More handpicked essays just for you.
What was woman's role in the Renaissance period
What was woman's role in the Renaissance period
Portrayal of women in Shakespeare's work
Don’t take our word for it - see why 10 million students trust us with their essay needs.
During the time period between the 14th and 17th centuries, a cultural revolution, known as the Renaissance, took place. One of the topics of this cultural revolution that is widely controversial is the role and treatment of women. The play Hamlet by William Shakespeare features many characters that are perceived as strong, independent leads, such as King Claudius, and Polonius. However, in the same work, Shakespeare also composes characters of lesser strength and independence. The character that seems to fall victim to this view of weakness and foolishness is the female character, Ophelia. Many characters in the story push her around, do not allow her make independent decisions, and take advantage of her naïve nature. Ophelia allows this deception to occur because she believes that it is inevitable, because of the cultural standard of the time. Ophelia, like the majority of women during the Renaissance, is viewed as a weak female, and therefore, characters in Hamlet walk all over her and apply her to their mindless games. During the Renaissance time period, women were submissive to men; obeying the orders of the men in their lives. Celibacy
The pair go through many ups and downs throughout the story and it is questionable whether or not they are actually in love. It is also indefinite whether or not Hamlet is playing games with Ophelia’s mind, tricking her into believing he has feelings for her. Their relationship is slightly toxic; their true feelings toward each other are never established. Other characters, such as Ophelia’s brother, Laertes, and her father, Polonius, question the motives of Hamlet towards Ophelia as well. While it can be thought that these two men actually care for Ophelia’s feelings, it can also be argued that they simply badger her because they are looking past her, to see how her life and her choices can benefit them. Laertes tells
In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play. The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.
“Most people don’t know the answer to the question, ‘How are you? How do you feel?’ The reason why they don’t know is that they are so busy feeling what they are supposed to feel, thinking what they’re supposed to think, that they never get down to examining their own deepest feelings.” (Hayakawa 1) Society imposes and influences human beings in such a way that we begin to mimic what it wants us to be. In the play Hamlet written by the memorable author William Shakespeare, Ophelia fails to be herself and enjoy life as it is but instead lets men that surround her control her life. Ophelia’s character is depicted as a weak and impotent individual. Shakespeare indirectly portrays Ophelia as a vulnerable character; Thomas G. Plummer imposes a connection to an Ophelia Syndrome that everyone experiences due to the lack of self empowerment and self will.
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
The Tragedy of Hamlet, Prince of Denmark, written by William Shakespeare, is considered to be one of his most perplexing plays. The tragedy follows the story of Prince Hamlet as he undergoes states of insanity, depression, and eventual death. Theories regarding Hamlet’s relationship with Ophelia are developed through subplots and leave the reader questioning as to whether Hamlet truly loved her. Arguments can be made that Hamlet and Ophelia love one another, but there are many obstacles that prevent them from rightly being together. The couple face a series of cascading problems, including the high expectations set forth by their friends and family. As the story develops, these problems cause major setbacks that become impossible to
Claudius’ investigations into Hamlet’s unusual behavior involved Ophelia. He wishes to unveil the nature of Hamlet’s apparent madness. Throughout the beginning of the play the reader is aware of Hamlet’s anger towards his mother which he releases upon Ophelia after she is instructed to meet with him in the lobby. Claudius and Polonius direct Ophelia towards Hamlet and urges her to tell him that she wishes to return the affection that she had refuted from Hamlet. Hamlet’s inner conflict with his mother manifests itself in his actions as he suggests that Ophelia becomes a nun instead of a “breeder of sinners” (III. i. 123). This statement appears to be directed towards Gertrude as he wishes that she does not breed children with Claudius; who he claims is a sinner. Hamlet follows this by denouncing women and marriages as he states: “I say, we will have no more marriages. Those that are married already, all but one, shall live” (III. i. 149). Hamlet speaks of Gertrude and Claudius. As he leaves, Claudius and Polonius unveil themselves and discuss Hamlet’s conversation. They appear to not be convinced that he speaks because of love for Ophelia. Infact, Claudius states that Hamlet’s sadness is dangerous – “and I do doubt the hatch and the disclose will be some danger” (III. i. 169). During this segment of the play, the reader is shown that Hamlet’s actions are causing Claudius to further investigate the problem which will lead to Claudius’ order of killing Hamlet.
When reading the text, one can comprehend that Ophelia is caught in the middle between two opposite sides. Her family (father and brother) believe that Hamlet is a womanizer rather then the philosopher that he is. They also believe that he will use her in order to achieve his own purposes, and that he would take her precious virginity only to discard it because he would never be her husband. But, Ophelia's heart mesmerized by Hamlets cunning linguistics is set on the fact that Hamlet truly loves her or loved her, even though he swears he never did. In the eye of her father and brother, she will always be a pure, wholesome girl, an eternal virgin in a sense, (due to a parents nature to always see their offspring as a child) they want her to ascend into her stereotypical role in life as a vessel of morality whose sole purpose of existence is to be a obedient wife and a committed mother. However, to Hamlet she is simply an object used to satisfy and fulfill his sexual needs. He also seems to hold her at a distant which suggests that he may...
Hamlet is one of the best of Shakespeare’s plays. The ability to compose speeches and
In the play Hamlet Ophelia is portrayed as an innocent young woman who does not have a say in anything. All the men control Hamlet, her father Polonius, and her brother Laertes. She is portrayed as inferior to all of them and lets herself be pushed around by them. She is unable to convey her opinions or emotions throughout the play. The men dominate her thoughts and behaviors. In Hamlet, Ophelia’s obedience to her father and brother, along with her dismissal by Hamlet, reveals that women were not allowed to assert their opinions, emotions, or desires in a courtly setting.
Sweet and innocent, faithful and obedient, Ophelia is the truly tragic figure in William Shakespeare's Hamlet. "Her nature invites us to pity her misfortune caused not by any of her own self-initiated deeds or strategies"(Lidz 138). Laertes tells us convincingly how young and vulnerable Ophelia is, (act I. iii.10) likening her budding womanhood's destruction from Hamlet to a process as "the canker galls the infants of the spring,/ Too oft before their buttons be disclosed, /And in the morn and liquid dew of youth / Contagious blastments are most imminent". "He advises her to stay away and she lovingly banters back, typically like a young teen, reminding him to act as he advises" (Campbell 104). We then learn more of how pure and innocent she is as her father counsels her (Act I.iii.90). Telling her that she is a "green girl" and to think of herself as "a baby" in this matter, he insists that she must stop seeing him.
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
Monarchs and royalty have ruled over us common people for millennia -excluding the past few centuries- and while there have been some great royals like Qin Shi Huang, Julius Caesar, and the current Queen Elizabeth II, there have certainly been some bad ones too. Caligula, a crazed Roman emperor that raped and killed his sister, and Queen Mary I, a devout Catholic that burned three hundred protestants at the stake and lost the last territories England had on the European continent, are both examples of royals that never should’ve been trusted with the throne. Just because someone is born in the line of succession doesn’t mean that they should be given power. Despite Hamlet’s cunning, intelligence, and support from the people, he would’ve made
Throughout the play Hamlet written by William Shakespeare in the early 1600’s, the relationship between the protagonist Hamlet and a girl named Ophelia is judged and ridiculed by Ophelia’s father Polonius, who is King Claudius’ counselor. The way that Polonius advises Ophelia and judges Hamlet’s intentions would be analysed in similar and different ways by a father from Shakespearean times compared to a father from modern times. Because Christianity was the prominent religion in the early 1600’s this would lead to a father from that era strongly believing in concepts such as sex after marriage. He would also strongly encourage the traditional values and expectations of a woman. However a father from modern times would be open to many different
In Shakespeare’s dramatic works there is no room for the heroic or the strong woman, and therefore many of his plays can be perceived as being antifeminist. Often he portrays women as weak, mad, sexual, and as even witches. Hamlet is no exception. The only women in the play, Ophelia and Queen Gertrude, are given confined and limited roles. These roles are from a male-dominated viewpoint and only add focus to the male characters instead of incorporating the insight and the impact of the women as well.
William Shakespeare incorporates many themes and ideas into his play, Hamlet. Of the multiple important ideas, one potentially overlooked is the role of women. Only two of the characters in the play are female. Their lines are scarce, but hold huge importance in relation to the progression and plot of the play. Ophelia, the implied lover of Prince Hamlet, and Queen Gertrude, his mother, do not appear significant, but their actions and characters allow for other events to unfold.
More specifically the depiction of the character in the films of Kozintsev, Zeffirelli, and Branagh. Before the era of film most stage productions of Hamlet depicted Ophelia in a similar manner. She was portrayed as stereotypically weak and feminine, and her madness was contributed to her weak will and mind. This depiction was not challenged until the mid 1960’s when she was shown to have more depth in Kozintsev’s 1964 version of Hamlet. She is shown feeling a range of emotions from love, to sadness, and to anger. Ophelia was portrayed even differently in the 1990 version of Hamlet directed by Zeffirelli where Ophelia is shown to be a woman who is very young, but also very mature. The author believes that Zeffirelli is trying to convey the notion that Ophelia went mad because she was living in a male dominated world,and it wasn’t due to the fact she was weak minded. The last portrayal she examens is the one in the 1996 version of Hamlet directed by and starring Kenneth Branagh. In this more recent version Ophelia is more mature and both emotionally and physically stronger. The author states that this version of Ophelia is less “pretty” and more realistic, especially when she is going mad. Once again her madness is associated with her treatment and not her frail mind. The author concludes the article by saying that Ophelia’s growth comes from the feminist criticism in the mid twentieth century and her madness stems from her oppression in the