As you begin Beauty (Re) discovers the Male Body your read of author Susan Bordo spilling her morning coffee over a shockingly sexual advisement of a nude man. Initially, I rolled my eyes and settled in assuming, I was going to read about the tragedy of how men are now being objectified and exposed in adverting like women. As I flip through the pages looking at the scantily clad images I’m not really shocked; this essay was written fifteen years ago; I see these kinds of images going to the mall. What was shocking, however, was how Bordo a published, woman philosopher born in 1947 wrote about these images. I felt myself blush as I read “it seems slightly erect, or perhaps that’s his nonerect size, either way, there’s a substantial presence there that’s palpable (it looks so touchable, you want to cup your hand over it) and very, very male” (113). Can she write that in a scholarly essay? Her essay is written in a fresh and unique style full of incomplete sentences, personal commentary, movie references and unashamed sexual language and images. It can be difficult to read because of these aspects alone, but I feel the real tension of essay exists in Bordo’s critique on materialism and how we allow fashion, advertising, and images to define our sexuality.
Bordo first, introduces to us the concept of the gaze by comparing philosophers and lovers Jean-Paul Sarte and Simone de Beauvior reactions on being gazed at. Beauvior feels that “for the woman the absence of her lover is always torture; he is an eye, a judge… away from him, she is dispossessed”; interestingly, Sarte has an opposite view, that the gaze of a lover is hell for “the other person has stolen ‘the secret’ of who I am. I must fight back, resist their attempts to define ...
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...ccept the unconventional style of the essay and the images that don’t seem appropriate for the classroom. As a reader, you must be willing to remove yourself from how you view gender, sexuality and allow Bordo to show you that how you act, think, and expect others to act is unoriginal. Your views are strategically fed to you; companies banking on the fact that their images will require you to change, ensuring you spend to be like what you see. As a consumer in a capitalist society, we like to think that we know the system, that we’re not affected by the images we see. The essay doesn’t allow us this luxury, it makes us question our ideas of what is masculine and feminine and the roles our culture confines us to. Bordo requires that we dig deeper and ask if our materialism, our desire to be like what we see, is defining who we are and how we expect others to act.
Bordo, Susan. "Beauty (Re)discovers the male body." Bordo, Susan. Ways of Reading: An Anthology for Writers. Ed. David Bartholomae and Anthony Petrosky. Ninth Edition. Bedford/St.Martin's, 2011. 189-233.
The images that infiltrate our lives appear to focus on maintaining the status quo or the norms of society. They are designed to show what is expected in life. Berger states, "Images were made to conjure up the appearance of something that was absent"(107). Berger argues "images" are "conjured up" or imagined to represent what is "absent" or what the individual wants to see as reality. There used to be a tendency to over exemplify the way in which women were thought to be, but "today, that opposition no longer seems to hold quite as rigidly as it once did (women are indeed objectified more than ever, but, in this image-dominated culture, men increasingly are too)" (156). Regardless of so...
Suggested roles of all types set the stage for how human beings perceive their life should be. Gender roles are one of the most dangerous roles that society faces today. With all of the controversy applied to male vs. female dominance in households, and in the workplace, there seems to be an argument either way. In the essay, “Men as Success Objects”, the author Warren Farrell explains this threat of society as a whole. Farrell explains the difference of men and women growing up and how they believe their role in society to be. He justifies that it doesn’t just appear in marriage, but in the earliest stages of life. Similarly, in the essay “Roles of Sexes”, real life applications are explored in two different novels. The synthesis between these two essays proves how prevalent roles are in even the smallest part of a concept and how it is relatively an inevitable subject.
I chose these four journal writings because I believe they are the strongest pieces I have written from the second half of the semester. The main focus of these journals was based on readings under the women as objects topic. The oppression of women has led to females being objectified and used as gratification for men. A woman’s body and appearance have become a commodity, especially in the media. Films, television shows, music and advertisements use women’s bodies to attract their audience and sell products. The movie watched in class “Killing Us Softly 4,” highlights this fact while presenting how women are represented throughout the media. The media has set and perpetuated a particular standard of beauty that is restrictive, but for some many women completely unattainable. The women represented in the media are young, thin and have western or European characteristics. Where does that leave the majority of women that do not fall under this category? This leads to women developing eating disorders to achieve an ideal body image that is manufactured through Photoshop and other picture editing systems. Women of color, women with disabilities or any woman that does not follow this standard is not represented within the media. When a few women do break this mold and become famous, they are set at a different standard. These women’s differences become the highlighted feature of their fame. However, the one constant in the media when it comes to women is the objectification and sexualization of women. This sexualization can lead to aggression or violence against women and the perpetuation of rape culture. The images viewed in the media directly impact how women view themselves and how others view women. By examining the issues women f...
Eva Mendes half top is undressed and she is exposing her bare back turning her torso slightly, while her face confronts the spectator. The skin dominates the image and the eye is immediately drawn to the intensity of her expression, the curvaceous figure and her arms in an explosion of seductive beauty, framed by nothing but a pair of jeans. To quote Berger’s line “her expression is the expression of a woman responding with calculated charm to the man whom she imagines looking at her…she is offering up here femininity as the surveyed”. (Berger, 1972, p. 49) The centrality of the body in this case is even more reinforced by the caption advertising the brand called unmistakably the BODY Line.
There are so many forms of propaganda that surround our lives on a every day basis, and these negative messages persuade and shape our thoughts of perfection, of who we are, and who we ought to be. The beauty industry and its’ advertisements is one type of propaganda that ultimately characterizes the way we think of ourselves. The media is relentless in reminding us every chance they get why women need to be perfect and what we need to achieve that. There is endless pressure as women to have a perfect body and appearance. The beauty industry’s aim through advertisement is to make women feel as if we need to buy the beauty products in order to look and feel like the models on television, magazines, and in commercials. The beauty industry is very successful because as women, we often feel compelled to buy whatever is necessary to look “perfect.” In years past the beauty industry has been solely focused on the obvious beauty tools such as makeup, hair accessories, lotion, etc. However, we have become more intrigued by even more aspects of the beauty world such as undergarments and everywhere in between. In other words, media propaganda is more interested in the “selling of sex” now than ever before. An unfortunate yet accurate depiction by actress Helen Mirren reads, “Flesh sells. People don’t want to see pictures of churches, they want to see naked bodies.” Just as Mirren knows this to be true, so does the beauty industry and they have taken it and ran with it.
Images that eroticism is implied tend to represent the availability of the women’s bodies, in the implication that they are objects of eroticism (Sturken and Cartwright 2009: 116), consequently affecting the way society views women such as illustrated in Figure
This article was written to bring attention to the way men and women act because of how they were thought to think of themselves. Shaw and Lee explain how biology determines what sex a person is but a persons cultures determines how that person should act according to their gender(Shaw, Lee 124). The article brings up the point that, “a persons gender is something that a person performs daily, it is what we do rather than what we have” (Shaw, Lee 126). They ...
Women in pictorial history have often been used as objects; figures that passively exist for visual consumption or as catalyst for male protagonists. Anne Hollander in her book Fabric of Vision takes the idea of women as objects to a new level in her chapter “Women as Dress”. Hollander presents the reader with an argument that beginning in the mid 19th century artists created women that ceased to exist outside of their elegantly dressed state. These women, Hollander argues, have no body, only dress. This concept, while persuasive, is lacking footing which I will attempt to provide in the following essay. In order to do this, the work of James Tissot (b. 1836 d. 1902) will further cement the idea of “women as dress” while the work of Berthe
In the essay “Beauty (Re)discovers the Male Body,” author and philosopher Susan Bordo discusses the history and current state of male representation in advertisements. While using her feminist background, Bordo compares and contrasts the aspects of how men and women are portrayed in the public eye. She claims that there has been a paradigm shift the media with the theory that not just women are being objectified in the public eye, but also men too. Since the mid-1970s, with the introduction of Calvin Klein commercials, men have started to become more dehumanized and regarded as sex symbols. In a similar fashion to how Bordo describes gender, race plays a similar role in the media. People of all different ethnicities and cultures are being categorized into an oversimplified and usually unfair image by the media over basic characteristics.
Sexing the Body: Gender Politics and the Construction of Sexuality. NY: Basic Books, 2000. Stassinopoulos, Arianna. The "Natural Woman" Sexing the Body: Gender Politics and the Construction of Sexuality. Entry found under "gender" Microsoft Bookshelf 2000 -.
Identity is a subject commonly discussed within literature. In William Farrell’s essay entitled “Men as Success Objects” this subject is the object of much scrutiny. Farrell analyzes the role of gender in today’s society and states that male identity is in a condition where male insecurities about success, their appearance, and females have left most men in today’s society in dire straights. Compounded by prevailing ultra-feminist ideals, society has become saturated by the “men are jerks” mentality. This condition can be seen in various aspects of society such as commercials, television programs, even greeting cards (Farrell, 186). While some may not agree with his opinions on the state of male identity, Farrell uses a number of rhetorical strategies and literary devices such as an objective point of view, an intellectual tone, and appeals to both logos and ethos in order to effectively convey belief that men are treated as “success objects” in today’s society.
Prior to the 1970s when the theme of gender issues was still quite foreign, the societal norm forced female conformity to male determined standards because “this is a man’s world” (Kerr 406). The patriarchal society painted the image of both men and women accordingly to man’s approach of societal standards that include the defining features of manhood that consist of “gentil...
Sontag introduces her essay to the audience by establishing a focal point around the fact that women viewed today are derivative from the religious perspective of how women were viewed in history. During the ancient times, Greeks and Christians practiced their own methods of analyzing and critiquing women and their beauty. The Greeks believed that the lack of ‘inner” beauty could be compensated with “outer” beauty. They distinguished the two beauties in a way that suggested that both were interconnected to one another within an individual. The preference and priority was given to the ‘outer’ beauty, while the ‘inner’ beauty would be kept at bay. Christianity, on the other hand, gave moral significance to beauty; in defining beauty, or words of physical character to be associated with woman and feminine. Gradually, Sontag introduces the distinguishable beauty between men and women. She does this by recapitulating how in a Christian religion, a woman’s body was parted into many sections to be judged and scrutinized, while men are visua...
16.)Utt, Jamie. "Navigating The Difference Between The Appreciation of Beauty and Sexual Objectification." Everyday Feminism 18 Apr. 2013: n. pag. Web. 19 Apr. 2014. .