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First wave of feminism
First wave of feminism
Long impact of the second feminist wave
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Beauty is in eye of the beholder: Marvel Comic’s “The Black Widow”, Super-empowered woman or Super-exploited sex object in the movies and comic books.
The Black Widow (Natasha Romanova) is a superhero character who first appeared Marvel Comics Tales of Suspens No. 52 (April 1964). She was created by editor and plotter Stan Lee who is responsible for a great number of the heroes we recognize from the Marvel Universe. She was introduced as a Russian spy who sometime later defects to the United states and becomes an agent for S.H.I.E.L.D. and a member of the Avengers. The character is an expert tactician, martial artist and is stronger than most men though not really super-strong. Unlike some other super heroes that get their powers by
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Her origin story, describes her being biologically enhanced and psychologically but does not quantify the extent of this. Important to her story is that she was trained in the Black Widow Ops Program. This program was designed to make the ultimate femme fatale assassin. A women who was mysterious, seductive, competent and deadly. As this character was written in the turbulent 60s, the second wave of Women’s Movement was in full swing. The Women’s Movement is defined as the “social movement, largely based in the United States, seeking equal rights and opportunities for women in their economic activities, their personal lives, and politics. It is recognized as the “second wave” of the larger feminist movement. While the first-wave feminism of the 19th and early 20th centuries focused on women’s legal rights, such as the right to vote, the second-wave feminism of the “women’s movement” peaked in the 1960s and ’70s and touched on every area of women’s experience—including family, sexuality, and work. There is little doubt that Stan Lee had to be influenced in some ways by this when he wrote the Black Widow character. It seems he catered to how men may be attracted to and simultaneously frightened by the …show more content…
Other problem that started coming on the scene around that time was with the comic book industry. The comic book industry was having a hard time with being on the same page with women and their new wishes. It seemed like the comic book industry was more anti-feminist than actually in support of women. The comic books had to really think on this issue and didn’t want to start a huge problem that would lose sales and interest of both the male and female population. They decided to come up with another strategy. During the golden age era, the comic book industry would have funny animal storylines that resembled the gender characteristics. They would have small voice roles for the females to play the mother, daughter and lover of these animals. This made a small start with women in comics. Around the 1940’s the comic book was on to something when they started to collaborate with more progressive minds like DC comics who thought woman should start to make an appearance instead of just hearing their voices. The comic book industry decided to create storylines of heroism including the women as female heroes. This was done to only pacify the women and not to make it seem like the women were making a threat to the male power.
Before World War I, equality for woman and men were very unfair. Woman weren’t even legally “persons”; they weren’t allowed to join parliament or the senate because they weren’t legally “persons”, therefore these jobs were occupied by men only. During World War I and World War II, many men had left for war, thus meaning there were many job openings that needed to be occupied as soon as possible, women then began to take on stereotypical male jobs which men thought women couldn’t do or couldn’t do as well. Women showed their capabilities and realized they shouldn’t be considered less than men. In retaliation of not being considered “persons”, women decided to take action.
Not long ago, a woman’s success was measured by the success of her husband and her domestic prowess. Today, a woman is presumed successful if she can emulate the standards of beauty portrayed in the media. Unfortunately, this subliminally enforced standard is unattainable to some women, regardless of the quality of their character. Let’s examine how western women went from being pioneering superheroes, to people who measure their worth against airbrushed photographs of impossibly beautiful women.
These characters may bring up these topics as their stories are being written but at the end of every single story above all the controversy surrounding the characters and all the hate those superheroes still end up saving the day. Why? It is because they depict themselves rising above these insignificant issues to deal with much larger problems at hand. Comic book superheroes that people are addressing as female Thor, black Spiderman, or black Captain America are completely wrong when they do this and is insulting these iconic names by doing so and should address these characters appropriately as Thor, Spiderman, and Captain
For over 60 years, Wonder Woman has filled the pages of her magazine with adventures ranging from battling Nazis, to declawing human-like Cheetahs. Her exploits thrilled and inspired many young girls, including Gloria Steinem. Through all of this, she has had to pilot her invisible jet through territories that her male counterparts have never had to. She is constantly pulled in two directions; her stories must be entertaining and non threatening to the male status quo, while simultaneously furthering her as the original symbol of 'Girl Power.' She is praised for being an icon of strength to women everywhere, but chastised for wearing a skimpy costume and tying men up, as if she were no more than a male fantasy. No comic book character has had to endure as much scrutiny as Wonder Woman. That's because Wonder Woman represents an entire gender, at a time of important social flux. Although she was created by a man to influence a male audience, Wonder Woman has evolved into an important symbol of the feminist movement.
The nation was growing up. Movies were starting to show more violence and sexuality. Women were coming out of their shell so to speak. They were starting to dress and act much differently than ever before. Women were now showing a side that was not ever seen before in film. Such stars of the 1930's Greta Garbo, Marlene Dietrich, and Bette Davis appeared self confident and sexy. Before this women were seen as housewives and not much more. Even outside of movies women were seeking much more independence. They were now looking for things other than the perfect man. They wanted jobs, but there just wasn't enough to go around.
By, Elizabeth George Speare. The book took place in the year of 1687. Some of the book takes place on a boat called the “Dolphin,” and then the rest of the book in Wethersfield, in the state of Connecticut. The main characters in the book are Katherine Tyler (her nickname was Kit), Nat Eaton, Uncle Matthew, Aunt Rachel, Hannah Tupper, Kit’s cousins Mercy, and Judith, Prudence, Hannah Tupper, John Holbrook, Goodwife Cruff and Goodman Cruff. One of the problems in the beginning of the book is when she goes to her cousin’s house and was adapting to their way of life; for instance when she got there, they all did not have good clothes and she had really fancy clothes that they would have never worn in their life because they were too expensive. Another problem that she encountered was that she met a lady named Hannah Tupper that lived near Blackbird Pond and she was a Quaker. That’s why she was forced to live there, because no one liked her and she was also accused of being a witch. Kit made friends with her when she bumped into her in the meadow. This jeopardized her life and that was a problem. She helped Prudence read and write and that was a little risky too.
The teacher will begin reading the book, but also participate in guided reading, in where she/he will pause every so often to recollect ideas from the students.
Women have always been large part life. In fact, they are the ones that keep it going which is why some argue that women should be greatly respected. This idea has been around since the beginning of time, but unfortunately they have been treated the exact opposite and it was not up to the 1850’s that women got their rights. Before this time they were used as tools and had no say in anything important. It did not matter if they were smart or not nor did it matter if they beautiful or ugly, they were always lower than men. Voltaire uses Cunegonde, the old woman, and Paquette to show their mistreatment and the mistreatment of all women. They were raped and abused regardless of their wealth or political stance. These characters are not very complex
I think that any female you see in mystery stories and tv shows are all femme fatale or the victim. Most would say that you can't assume that women can only be those archetypes, but after witnessing each of these stories, I can confirm that all female characters are either the femme fatale or the victim.
Throughout most of literature and history, the notion of ‘the woman’ has been little more than a caricature of the actual female identity. Most works of literature rely on only a handful of tropes for their female characters and often use women to prop up the male characters: female characters are sacrificed for plot development. It may be that the author actually sacrifices a female character by killing her off, like Mary Shelly did in Frankenstein in order to get Victor Frankenstein to confront the monster he had created, or by reducing a character to just a childish girl who only fulfills a trope, as Oscar Wilde did with Cecily and Gwendolen in The Importance of Being Earnest. Using female characters in order to further the male characters’
Tell students that you will be reading them the story of Little Red Riding Hood by Anne Faundez. Tell the children that the story is about a little girl who runs into the Big Bad Wolf on her way to her grandmother’s house. Tell the children that the wolf was very hungry and wanted to eat Little Red Riding Hood and her grandmother and that you’ll read the story to see if he does actually eat Little Red Riding Hood and her
Since the beginning of time, women have been seen as different from men. Their beauty and charms have been interpreted as both endearing and deadly to men. In the Bible, it was Eve’s mistake that led to humanity’s exile from the Garden of Eden. However, unlike in the Bible, in today’s world, women who drive men to ruin do not do so through simple mistakes and misunderstandings, they do so while fully aware of what effects their sexuality can cause. One thing remains constant through these portrayals of women, and that is that they are portrayed as flawed creations and therefore monstrous. It is a woman’s sex drive and sexuality that can lead to her monstrosity. The femme fatale is an enticing, exquisitely beautiful, erotic character who plays the ultimate trick of nature: she displays her beauty, captures the man and goes in for the kill. Films such as Adrian Lyne’s Fatal Attraction and stories such as Geoffrey Chaucer’s The Wife of Bath’s Tale, and Sir Gawain the Green Knight use the femme fatale as a means of making a woman into a monster; the femme fatale can never win in the battle of the sexes. But what is it that makes the femme fatale such a dangerously character for the hero as well as the readers or viewers?
The very first time women began to ban together for the same rights that men have was during the French Revolution. Everything was being questioned in France then, and for the first time, women were doing some of the questioning. Why couldn't women vote? Why couldn't women hold public office? Why were women expected to tend to the kids and the house all day? Unfortunately, the male leaders during that time period took it that anything pro-female had to be anti-male, and they did their best to keep the women down.
Have the student answer implicit and explicit questions orally while you record what they have
The article expounds upon the characters: Harley Quinn, Catwoman, and Poison Ivy. The author discusses how these female fatales were seen as a threat because of their power and authority. They are objectified because they used their sexuality in order to achieve their goals. For example, Batman recounts to Albert, his butler how Harley Quinn used her sexuality in order to advance her goals to become a psychiatrist during graduate school. In the franchise, the characters exhibit a defiance of societal norms. As a result, the women are portrayed as dangerous and monstrous. However in order to survive in society, they each rely on their displays of sexuality and seduction to advance their motives. For example, Poison Ivy uses her feminine symbols such as kisses and flowers for destructive purposes. The author adds how there are differences between male and female villains, especially when it comes to verbal connotations of labeling. They are often underestimated, especially when fighting men, who are hindrances in the women’s path. However, they are also punished when they are seen as “too powerful”. For example, the Joker punishes Harley Quinn when she comes closer than hi to defeating Batman. These female fatales exemplify what