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Roles of women in the medieval literature pdf
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“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
The characterization of women in SGGK actively marginalizes their importance in the poem. Although, in the case of Morgan le Fay, this marginalization is partially due to differences
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All three of the main women’s roles are marginalized and reduced in importance, the entire plot of the poem rests on Morgan le Fay, who is introduced at the end of the play with a handful of lines, Lady Bertilak, who is reduced to how the men around her feel about her, and Guenevere, who is another extremely important character mentioned only in a few lines.
Morgan le Fay is the single most important character in SGGK. Even though she is an absolutely vital character, she is named exactly once. It is at the end of the poem that the Green Knight (Lord Bertilak) reveals to Sir Gawain that everything in the poem, from the main challenge to the smaller tests, was Morgan’s idea and should be credited to her ingenuity and magic (SGGK, l. 2445-2470). Part of
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It is estimated that SGGK was written in the 14th century. This was also a major high point in active Christian misogyny. Catholic church sanctioned misogyny manifested itself in a violently terrifying way: witch hunts. In the same century that SGGK was written, “the arguments for the reality of demons had won crucial support at the highest levels of the Church” (Holland 114). According to Irish journalist, Jack Holland, “Overall it is impossible to gauge the number of victims who died at witches - estimates range from several millions to around 60,000” (Holland 124). Some women were accused of harming men and children, some were accused of causing the Black Plague, some were accused of having actual sex with the devil. The first woman to be accused of having sex with the devil was Lady Alice Kyteler of Kilkenny in Ireland in
Morgan, Gerald. "Medieval misogyny and Gawain's outburst against women in 'Sir Gawain and the green Knight'." The Modern Language Review 97.2 (2002): 265+. Literature Resource Center. Web. 28 Jan. 2014.
Changing Women's Roles in The Epic of Gilgamesh, Sir Gawain and the Green Knight and The Canterbury Tales
The greatest part of these studies have involved the middle-English text Sir Gawain and the Green Knight. Extensive work has been done on this alliterative four-part poem written by an anonymous contemporary of Chaucer: feminists have attacked his diatribe against women at the end, or analyzed the interaction between Gawain and the women of Bercilak’s court; those of the D. W. Robertson school seek the inevitable biblical allusions and allegory concealed within the medieval text; Formalists and philologists find endless enjoyment in discovering the exact meaning of certain ambiguous and archaic words within the story. Another approach that yields interesting, if somewhat dated, results, is a Psychological or Archetypal analysis of the poem. By casting the Green Knight in the role of the Jungian Shadow, Sir Gawain’s adventure to the Green Chapel becomes a journey of self-discovery and a quest - a not entirely successful one - for personal individuation.
In Gordon M. Shedd’s “Knight in Tarnished Armour: The Meaning of Sir Gawain and the Green Knight”, he argues that Sir Gawain and the Green Knight is truly about the strength and weaknesses of human nature. One particularly interesting part of his argument asserts that Gawain’s humanity broke medieval romance tradition.
Sir Gawain and the Green Knight is a medieval poem by an unknown author, written in Middle English in the 14th century. This poem is uncanny to most poems about heroism and knightly quests as it doesn’t follow the complete circle seen in other heroism tales. This poem is different to all the rest as it shows human weaknesses as well as strengths which disturbs the myth of the perfect knight, or the faultless hero. The author uses symbolism as a literary device in Sir Gawain and the Green Knight to give the plot a deeper and more significant meaning. Symbolism is used to emphasise the difference of this heroism story against others and therefore symbolism is of great importance in this poem. The importance of the following symbols will be discussed in this paper; the pentangle, the colour green, the Green Knight, the exchange of winnings game, the axe and the scar. This paper argues the significance of the use of symbolism as a literary device in the poem Sir Gawain and the Green Knight.
Medieval knights would often follow a special code to live by. This code was called chivalry. Muck like the Anglo-Saxon code, chivalry follows many of the same key aspects. Knights during the medieval times had to be very strong. Not only physically strong, but mentally strong as well. They had to be wise about what they were doing and stay loyal to the king and queen who they were fighting for. In the heat of battle, knights had to be very courageous and brave fighting against the enemy. In the stories, Sir Gawain and the Green Knight and Morte D’Arthur, there are examples of chivalry.
Were the witch-hunts in pre-modern Europe misogynistic? Anne Llewellyn Barstow seems to think so in her article, “On Studying Witchcraft as Women’s History: A Historiography of the European Witch Persecutions”. On the contrary, Robin Briggs disagrees that witch-hunts were not solely based on hatred for women as stated in his article, “Women as Victims? Witches, Judges and the Community”. The witch craze that once rapidly swept through Europe may have been because of misconstrued circumstances. The evaluation of European witch-hunts serves as an opportunity to delve deeper into the issue of misogyny.
The roles of women are seen as not as important as the role in which men play. Focussing on the roles of a lustful temptress and a trophy wife in the Miller’s Tale, the roles of a hostess and monster in Beowulf, and the role of being passive and a sex symbol in Sir Gawain and the Green Knight of which the roles women had to be condemned to play in society at the time of these two text.
2. How do other characters, such as Janine, Moira, Ofglen, Ofwarren, and Serena Joy add to the novel’s exploration of gender roles in Gilead?
In Sir Gawain and The Green Knight, I noticed many themes, but the themes that stuck out at me were chivalry, gender roles, sin, the color green and game. However, the biggest theme of the poem I believe it to be gender roles. Unlike most stories, the gender roles in Sir Gawain and The Green Knight are flipped.
In the opening of both the play and the novel we are introduced to the two main female characters which we see throughout both texts. The authors’ styles of writing effectively compare and contrast with one another, which enables the reader to see a distinct difference in characters, showing the constrictions that society has placed upon them.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
Sir Gawain and the Green knight, one of the fourteenth century Middle English alliterative romances told a story of a beheading game which was used to highlight the importance of honor, chivalry and masculinity. The poem, being one of the Arthurian stories, introduced the character of Morgan le Fay who sets the story in motion (by sending the green knight) by wanting to humiliate Arthur’s court and frighten his wife Guinevere. Morgan Le fay’s Character set a story that survived years and is still revered to be one of the best poems. In Sir Gawain and the Green Knight, Morgan le Fay redefines how masculinity is viewed during the Arthurian period.
Sir Gawain and The Green Knight is an example of medieval misogyny. Throughout Medieval literature, specifically Arthurian legends like Sir Gawain and the Green Knight, the female characters, Guinevere, the Lady, and Morgan leFay are not portrayed as individuals but social constructs of what a woman should be. Guinevere plays a passive woman, a mere token of Arthur. The Lady is also a tool, but has an added role of temptress and adulteress. Morgan leFay is the ultimate conniving, manipulating, woman. While the three women in this legend have a much more active role than in earlier texts, this role is not a positive one; they are not individuals but are symbols of how men of this time perceive women as passive tokens, adulteresses, and manipulators.
In the romances of the Middle Ages, and in most of today’s genres, sexuality is never explicitly illustrated. To avoid graphic images, authors have used flowery language or intense innuendo to portray sexuality. Just like today’s readers, audiences from the Middle Ages wanted ‘the guy to get the girl’. Sir Gawain and the Green Knight is a satire for the aristocrats of the Middle Ages; when audiences expect romantic and sexual interactions between the Lord and the Lady, the author does not deliver. Sexuality is shaken up and put into different, unexpected places in Sir Gawain and the Green Knight. For example, the anticipated relationship between a man and a woman appears not in the encounters between the Lady and Gawain, but in the Lord’s