We can start by looking at her eyes. Eyes are something we focus on in other people, they are the first thing many people notice about another person when speaking with them. It 's no surprise that they are always being brought up in love poetry. For example, in line 1 he basically refuses to compare his mistress’ eyes to the sun. He picks out this way out-there, exaggerated simile to show just how silly this kind of comparison can be. So in reality, this is a negative simile.
Another piece Shakespeare analyzes is her lips. They, too, seem to be among the standard list of things you 're supposed to notice in a beautiful woman. When you meet someone lips are another feature that you sometimes notice because they can either be amazing or horrifying. For example...
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...oes out of his way to say that he loves the sound of her voice. He just thinks that comparing her voice to music is going too far.
Of course this perfect woman that Shakespeare is taking apart would have to be as graceful as an angel too. Throughout the poem he 's been setting up two portraits, side by side. One is of an ideal fantasy woman that he can 't begin to believe in, and the other is of the real, imperfect woman he loves. In these last lines the speaker chooses the real woman over the goddess that he has never even seen. In line 11 the audience gets a chance to kind of nerd out about the fantastic alliteration. Check out the way those three "g" words: "grant…goddess…go" make the line float along as gracefully as a goddess. Plus, comparing a normal woman to a goddess is a complete exaggeration and that 's exactly what this poem is trying to get us away from.
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