Darkness provides Krapp with freedom in which he can confine his addictions without having to face the consequences or the disapproval of others. Krapp has two obsessive addictions, bananas and alcohol, which he indulges in the dark of his “den” (Beckett 178). Krapp puts a banana into his mouth in the dark until “finally he bites off the end, turns aside and begins pacing to and fro at the end of the stage, in the light” (Beckett 178). Krapp is trying to quit eating bananas, shown when 39 year old Krapps says “Have just eaten I regret to say three bananas and only with difficulty refrained from a fourth” (Beckett 179). Krapp starts to eat his banana in the dark to conceal one of his unfulfilled goals to quit this addiction but he begins to walk in the light as if he is searching for light from the fruit (Wilson 136). Bananas provide him with memories from the past and every time he eats one, he can reinstate his mind to the memories that control his present life. Krapp’s addictive consumption of alcohol occurs only when he “goes bac...
... middle of paper ...
...onship, which remind him of the life he could have had and the man he once was. The dark has offered Krapp a satisfactory life of solitude but his lack of fulfillment and failed aspirations generate an eternal consequence and a state of remorse which arises from his neglect towards everything that has ever offered light in his internal world of darkness.
Beckett, Samuel. Krapp’s Last Tape. Literature: A World of Writing. 2nd ed. Ed. David L. Pike and Ana M. Acosta. New York: Pearson, 2014. 178-182. Print.
Scholz, Amiel. “The Dying Of The Light: An Actor Investigates Krapp’s Last Tape.” Theatre Research International 16.1 (1991): 39-53. JSTOR. Web. 9 Nov. 2013.
Wilson, Sue. “Krapp’s Last Tape And The Mania In Manichaeism.” Samuel Beckett Today/Aujourd’hui: An Annual Bilingual Review/Revue Annuelle Bilingue 12.1 (2002): 131-144. JSTOR. Web. 9 Nov. 2013.
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