Hughes’ political views can be outlined in “Song for a Dark Girl.” The female speaker recounts her experience with her lover being lynched. Rather than going into depth about her feelings of despair, the speaker is distant. This refers to how common this practice was after the civil war. “Song for a Dark Girl” also showcases how African Americans aren’t given the ability to mourn, this is expressed in her description of love as a “Naked shadow” (“Song for a Dark Girl”, 11). The reader can interpret the line, “I asked the white lord Jesus / What was the use of prayer” as an indication of the speaker admitting defeat (“Song for a Dark Girl, 7-8). The speaker’s use of “White lord Jesus” alludes to the control Caucasians had over African Americans
Despite a man’s corpse hanging from a tree, the allusion to a minstrel song used to rally for the postbellum south, was more sympathetic to a population that is unaffected by lynching. Hughes’ poem “Silhouette” has an ambiguous speaker; given the subject matter and his other applications of poetics, the speaker could be the voice of the middle class African American. His poem is suggesting that crimes against African Americans are demoralized by those who feel that they are no longer affected by it.
Another facet of Hughes’ poetics is not only teaching his audience how the modern African American should act, but illustrating the destructive effects of constant self-hatred and negativity. Demonstrating the correlation between consistent exposures to discrimination and becoming the stereotype emphasizes how harmful stereotypes can be. Hughes’ poem, “Bad Man,” is an example of this. The speaker describes himself as, “I’m a bad, bad man / Cause everybody tells me so” to point out that reinforcement is powerful (“Bad Man, 1-2). Hearing about a specific sediment over and over causes someone to believe in
/ He slept like a rock or a man that’s dead” (“The Weary Blues,” 34-35). The final line symbolizes the speaker’s emotional connection to the blues singer. This also functions as a parallel to “I ain’t happy no mo’ / And I wish that I had died,” comparatively, the speaker was able to sympathize with the blues singer’s pain. The blues singer’s lyrics directly reflects Hughes’ position on blues and jazz and the modern African American artist. The idea that African Americans aren’t given the same freedom is expressed with the singer’s lyrics, “Ain’t got nobody but ma self. / I’s gwine to quit ma frownin’ / And put ma troubles on the shelf” (“The Weary Blues”, 20-22). Hughes is conveying that the African American artist has to prioritize everyone’s feelings before their own. Jazz music which is thoroughly ingrained in most of Hughes’ poems, heightens the poem’s overall
Hughes says, “They hung my black young lover / To a cross roads tree.” (3-4). One can see that the narrator, this young girl has just loss her lover. Her lover got lynched and this causes our reader to have a broken heart. One can see that due to society and racism
The Negro Speaks of Rivers and Mother to Son, explained the importance of the woman, light and darkness and strength in the African-American community. Hughes made a very clear and concise statement in focusing on women and the power they hold, light and darkness, and strength. Did his poems properly display the feelings of African-American’s in that time period? It is apparent that Hughes felt a sense of pride in his culture and what they had to endure. After all “Life ain’t been no crystal stair!”(Norton, Line 2, 2028)
In this poem Hughes writes “I am the Negro bearing slavery’s scars / I am the Negro, servant to you all” (20-31), these lines state that he understands that his ancestors too had to fight for chang...
Because of that, his writing seems to manifest a greater meaning. He is part of the African-American race that is expressed in his writing. He writes about how he is currently oppressed, but this does not diminish his hope and will to become the equal man. Because he speaks from the point of view of an oppressed African-American, the poem’s struggles and future changes seem to be of greater importance than they ordinarily would. The point of view of being the oppressed African American is clearly evident in Langston Hughes’s writing.
...is presented in a way that “blacks or whites can draw admonition from the subject” (1) . Another perspective from Revell is that the poem presents itself in terms of passionate personal regret. Revell believes that Dunbar felt guilty because he allowed himself to be bound to the “ plantation lifestyle” (1). The plantation life style internal anguish and agony the blacks went through as slaves. Some blacks have moved on from it, but some continue to use slavery as an excuse to not progress in life. It should be noted that Revell draws the most attention to the middle of the poem. The poem itself is masked because it never specifically says who its linked too, even though most would infer that it is linked to the black race. Revell concludes that Dunbar left aside the preconceived image of what it meant to be black in America, and spoke “only from his heart” (1) .
The contradiction of being both black and American was a great one for Hughes. Although this disparity was troublesome, his situation as such granted him an almost begged status; due to his place as a “black American” poet, his work was all the more accessible. Hughes’ black experience was sensationalized. Using his “black experience” as a façade, however, Hughes was able to obscure his own torments and insecurities regarding his ambiguous sexuality, his parents and their relationship, and his status as a public figure.
Like most, the stories we hear as children leave lasting impacts in our heads and stay with us for lifetimes. Hughes was greatly influenced by the stories told by his grandmother as they instilled a sense of racial pride that would become a recurring theme in his works as well as become a staple in the Harlem Renaissance movement. During Hughes’ prominence in the 20’s, America was as prejudiced as ever and the African-American sense of pride and identity throughout the U.S. was at an all time low. Hughes took note of this and made it a common theme to put “the everyday black man” in most of his stories as well as using traditional “negro dialect” to better represent his African-American brethren. Also, at this time Hughes had major disagreements with members of the black middle class, such as W.E.B. DuBois for trying to assimilate and promote more european values and culture, whereas Hughes believed in holding fast to the traditions of the African-American people and avoid having their heritage be whitewashed by black intellectuals.
One of the advantages of how he wrote his poetry is that it can take hold of people by exemplifying his accounts of the everyday life that the disenfranchised experience. Hughes took on the injustices that other dared no to speak of. He wrote about how the African-American people of the 1920’s suffered the plight of racial inequality. In many cases I believe that Hughes used his writing as an instrument of change. In “Come to the Waldorf-Astoria” (506) Hughes tackles the drastic disparity between wealthy whites and the African Americans of the 1930’s. This piece displays an unconventional style for a poem; using satire to capture the reader’s attention. By using this satiric form of poetry Hughes is able to play on the emotions of the white reader, while at the same time inspiring the black readers. Hughes is constantly comparing the luxuries of the Waldorf-Astoria to the hardships that the African American people were experiencing. “It's cold as he...
Langston Hughes was probably the most well-known literary force during the Harlem Renaissance. He was one of the first known black artists to stress a need for his contemporaries to embrace the black jazz culture of the 1920s, as well as the cultural roots in Africa and not-so-distant memory of enslavement in the United States. In formal aspects, Hughes was innovative in that other writers of the Harlem Renaissance stuck with existing literary conventions, while Hughes wrote several poems and stories inspired by the improvised, oral traditions of black culture (Baym, 2221). Proud of his cultural identity, but saddened and angry about racial injustice, the content of much of Hughes’ work is filled with conflict between simply doing as one is told as a black member of society and standing up for injustice and being proud of one’s identity. This relates to a common theme in many of Hughes’ poems: that dignity is something that has to be fought for by those who are held back by segregation, poverty, and racial bigotry.
Thesis: The poems “Negro”, “I Too”, and “Song for a Dark Girl” by Langston Hughes was written around an era of civil inequality. A time when segregation was a customary thing and every African American persevered through civil prejudice. Using his experience, he focuses his poems on racial and economic inequality. Based on his biographical information, he uses conflict to illustrate the setting by talking about hardships only a Negro would comprehend and pride only a Negro can experience, which helps maintain his racial inequality theme.
Langston Hughes is one of the most famous poets of the Harlem Renaissance. He was born in Mississippi in 1902 and later moved to Ohio where he attended Central High School. When Hughes graduated high school he went to Mexico to visit his father and while crossing the Mississippi River he was inspired to write “The Negro Speaks of Rivers”, which was his first published poem when he was eighteen years old. When Hughes returned to the United States in 1924 the Harlem Renaissance was in “full swing”. In 1925 at the age of twenty-three Hughes received an award for his poem “The Weary Blues”, Hughes was famous for incorporating blues and jazz rhymes into his poetry, which is what he did in his poem “The Weary Blues”. Hughes was at a banquet where he received an award for his poem “The Weary Blues” and was asked by a man named Carl Van Vechten if he had enough poems to make a book. Hughes said yes and Van Vechten promised that he would find Hughes ...
This image is the author’s perspective on the treatment of “his people” in not only his hometown of Harlem, but also in his own homeland, the country in which he lives. The author’s dream of racial equality is portrayed as a “raisin in the sun,” which “stinks like rotten meat” (Hughes 506). Because Hughes presents such a blatantly honest and dark point of view such as this, it is apparent that the author’s goal is to ensure that the reader is compelled to face the issues and tragedies that are occurring in their country, compelled enough to take action. This method may have been quite effective in exposing the plight of African-Americans to Caucasians. It can be easily seen that Hughes chooses a non-violent and, almost passive method of evoking a change. While Hughes appears to be much less than proud of his homeland, it is apparent that he hopes for a future when he may feel equal to his fellow citizens, which is the basis of the “dream” that has been
Analyzing the poem’s title sets a somber, yet prideful tone for this poem. The fact that the title does not say “I Speak of Rivers,” but instead, “The Negro Speaks of Rivers” (1) shows that he is not only a Negro, but that he is not one specific Negro, but in his first person commentary, he is speaking for all Negroes. However, he is not just speaking for any Negroes. Considering the allusions to “Mississippi” (9) and “Abe Lincoln” (9) are not only to Negroes but also to America, confirms that Hughes is talking for all African Americans. This poem is a proclamation on the whole of African American history as it has grown and flourished along the rivers which gave life to these people.
The poem begins by introducing the limitations of the African Americans’ hopes and dreams in the form of a question. Hughes asks, “What happens to a dream deferred” (1). Here, the dream refers to the African Americans’ yearning for equality and freedom, and Hughes wants to examine what happens when that dream is persistently pushed aside. The spacing directly after this line conjures a sense of silence as if allowing a moment to contemplate the question. The lines following this question explore several possible outcomes, and each answer represents the ruin of a forgotten dream.
Langston Hughes once said in his poem, The Black Man Speaks, “I swear to the Lord / I still can't see / Why Democracy means / Everybody but me.” This quotation by Hughes is able to perfectly depict inequality which was just one of many struggles African Americans faced during Hughes’ time. Although literary critics felt that Langston Hughes portrayed an unattractive view of black life, the poems demonstrate reality. Hughes’ poetry contains many issues that typically plagued blacks at the time including racial abuse, lack of opportunity, and segregation.