Clothing is an aspect of mise-en-scène in Do the Right Thing, (Spike Lee, 1989) that is sometimes overlooked by the average filmgoer, but each person’s clothing in the film is hand selected by Spike Lee, as most clothing decisions have a symbolic meaning. A Theater of Interruptions, by Sharon Willis, is a mise-en-scène analysis that makes articulate observations about the film as a whole and also mentions the significance of clothing throughout the film. This analysis goes into detail regarding symbols and slogans that are representative of the director’s ideals. Two articles of clothing that are worn by characters in the film are Clifton’s Larry Bird shirt and Mookie’s Jackie Robinson jersey. The athletes on the jerseys are metaphors for each of those characters’ situations in the film. Spike Lee’s Do the Right Thing, addresses societal racism through clothing, in the late 1980’s with a narrative that consists of racial tension on a blistering summer day.
While Buggin’ Out’s attempts to gather support for his boycott of Sal’s Pizzeria, Clifton bumps into him on the sidewalk and scuffles
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Spike Lee used famous figures from popular culture in the United States to add layers of complexity to his characters. Famous athletes are idolized by the denizens of Bedford Stuyvesant, and through portraits on a wall of fame or jerseys worn, their ideologies are symbolically represented in this film. Most of the famous figures admired by the community are not on the wall of fame however, which due to Sal not wanting to put any black people on the wall, causes most of the conflict in the film. The issues brought up by Lee in 1989 mostly still hold true to the social issues today. The Black Lives Matter movement can be traced to events that are similar to the end of Do the Right Thing, thus showing the films
The film observes and analyzes the origins and consequences of more than one-hundred years of bigotry upon the ex-slaved society in the U.S. Even though so many years have passed since the end of slavery, emancipation, reconstruction and the civil rights movement, some of the choice terms prejudiced still engraved in the U.S society. When I see such images on the movie screen, it is still hard, even f...
The first word that comes to mind when thinking about Do the Right Thing is HOT. Everything about this movie was hot, from the weather down to the themes and issues it brought up. It’s interesting too watch this movie while living with a heat wave in NYC. There’s plenty of room for debate as to whether or not anyone did the right thing in this script, in my opinion most of the characters did the wrong thing. What’s interesting to me is to think about what Spike Lee considered the right and wrong thing to do in this screenplay. It’s not just his words as an actor playing a role, he also wrote, directed, and produced the vehicle for those words and actions to come to life. So it’s hard to separate Spike from Mookie, and I don’t think Spike would even want us to. I also wonder about some changes from the screenplay and the film, and the effect the have on the overall message of the film.
This week’s readings of the reviews of Spike Lee’s ‘Do the Right Thing’ and Marilyn Fabe’s “Political Cinema: Spike Lee’s ‘Do the Right Thing’, raised a number of questions regarding not only the moral issues the film addresses but also the intention of the artist. This dialectical opposition, which Pamela Reynolds suggests “challenges the audience to choose” (Reynolds, p.138) between the narrativized hostility shown between that of the hero and villain. More specifically Lee’s portrayal of violence vs passive opposition. This can be perceived through Lee’s technical employment of contradictory quotes from Martin Luther King, Jr and Malcom X at the conclusion of the film, which not only highlights this concern but also deluges further into themes of political opposition. Marylin Fabe discusses this where she states that Spike Lee’s film carries a “disturbing political message” (Fabe, p.191). Arguably, ‘Do the Right Thing’ acmes themes of racism (Black vs White); with underlining motifs of imperialism (colonisers’ vs colonised), psychoanalytic (power vs powerlessness) and even Marxist theory (ownership vs public space/consumption), with Clarence Page stating that Lee provides a “public service… (not trying) to provide all the answers, but raising the questions.” (Reid, P.144). In saying this we explore this concept of the role of the artist, with Georgopulos stating that the role of the artist is to create a consciousness within the audience by revealing a fraught set of truths about the human condition. Thusly, the reactions and responses to the films reveal Lee to be successful in conveying his intentions, which back in its zenith, explored this issue of racism in a way that had rarely been seen, and presented the ways in which t...
Do The Right Thing was Spike Lee’s first landmark film. Do The Right Thing is a movie that brings awareness to the racial tensions when people in a Brooklyn neighborhood of different racial and cultural backgrounds coexist, which ends in a tragedy. The film was a great success receiving many of awards and earned two Academy Award nominations for Best Original Screenplay and Best Supporti...
Racial tension and cultural barriers has been a constant within our county and the rest of the world for as long as time has been around. Being segregation, to racial riots and sometimes even worse events can occur which has been proven by history in the past. Director Spike Lee’s 1989 film “Do the Right Thing” is a movie set in New York City neighborhood that is filled with many different cultures and ethnic groups being an Italian pizza shop, an Asian general store, an African American housing and residents. Sociology places a main role within the film in which we see how every person goes about their day. Peace and conflict are at an ever increasing war with each other. Above this the film takes place on only one day which happens to be the hottest day of the summer. The observation that we the audience make out is the highest tension is between the Italians and the African Americans. Granted, there are some that get along but for the most part the conflict is there. Whereas the Asian family in the film is the side group in which they are not shown in many scenes throughout the film. Spike Lee does a phenomenal job in portraying the races the way he see it from his perspective. The neighborhood
The show aimed at contrasting the civil rights movement ideologies by painting an alternative picture of the black community. Although the show has since been closed, its place has been taken over by numerous other media programs. In the show, the elements that have been appropriated is the personality of the black culture which is stereotyped as being superstitious, lazy, and mainly relying on luck to approach them giving no sort of significant contribution back to society (Edison, 1899). The show was meant to contrast the civil rights movement lead by leaders such Philip Randolph and Martin Luther King, among others with high leadership, qualifications, and mobilization skills (Juan, 1996). The aim of the appropriation was to affect the perception and the mindset of the general white population and create a barrier to integration and acceptance of the civil rights movement. Although the white population participated by acting in the show and in a way connecting with the African American community, it was made to identify the elements which could be applied in exploiting and
This impacts the greatness of the movie because it divides races through costumes and brings attention to how different races dress. An example of how races are divided by costumes is when “Buggin’ out is excitable, characterized by short dreads that stand on end and is always the first to see and call-out injustice, characterized by gigantic, impossibly thick, Coke bottle glasses” (Wilson). Radio Raheem’s boom box is his most prized possession while he has love and hate knuckle rings. He does not understand how worthless those items are. Even though it is gold, Radio Raheem is still poor and uneducated (Clark). One scene where costumes depict race relationships is when Mookie arrives at work. He is wearing a Brooklyn Dodgers Jackie Robinson jersey. It shows that Mookie likes his independence and that African-American history is important to him (Do the Right Thing). Although costumes depicting race relationships hold meaning as to why Do the Right Thing is on the AFI top movie list, another important factor is the accurate portrayal of characters throughout the
During the movie, I found that these concepts that were taught in class helped me better understand and relate to certain clips of the movie. Throughout the rest of the paper, I will be going into a bit more detail about exactly what these concepts are and mean, following that I will be giving examples from the movie that demonstrate the concepts of conflict and politeness theory.
... supremacist gang, to rioting in an Asian owned grocery store, to finally brutally murdering someone. We observe as family ties become increasingly strained in every way, the viewer can easily conclude that Derek’s racism as well as his eventual influence on his younger brother ultimately contributed to their own downfall. As controversial as this movie maybe for the offensive language and brutal violence, it is a movie that deserves to be seen, and even discussed. It really provides insight into some factors within society that cannot be contained by the law or even deterred by even the harshest punishments. Even though American society is becoming more modernized as time goes by in terms of tolerance, racism will unfortunately always be prevalent in society and inevitably it will also lead some individuals to violently express their distorted mentalities.
Director and actor Spike Lee presents his "truth" about race relations in his movie Do the Right Thing. The film exhibits the spectacle of black discrimination and racial altercations. Through serious, angry, and loud sounds, Lee stays true to the ethnicity of his characters, all of which reflect their own individualism. Lee uses insulting diction and intense scenes to show how severe racism can lead to violence. The biases reflected through Do the Right Thing model those of today which has kept society in a constant feud for so long. In Oprah Winfrey's dynamic episode, "The Color of Fear", Mr. Mun Wah projects his strong opinion when he states, " . . . that racism is still going on today, that we've got to stop to hear the anguish and the pain that goes with that and then we'll survive." (3) People do not realize the severity of their own words. In the scenes of the movie that emphasize the shocking reality of failed interracial communication, racial stereotyping, trust or lack of trust, and acrimonious violence mirror the current concerns about race in America as reflected in "The Color Of Fear."
The movie I decided to analyze was Remember the Titans. I examined the dilemmas and ethical choices that were displayed throughout the story. In the early 1970s, two schools in Alexandria Virginia integrate forming T.C. Williams High School. The Caucasian head coach of the Titans is replaced by an African American coach (Denzel Washington) from North Carolina, which causes a fury among white parents and students. Tensions arise quickly among the players and throughout the community when players of different races are forced together on the same football team. Coach Boone is a great example of a leader. He knows he faces a tough year of teaching his hated team. But, instead of listening to the hating town or administrators, Boone pushes his team to their limits and forces good relationships between players, regardless of race. His vision for the team involves getting the players concerned in what the team needs to become, and not what it is supposed to be; a waste. Boone is a convincing leader with a brutal, boot camp approach to coaching. He believes in making the players re-build themselves as a team. When Boone says, You will wear a jacket, shirt, and tie. If you don't have one buy one, can't afford one then borrow one from your old man, if you don't have an old man, then find a drunk, trade him for his. It showed that he was a handy Craftsman and wanted done what he wanted done no matter what it took.During training camp, Boone pairs black players with white players and instructs them to learn about each other. This idea is met with a lot of fighting, but black linebacker Julius Campbell and stubborn white All-American Gerry Bertier. It was difficult for the players to cope with the fact they had to play with and compete with ...
In sociology symbolic interactionism explains the individual in a society and their interactions with others and through that it can explain social order and change. This theory was compiled from the teachings of George Herbert Mead in the early 20th century. Mead believed that the development of the individual was a social process. People are subjected to change based on their interactions with other people, objects or events and they assign meaning to things in order to decide how to act. This perspective depends on the symbolic meaning that people depend on in the process of social interaction. This paper will examine the movie “The Blind Side” through the symbolic interaction perspective.
Have you ever had one of those days that were so bad that you desperately needed a night at the ice cream or candy store? The 1970’s was that really bad day, while the night of self- indulgence was the 1980’s. Americans love to escape from our daily stress, and of all the products that allow us to do so, none is more popular than the movies. Movies are key cultural artifacts that offer a view of American culture and social history. They not only offer a snapshot of hair styles and fashions of the times but they also provide a host of insights into Americans’ ever-changing ideals. Like any cultural artifact, the movies can be approached in a number of ways. Cultural historians have treated movies as a document that records the look and mood of the time that promotes a particular political or moral value or highlights individual or social anxieties and tensions. These cultural documents present a particular image of gender, ethnicity, romance, and violence. Out of the political and economic unrest of the 1970’s that saw the mood and esteem of the country, as reflected in the artistry and messages in the movies, sink to a new low, came a new sense of pride in who we are, not seen since the post-World War II economic boom of the 1950’s. Of this need to change, Oscar Award winner Paul Newman stated,
This fieldwork aims to sociologically analyze gender roles and expectations within the movie White Chicks. In this film brothers, Marcus and Kevin Copeland, play the role of two black FBI agents looking to get back into good graces with their superior after they accidentally ruined a drug bust. They are assigned to escort two rich white females, Brittney and Tiffany Wilson, to the Hamptons for Labor Day festivities. While traveling they experience a minor car accident, leaving the girls with a single scratch each on their face. Because of their socialite status, the sisters no longer wish to continue their trip in fear of humiliation. The agents fear losing their chance of redemption, so they decide to disguise
Not all films which adhere to the classical Hollywood paradigm eschew issues. The film Singin’ in the Rain follows Don Lockwood, a popular silent film actor, as he attempts to maintain his star status during the advent of “talkies”. Lockwood’s journey manifests fame’s capricious temperament, the studio’s commercial interest, and the influence of outside variables on a film. Singin’ in the Rain uses Lockwood’s struggle with celebrity to expose the importance of public image and self esteem.