The development of images through the use of distinctively visual language in Lawson’s ‘In a dry season’ allows the reader to connect with both the character and their environment. The first word ‘draw’ is indicative of what Lawson has anticipated for the rest of the pure sketch. ’a wire fence and a few ragged gums…Then you’ll have the bush’. This effective use of a direct imperative followed by plain but valuable concrete sensory description as well as the listing of ‘a public house and a general store, with a square tank and a schoolhouse’ to describe the towns contents and the afterthought ‘but the shutters are up and the place empty’ gives the reader to picture an idle and unfruitful image. The monotony of the environment is highlighted through these techniques and the reader instantly dislikes the Australian bush due to its sameness, predictability and desolation.
Lawson wields a generous amount of sarcasm and humour into the sketch. Examples include the aside- ‘death is about the only cheerful thing in the bush’, the exclamation ‘they talk of settling people on the land! Better settle people in it’ and ‘leaning in one of the eight possible directions’ These allude to lifelessness and death, evoking images of an empty, boring and uneventful place in one’s mind which is further emphasized by ‘by a way of variety, the artist might make a watercolour-sketch of a fettlers tent on the line’ to highlight the lack of activit...
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...th the beggar. ‘lost in the trackless jungle of his pain’ is an example of symbolism used to demonstrate that there is pain in the whole of the beggars body and it suggests that the amount of pain is endless. The reader visualises someone struggling for life and they begin to feel sympathetic towards the beggar, the first line of the third stanza ‘lying all alone’ additionally highlights this. The personification ‘clutching the pitiless red earth in vain’ helps to give the reader to feel sympathetic towards the beggar as clutching indicates his desperation and the colour red personifies the blood of life, nourishment, energy and strength. The responder is able to conceptualise this beautiful image and they uphold a relationship of sorrow and deep pity for the beggar, whilst discovering intolerance for the world he is stuck in due to the adversity it imposes upon him.
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