Essay about Analysis Of ' Othello ' And ' Un Capitano Mor '

Essay about Analysis Of ' Othello ' And ' Un Capitano Mor '

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Rosa Parks once stated, “Racism is still with us. But it is up to us to prepare our children for what they have to meet, and, hopefully, we shall overcome.” Hundreds of years before racism would be blatant, the story of Othello became popular based on the story, “Un Capitano Mor” by a disciple of Boccaccio, first published in 1565. This brilliantly concocted writing surrounds four characters: Othello, a tragic general in the Venetian army; his beloved wife, Desdemona; his devoted lieutenant, Cassio; and his trusted but ultimately unfaithful assistant, Iago. Given its varied and enduring themes of jealousy, betrayal, repentance, love and ultimately racist, Othello describes the life of a tragic hero.
Racial discrimination and relations are prominent areas of study in sociology. Much of sociology’s literature encompasses white racism. Some of the earliest sociological pieces of racism were penned by sociologist W. E. B. Du Bois, the first African American to earn a doctorate degree from Harvard. Du Bois described, "The problem of the twentieth century is the problem of the color line.” Including, Wellman defines racism as "culturally sanctioned beliefs, which, regardless of intentions involved, defend the advantages whites have because of the subordinated position of racial minorities". Ultimately, in both economics and sociology, the results of racist prejudices are often measured by the inequality in wealth, income, and access to other cultural resources between racial groups, such as education.
Consequently, racism in Othello isn’t something relatively a new concept surrounding the tragic play. Although Othello’s complexity is alluded many times during the play, the opposition to black and white imagery that runs through the sto...


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... interpretations for how Othello should be based.
Overall, Othello, as he is portrayed and played out is a result of our prejudices and history, because we created this imaginary boundary in the first place because it is the difference that is familiar to us. An interesting point that was mentioned by Solomon T. Plaatje, who had translated several Shakespearean said, “Shakespeare 's dramas..show that nobility and valor, like depravity and cowardice, are not the monopoly of any color. “ My question is not whether Othello was an African, or whether he is from a part of Africa or an Arab, but rather. Should it matter? Or do we just need it to matter because we need to find once again the boundaries of normal and different. At the end of the day, Othello isn’t a story of racism or prejudice; it’s about the traits of envy and jealousy that can cross race and nationality.

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