Christine’s relationship with Erik was never healthy or mundane and should not be thought of as a relationship that could have lasted in any way. In the musical, she chose to be with Raoul, the man who helped save her from the Phantom’s grasp and end his reign of terror. This should be respected and accepted by the musical’s millions of fans. In "’Christine...Christine’ : A Different Perspective on 'Phantom of the Opera'’ the author states: “[The Phantom,] a 30-40-year-old man has been preying upon a 15-20-year-...
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... relationships today, it would be criticized immensely if a someone tried to get a woman-or man-to stay with a partner who manipulated them and then acted romantic later on by offering their significant-other roses, chocolates, or promises they themselves intended to break. Although that is sadly true, the huge majority saw Raoul as a stable, healthy choice for Christine to be with. Not only this, but he helped to rescue her from the Phantom when he kidnapped her during the end of the musical. Today, this would be viewed as brave and would be supported exceedingly as someone entering an acceptable relationship. The Phantom and Christine represent abusive and unhealthy relationships, and when these so called ‘fans’ support them together, it should make people question their values, and the values of society as a whole in how relationships like these should be viewed.
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