Analysis Of The Book ' The Yellow Wallpaper '

Analysis Of The Book ' The Yellow Wallpaper '

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In 1877, S. Weir Mitchell published Fat and Blood: And How to Make Them, where he promoted the “rest cure” for neurasthenia. The cure refers to a drastic lifestyle change through “renewing the vitality of feeble people by a combination of entire rest and of excessive feeding” (qtd. in Martin 736). Charlotte Perkins Gilman received the same rest cure, which she portrayed in her story, “The Yellow Wallpaper.” The narrator, later named as Jane, receives rest and feeding to cure her “temporary nervous depression,” the diagnosis and treatment from her husband-physician, John. Rest included staying in a colonial mansion, away from her infant and social relations and banned from writing. Several authors explored the feminist perspectives of the story because of the social, economic, and psychological conditions of the narrator and symbolisms in the story. The paper answers the question: How is the feminist view reflected in the story “The Yellow Wallpaper”? Feminist views are reflected in the story through the Female Gothic mode, the political, race-conscious woman, the Lacanian woman, and the psychologically enraged woman.
Several feminist views can be taken from the story, one of which is the Female Gothic mode. In "Gilman 's Gothic Allegory: Rage and Redemption in The Yellow Wallpaper”, Greg Johnson analyzes the Gothic elements in the story. He argues that Gilman uses a Gothic allegory to represent the social, domestic, and psychological imprisonment of female writers in the nineteenth century. He focuses on the rage that Jane feels because of gender inequality. Gender inequality is evident in how John interacts with his wife. The narrator says, “John laughs at me, of course, but one expects that in marriage” (Gilman). This shows how ...


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...hologically weak, but because her society made her mad through creating unjust patriarchal conditions. Suess argues that the birth of Jane’s son started “a confrontation with an A-Father” and became “a catalyst in the initiation of her psychotic break” (85). She realized that having a son is an extension of the power of her husband over her, and taking care of him supports the patriarchal structure that enslaves her. In addition, Suess explains that Jane is unnamed until the end because she has no sense of self, no constitution in a patriarchal society (86). She is then placed in an “ancestral hall’ and a “hereditary estate” (Gilman), words that remind readers of the “patrilineality of Western society” (Suess 86). Surrounded by men and their mechanisms, Jane has no meaningful place in the Symbolic Order. Lacan defines self-constitution as an image of confrontation:

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Analysis Of The Book ' The Yellow Wallpaper '

- In 1877, S. Weir Mitchell published Fat and Blood: And How to Make Them, where he promoted the “rest cure” for neurasthenia. The cure refers to a drastic lifestyle change through “renewing the vitality of feeble people by a combination of entire rest and of excessive feeding” (qtd. in Martin 736). Charlotte Perkins Gilman received the same rest cure, which she portrayed in her story, “The Yellow Wallpaper.” The narrator, later named as Jane, receives rest and feeding to cure her “temporary nervous depression,” the diagnosis and treatment from her husband-physician, John....   [tags: Feminism, Sociology, Charlotte Perkins Gilman]

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