Marji’s parents value their freedoms. Marji’s mother hates to wear the veil, and Marji’s father photographs the revolution despite the chances that he could die for it, all while continuing to throw illegal parties in their home. Marji claims that some of her parents’ friends and family members said “Without them it wouldn’t be psychologically bearable [...] without parties, we might as well just bury ourselves now” (Satrapi 106.) The Satrapi’s rebellious spirit revolves around this idea. Their own comforts, the things that make their lives bearable, are the things that they fight for. They want nothing revolutionary, only to be able to have parties, go out in the street without wearing the veil, to have alcohol in their home, and for Marji to get a good education in a country where she is safe. Unfortunately for them, th...
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... it hard to fit in anywhere, “a Westerner in Iran, an Iranian in the West” (Satrapi 272.) These two conflicting nationalities give Marji insight into both worlds, but leave her ultimately feeling alone in her home country, until she finds her own identity within her art school community. Marji leaves Iran on good terms, going away to study, going away to freedom, and feeling a renewed connection with the family that raised her. Marji says the price of her freedom is not seeing her family, but the Satrapi’s show that they are more than willing to give up seeing their daughter daily, if it means her freedom and happiness. Their willingness to sacrifice their happiness for their daughter’s is why Marji can have the experiences she wrote about in Persepolis, the experiences that make her grow into an adult and become successful, and is therefore a sacrifice worth making.
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