not what they are
First Mildred is self-centered because she doesn't care what happens to others. In this society books are dangerous because they make us think. This quote from the story mildred states “ what’s this? Asked Mildred, almost with delight. Montag heaved back against her arms. What’s this here?” This quote shows how Mildred wanted to get Montag in trouble. Mildred is hoping officer Beatty will look or hear what they are saying This shows how Mildred is only looking out for
Most individuals overlook or basically don 't recognize these sexual orientation contrasts. Women were constantly delegated being weak in their relational unions, legislative issues, and the workforce. Likewise being seen as subordinate to their spouses and are not deserving of deciding. Seen as simply a "mother" to stay at home and go to her kids throughout the day, while the spouse attempts to bring home the bread. Gender stereotyping, gender roles, and power is seen all through everything, for example, relationships, workplaces, or at home. The way she represented herself and her spouse accurately and deferentially then she was seen as dutiful and a decent wife. Despite the fact that there were ladies developments to change these sex ideas and generalizations, it has not disposed of the thought. This thought is still inserted into numerous men 's heads. Society still advances the thought of women being short of what a man is through motion pictures, media, workforce, advertisements, and games. Movies delineate men as being effective and ladies as frail. This all ties into Zora Neale Hurston 's novel and how men and ladies were pushed off due to their sex. This is the reason why Zora sets up her female characters as being frail and feeble and men as predominant and influential. Zora Neale Hurston uses the novel Their Eyes Were Watching God to
Perhaps the most obvious way we can read the novel as a critique of masculinity is the very obvious way in which Shelley develops the male characters more than she does the female. She portrays the male characters as the stronger sex with the female characters seemingly completely dependant on the male, and their whole lives seem to be taken up by the males every move. The female characters in the novel ar every much idealised figures of perfection and passiveness. She portrays women as weak, beautiful, subservient beings who live only for the men in their lives.
Despite the Great Depression being an overarching constant throughout the novel, they are surprisingly more financially stable than most. However, this is not enough for Mildred, as evidenced by her initial relationship with her husband Herbert Pierce. When Bert is accused of adultery by Mildred, Cain writes that “ He broke in frequently, making excuses for himself, and repeating that there was no work, and insisting bitterly that if Mrs Biederhof had come into his life, a guy was entitled to some peace, instead of a constant nagging over things that lay beyond his control (Cain 4).”His adultery is a symptom of dissatisfaction, of being disappointed in how far one has fallen from grace; Cain later confirms Bert’s complaints, describing the downward spiral as a combination of short-sighted business choices and the uncompromising hammer of the Great Depression beating down on the Pierces just as much as everyone else. Especially important is how he highlights peace as his primary motivation for the affair. His mistress, Mrs. Biederhof, is not especially attractive; what is really driving him away is Mildred’s impatient exaggerated expectations still present from the now-shattered promise of grandeur. Bert is not the only, or even primary factor responsible for the dashing of dreams. He is, however, the only tangible physical proof
To understand feminism in the novel, one must first understand the feminist lens itself. OWL Purdue describes the lens as “the ways in which literature (and other cultural productions) reinforce or undermine the economic, political, social, and psychological oppression of women” (Purdue). Feminism acts as both a commitment and a political movement that wants to end sexism in all forms. Most feminists generally disagree on many topics of the subject, however all have one common goal. These aspects affect The Things They Carry in a plethora of ways, mostly due to the fact that gender roles is a main theme. There are negative and positive aspects of the feminist lens. Positive contains the empowering of women and equality, whereas negative pertains to oppression and unequal rights. Both are covered in The Things They Carried from sex symbols to battle tor...
Mildred Montag, wife of main character Guy Montag, is the epitome of conformity. She is a totalitarian system’s product; a shell of a human being, devoid of any sincere emotion
The movie I decided to analyze for this course was American History X (1998), which stars Edward Norton. Though this movie isn’t widely known, it is one of the more interesting movies I have seen. It’s probably one of the best films that depict the Neo Nazi plague on American culture. The film takes place from the mid to late 1990’s during the Internet boom, and touches on subjects from affirmative action to Rodney King. One of the highlights of this movie that really relates to one of the key aspects of this course is the deterrence of capital punishment. Edward Norton’s portrayal as the grief stricken older brother who turns to racist ideologies and violence to cope with his fathers death, completely disregards the consequences of his actions as he brutally murders someone in front of his family for trying to steal his car. The unstable mentality that he developed after his father’s death really goes hand-to-hand specifically with Isaac Ehrlich’s study of capital punishment and deterrence. Although this movie is entirely fictional, a lot of the central themes (racism, crime punishment, gang pervasiveness, and one’s own vulnerability) are accurate representations of the very problems that essentially afflict us as a society.
Of all characters, Bradbury uses Mildred Montag to effectively portray the idea that the majority of society has taken happiness as a refuge in nothing but passive, addictive entertainment. She immediately reveals her character early in the book, by saying, “My family is people. They tell me things: I laugh. They laugh! And the colors!” (73). Mildred is describing her parlors, or gigantic wall televisions, in this quote. Visual technological entertainment is so important in her life that she refers them to as “family,” implying the television characters as her loved ones. By immersing herself in an imaginary world, Mildred finds herself able to relate to fake characters and plots, giving her a phony sense of security. This is necessary for her to achieve her shallow happiness, or senseless plain fun, as she lifelessly watches other people in her walls with a senseless mind. Her family in real life only consists of Guy Montag, her husband, whom she has no fond feelings about. Montag is so frustrated with Mildred because of her inability to express feelings for ...
For this assignment, I decided to do my film review on To Kill a Mockingbird (Mulligan, R., & Pakula, A. (Directors). (1962). To Kill a Mockingbird[Motion picture on VHS]. United States of America.) I have a personal connection to this film because it is one of my most beloved novels by Harper Lee. I have never watched the film so it was a nice experience to see the characters I have loved for years come to life just before my eyes. The film particularly focuses on a white family living in the South of the United States in the 1930s. The two siblings, Jem and Scout Finch, undergo major changes while experiencing evil and injustice in their small town of Maycomb. Jem and Scout’s father is named Atticus and he is a well-respected man in the town as well as being a lawyer.
...ereotypes and patriarchal norms (Annie baking, Helen being a rich step-mom, the wedding itself), it also undermines patriarchy at the same time. At one point or another throughout the film all of the female characters go against the common conception and portrayal of women being proper and passive. They can be raunchy, drink, use vulgar language, and show they aren’t that different from men.