Analysis Of Million Dollar Weekend

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MILLION DOLLAR WEEKEND combines, comedy and drama with a love story. The goal is clear: raise a million dollars in one weekend. The idea of raising a million dollars in one weekend is an intriguing hook and it gives the script a natural ticking clock tension. The concept has merit.
One can envision how a million-dollar weekend could be a lot of fun and a great setup for comedy.

While the plot is workable, the script would benefit from more development.

The first act sets up the protagonist’s ordinary world and there’s a clear inciting event when Marie is told she must raise a million dollars in one weekend. The story is propelled forward when the idea of a “million dollar weekend” stunt.

The concern, however, regarding the structure …show more content…

It’s a bit unclear if each of the contestants pays a million dollars to participate, or if the winner pays a million dollars to be with the women.

Also, the idea of the contest, questions, race, and dance need to be more exciting and grow in intensity. The events need to be more connected. For example, make the entire weekend a physical contest or race, with the difficulties intensifying. Clarify the rules and how one wins.

As structured now, the million-dollar weekend has two major concerns. One the audience doesn’t know the contestants and there’s no investment with who wins. Consider revising this to have someone the audience knows competing against a rival. Thus, it could be Mitch competing against Vincent.

In addition, the outcome of the weekend doesn’t have a strong payoff. It would be more effective to have a stronger climax at the million-dollar weekend event, given that’s the hook and the title. Perhaps the contest finale is at the Santa Monica Pier.

The chase between the boarders, thugs, and Mitch at the pier becomes a bit challenging to follow or visualize until they get on the roller …show more content…

The entire “rod” subplot never fully feels appealing. However, Uncle Salvador is the most distinctive character. He’s very eccentric and his dialogue is the most compelling. He, unfortunately, also disappears. Furthermore, the flashback regarding the “rod” isn’t needed or essential.

Bonnie has spunk and she’s a good friend, but really doesn’t contribute much to the plot.

The dialogue reveals information about character and plot, although the dialogue isn’t always engaging. The dialogue on page 11 with the drummer feels a bit awkward. There’s simply too much dialogue about whether or not Marie wants to sing.

If the intention is to be a comedy, the humor really needs to be elevated. Marie makes some snarky remarks and tries to use humor to deflect Dario, but she’s not naturally funny. The best humor is derived from the flaws of the characters, as well as from physical and visual comedy.

Finally, the professional presentation can be enhanced. There’s a tendency to try to explain feelings vs. showing, and some of the narrative descriptions are vague. Here are some

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