Ernest Hemingway was arguably one of the best modern writers within the twentieth century. In his short story, Hills like White Elephants, imagery is used to portray symbolism. For example, he describes one side of the train station as having “fields of grain and trees along the banks of the Ebro,” (lines 70-71), which represents the American and Jig’s life if they turn around and go back to Barcelona without going through with the abortion. Jig will still be fertile and she will bring life into the world, just like the land along the banks of the Ebro. The other side of the train station is described as desert land that is shadowed by clouds and mountains. This is symbolic of the American and Jig’s life if they go through with the operation, …show more content…
One way Perkins illustrates this theme in The Yellow Wallpaper is through the belittling tone her husband speaks to her in. One example of this is when the narrator tries to express her opinion on her illness to John and he replies to her, “Bless her little heart, she shall be as sick as she pleases!” (134-135), meaning her thoughts are being influenced by her illness and she needs to get more rest. In Hills Like White Elephants, Hemingway uses dialogue to illustrate the role of dominance in the protagonist, the American, and submission in his partner, Jig. While discussing the abortion, he tells Jig that it is “the only thing that bothers us. It’s the only thing that’s made us unhappy”, assuming Jig feels the same way, although she never verbally expresses her thoughts to him, just as John does to his wife in The Yellow Wallpaper. Another similarity in the female characters is that they both feel like a burden to their partners. In The Yellow Wallpaper, the narrator states that she got into the marriage, trying to help John, but ended up burdening him with her illness (44), while Jig feels like she needs to do whatever she can to make the American happy …show more content…
In Hills Like White Elephants, he presented the male character as much more understanding than Gilman’s character, John. Although the American pushes his ideas on Jig and his selfishness is apparent, he still ends up taking their bags to the other side of the train station, leading the reader to conclude that they kept the baby (106). This represents the American as a dynamic character, because he changed his mind for Jig. However, in The Yellow Wallpaper, John was a very static character, in the way that he did not change his mind on how to cure his wife’s mental illness. Another difference apparent in the two short stories is the use of point of view. Gilman used first person limited in her short story in order to express the thoughts of the main character, John’s wife, while leaving the audience to wonder what John’s thought process is. One might wonder if John is manipulating and controlling, forcing her to stay in the room with the yellow wallpaper against her own will, or if he is really trying to heal her with the rest treatment. Alternatively, Hemingway wrote his short story in third person limited. It is not apparent what either of the characters are truly thinking, although the reader can tell through Hemingway’s use of dialogue. The dialogue used in Hills Like White
Stated in the title and repeatedly mentioned throughout the story, the hills looking white elephants is an important symbol. This symbol is mentioned in the first line, “The hills across the valley of the Ebro were long and white.” The color, being an important indicator of its meaning, as stated by Abdoo is similar to that of a still born child (Abdoo 239). This observation after knowing what the conflict is gives us direction from the first line. Lewis E. Weeks uses the image of the hills to embody the image of a pregnant woman lying on their back (Lewis) This is
Hemingway writes his works so that not everything is as it seems. It makes readers take a deeper insight about what he’s writing about. In the story ‘Hills Like White Elephants’ he writes about an operation. Now from the surface, it seems as if they are just going on a trip and when he brings up this operation, readers don’t understand that they are talking about an abortion. The story has to be read a few times, before readers really understand that the argument is about a pregnancy and how the man wants the abortion. This is how Hemingway wanted to write his story. By using his dialogue and symbolism, Hemingway plays everything out in a way that makes readers analyze the story.
Renner, Stanley. "Moving To The Girl's Side Of "Hills Like White Elephants.." Hemingway Review 15.1 (1995): 27-41. Academic Search Premier. Web. 15 Apr. 2014.
In “Hills like White Elephants”, the American stresses to Jig, “if you don’t want to you don’t have to. I wouldn’t have you do it if you don’t want to. But I know it’s perfectly simple” (Hemingway, 311). The American uses these words constantly throughout the story as a technique to persuade Jig into considering an abortion. The American uses persistence to effectively control Jig mentally and sway her towards a certain decision. In addition, the American reassures to the girl, “I love you now. You know I love you” (Hemingway, 311). Here, the man attempts to appeal to the girl emotionally. The man uses affection to elevate Jig’s spirit, which is another effort to persuade her to proceed with the abortion. He mentions to Jig, “[The baby’s] the only thing that bothers us. It’s the only thing that’s made us unhappy” (Hemingway, 311). Throughout the story, the American man seems to be selfish, because he never seems to actually consider the girl’s feelings or views towards the operation. To the man, it seems as if the baby is just an obstacle blocking only his happiness. The selfish statements and pleas of the American suggest that he did not care about the future of his unborn
Hills like White Elephants takes place in the early twenties, a time when abortions were not only illegal, but negatively impacted ones reputation detrimentally. In the 1920’s, some 15,000 women a year died from abortions because they were shamed into having them done illegally by those who were not medically trained to perform such an operation. (Pollitt) This was because of the extreme prejudice against women and their rights to their own bodies and to making their own decisions. In a time where a woman was viewed as her husband’s property, Jig is torn between making the decision she feels is right and the decision that she is being told is
‘Hills Like White Elephants’ is a short story authored by Ernest Hemingway about an American and a girl named Jig. In the story, the two are sitting in a train station waiting for the train to Madrid. While they wait, they have an intense ongoing debate on whether or not to abort Jig. At the end of the story, the train is about to arrive and the man carries luggage on the tracks as they prepare to leave. The end of the story does not clearly define the outcome of its decision. She said I feel good at the end of the story - happiness is a central theme of the story, but we wonder if she went through with the operation. The paper discusses the manner in which symbolism has been employed in the story to communicate about an abortion, the couple is considering to go through.
The story "Hills Like White Elephants" is a conversation between a young woman `Jig' and an American man waiting for a train at a station in Spain. The author never names the topic of their discussion but as their dialogue progresses; it becomes evident that Jig is pregnant. The man wants Jig to abort the unborn child but she is unconvinced and wants to become a mother. Hemingway has brilliantly written the story's dialogue which "captures the feel of a private conversation while at the same time communicating the necessary narrative background" (O'Brien 19). At the end of the story, it is unclear as to what decision has been made; however, Hemingway gives the reader several clues regarding what Jig feels, and what she wants to do. Jig's private thoughts are illuminated by Hemingway's description of the setting, the character, and the conflict. Stanley Renner suggests that, as a result of the couple's discussion, "Jig has become able to make a more clear-sighted estimation, and perhaps a better choice, of men" Wyche(59). The couple's inability to communicate effectively their true thoughts and emotions makes their dialogue very appealing. The story examines the gender differences and miscommunications as they influence the decision whether to abort the unborn child or not (Smiley). In his book on Hemingway, published in 1999, Carl P. Eby points out that "[f]or the past two decades, Hemingway criticism has been dominated by a reconsideration of the role of gender in his work" (Bauer 125).
Ernest Hemingway is an incredible writer, known for what he leaves out of stories not for what he tells. His main emphasis in Hills Like White Elephants seems to be symbolism. Symbolism is the art or practice of using symbols, especially by investing things with a symbolic meaning or by expressing the invisible or intangible by means of visible or sensuous representations (merriam-webster.com). He uses this technique to emphasize the importance of ideas, once again suggesting that he leaves out the important details of the story by symbolizing their meaning.
In Ernest Hemingway’s “Hills Like White Elephants” the character Jig is submissive to her counterpart The American Man, who is encouraging her to have an abortion. While Jig is not sure what she wants, she does not wish to press the subject of the operation because The American Man is intent upon persuading her to go through with the procedure. Throughout this story Jig’s helplessness, indecisiveness, and her lack of education become apparent, although by the end of the story she becomes confident, decisive, and ultimately takes back control of her decisions and life.
Hemingway, considered to be a modernist writer, makes his readers work by implementing the well-known theory of omission, which “Hills Like White Elephants” is a perfect example of. As he stated in Death in the Afternoon : ‘If a writer of prose knows enough of what he is writing about he may omit things that he knows and the reader, […].’ (259). It seems that Hemingway assumed the reader would know what is being omitted, nevertheless many features of “Hills Like White Elephants” have already been covered by various critics. At the end of the story the reader is forced to unravel the most...
Ernest Hemingway has a superbly unique style of writing in Hills Like White Elephants. His short, to the point syntax and sentence style plays a great role in helping readers understand the theme of this short story. The critique M.A.K. Halliday observed, “The story is frequently generated by the repetition of words, clauses, and groups of related words or ethical sets” (Link, Alex). The first set of dialogue that can be pulled from this story is story is short and to the point. The American states, “We can have the whole world.” Jig replies with “No, we can’t” (Hemingway, Ernest). The sentence length is very short, yet there is a hidden meaning behind the small talk. Jig is referring to not having the baby. She can have everything, but her will to decide things. She can’t have a baby due to unloving pressure from the American. It is in sync with the tone of the story perfectly. The tone is forward, direct, and shallow. That is exactly what happens in this dialogue. There is no emotion, just pure sarcasm on a huge topic. Abortion to this couple is nothing more then a qui...
Hills Like White Elephants, written by Ernest Hemingway, is a story that takes place in Spain while a man and woman wait for a train. The story is set up as a dialogue between the two, in which the man is trying to convince the woman to do something she is hesitant in doing. Through out the story, Hemingway uses metaphors to express the characters’ opinions and feelings.
“Hills like White Elephants” is told in a vague way that holds the reader at bay. Hemingway’s genius use of symbolism helps the reader understand the story. One of the most prevalent use of symbolism is the term white elephant, which represents “an unwanted gift, a seemingly remote and but immense problem,” that the couple are forced to deal with (Kozikowski 107). The white elephant denotes the unwanted unborn child that is resented by the father, although the mother is curious to see through. The use of the railroad symbolizes the divide in the relationship. The young couple is in different directions, however, neither one listens to each other. The girl is pressured by the man to choose one side of the tracks, but at the train station, she is in a position where her choice is visible. His actions are haughty and she is submissive to him. Objects like the alcohol and the bamboo care carefully chosen by the author. The previously stated Absinthe is a symbol for sensuality and a narcotic. The bamboo curtains denote its hollowness and letting the air in; consequently the same manner that the American refers to the operation as “letting the air in” (215). Color plays an integral function in understanding that the couple is at parallel ends like the train track. The “blackness of the licorice and the whiteness of the hills contrast between sorrow and joy”; furthermore, the way the couple seem divided and
Ernest Hemmingway uses time, place, and symbolism in "Hills like White Elephants" to intensify the central dilemma in a story about a man and a woman deciding on whether to go through with an abortion. Although a literal reading of the title may not seem to have any relation to the story, the title is rich in implications. Critics suggest that "Hills" refers to the shape of a woman's stomach when pregnant, and Webster's 21st Century Dictionary defines white elephant as: "[An] awkward, useless possession." The term is also defined in Webster's as an item that is worthless to some but priceless to others. According to Victor Lindsey, the child in the story is a white elephant in the view of the man, who is trying to convince the girl to get rid of it. Hemingway hints about how the man and the woman each feel about the unborn child, but he never tells us why they have such different views on the prospect of an abortion. The man in the story, referred to as "the American," claims that the abortion is necessary because it would save their relationship, whereas the woman, Jig, has doubts as to whether or not she should have an abortion at all.
In the short story by Ernest Hemingway, "Hills Like White Elephants," a couple is delayed at a train station en route to Madrid and is observed in conflict over the girl's impending abortion. In his writing, Hemingway does not offer any commentary through a specific character's point of view, nor, in the storytelling, does he offer his explicit opinions on how to feel or think about the issues that emerge. The narrative seems to be purely objective, somewhat like a newspaper or journal article, and in true Hemingway form the story ends abruptly, without the couple's conflict clearly being resolved. The ambiguity of the ending has been a subject of much debate; however, the impact of what is not said in words can be gleaned through the symbolism of their surroundings. Upon examination of the setting, the couple's final choice becomes instantly apparent.