Janey Place and Lowell Peterson article “Some Visual Motifs of Film Noir” establishes noir as a visual style and not a ...
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... he saw. The relationship with Phyllis was unstable and vile. After Phyllis is gone, the power over Walter is also gone, and he goes to ask for forgiveness for his love, Barton. Walter makes this argument clear when he confesses to Barton “You know why you couldn’t figure this one Keyes, I’ll tell ya, it’s because the guy you were looking for was too close, right across the desk from you.” and Barton replies by saying “Closer than that Watler” In the final words Walter reveals how he truly feels about Barton “I love you too”. The relationship between Walter and Barton cannot be denied. The light, sound, and camera angle all imply a closeness of the male characters. The final shot has Walter trying to light a cigarette, in which Barton light it for him is the final act of relief, in which they both share together before the film end and the screen fades out to black.
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